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Michael Benzehabe Biography

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“The less he says, the colder the concrete floor gets. The cold refrigerated air brushes over my feet and curls up my ankles. The coldness turns my toes inward, and I rock uneasily. Fear makes your body do things you can’t control. In battle, soldiers experience fight-or-flight, and their blood retreats into their core, their torso, depleting the extremities—which includes the brain.”

“It embarrasses me to admit this, but on the first day of school, I sat on a bench, next to one of the new kids. I crossed my fingers, hoping he’d talk to me. Either he didn’t notice me or thought I wasn’t very popular. I’m not. So, maybe the word has gotten out.”

“Teachers play their role in the plot, sifting me through the school’s proletarian worker-making machine. Each pass removes another thin layer of human soul, just enough to wear down my resistance.”

“It’s been about a month since I stopped turning in homework. Life’s harder when you’re the only one who sees the actual gears of oppression at work—and I see no way out. Society has me in its machine. I’m half-charged, half-concerned, half-awake. Zonked.”

“This has been an afternoon of romantic omens, gentle on the heart, but why me? Love never happens to me. Everything else, but not love. Does Arnold play drums? Guess I never asked. I’ve been terribly insensitive this last year. I haven’t even checked to see if he has a TikTok account.”

“I worry about this new America. People can’t go around laughing all the time. Eventually, everyone will come around to that realization. Mom doesn’t get it. She says, if you frown too long on the outside, eventually you’ll grow a frown on the inside. How could this apply to me? And who cares?”

“Ahhh, John Clark—totally dope. I’m simmering with curiosity about their romance. I guess that’s what people without romance do . . . wonder. It all started with him. Now, I die a little more every day. Only a fellow shipwrecked lover could possibly understand.”

“Saul stared at his Whisky Sour. He hadn’t heard from Zoe in about a week. Maybe she had lost interest. All at once, the room was filled with people laughing, talking about how wonderful it was to be a couple. He was mildly amused at how disconcerting being alone felt. He had met Zoe about a month ago, when he helped her cross a busy boulevard. Yet, it seemed like he had known her for years. He stepped outside to call and leave another message.”

“Saul had gained his six-foot frame at sixteen, but his muscles didn’t arrive until his early twenties. Between those lost years, he was a gangly, uncoordinated klutz. He was told that he could improve his dancing by watching himself in the mirror. He tried. What he saw was so repulsive that he resolved never to inflict himself on a dance partner. These days, Saul hid those memories behind weight lifting and jogging. His new athletic physique hid his aimless decade as an outsider, an odd and lonely kid--as he remembered it.”

“You have a famous relative. Family tradition has it we descend from St. Nicholas.” “Santa Claus? I thought he was make-believe.” “He is, but the person Santa Claus is based on is real. St. Nicholas of Myra was a fourth-century bishop—and a fine human being. He served in Turkey.”

“She closed the distance between them and gave him a tentative hug. He was liberally cologned, with a scent that incited bewildering memories. She circled him, not knowing why. She had only met him a few weeks back, yet tonight, something about him triggered old memories, of a time, a person. Maybe not. What she did know, he lacked that special ingredient that moved her. Dull as ditch water. He was sufficiently polite, but that was about all she could say. –Michael Benzehabe, from the novel Unassimilated”

“Rocketing fears for Grandfather aside, the whole music puzzle starts to make sense. “It’s more than a flash mob,” I insist. “Ask Professor Walker, this is Grandfather’s exit song. It’s like his portal of departure.” But Mom’s not listening. She’s preoccupied, apparently puzzled by Dad’s astonishment. Why isn’t anyone listening to me?”

“It’s funny,” John says, “how piano keys are black and white, yet they play a thousand different colors.” “‘Cept there ain’t no piyana,” Captain Clark shushes. John’s face goes blank. “Really? I thought I heard one.” Captain Clark looks at me, almost apologetically. “He’s got Van Gogh’s ear fer music.”

“This Ravel guy . . . it’s nice knowing there are composers out there who can put notes together that match the way I feel. If he wrote this after a stroke, then there’s hope for all us broken people. This must be an anthem for rejects. Music like this reminds us we’re not alone, that we can come out on the right side of heartbreak. Maybe that’s why more and more people are gathering around. I bet they’re broken too.”

“This feminine billboard of Middle-Eastern fashion stopped me on the street last month. She ran her hand over the seam of my jilbab, admiring the color and fabric. She only said a few words. 'We are living in a gender-quake, a modern sexodus. We have a duty to project dis female revolution in da way we dress. Come visit me at the Monkey Bar and tell me who tailors your outfits.' She's been my fashion role model ever since.”

“I owe your mother much more than money. I’m not trying to stop you from stealing from me, I’m trying to help you to stop stealing . . . from all stores, from your family, from yourself.”

“Some girls would consider this an insult. Not me, because if you had any idea how close we used to be, you would know how sincere she is. I guess you could say she’s still my friend, but a friend I keep at arm’s length.”

“I can’t do this anymore. Someday, novels will be written about all the sad ways we kids struggle to make teachers happy. There’s just no way to describe it. I guess adults will never understand . . . until they go through it.”

“I’ve warned him about the dangers of smoking and second-hand smoke. He always looks off in the distance, as if giving my warnings serious thought, then returns to his paper. I reconcile it all by thinking of him as an incense burner. I do like the smell of pipe tobacco . . . may Al Gore forgive me.”

“All the neighborhood dogs can see right through me. They know. They aren’t even barking. Out of pity, I suppose. The Carlucci’s dog is the worst barker in the neighborhood, but not today. I walk up to his gate and give it a shake. No reaction. He sits on the porch staring at me, like I ain’t nothin’. I look around and find a stick. I throw it at him. Down deep, I really didn’t intend to hit him, but the stick bounces off his rump. I cringe and cover my mouth. “Sorry,” I say. The old dog just walks to his back yard, disgusted with the whole mess. “You don’t understand,” I yell after him. “I’m having a life crisis!”

“I’ve earned the right to steal a little makeup. Scientists have confirmed that humanity is highly suggestible. If I intend to escape the jaws of consumerism, I have some hard choices ahead. I won’t say that the Devil is behind this, but Gretchen goes to Catholic school, she says the Devil can show up anywhere, and we wouldn’t even recognize him. Last week Gretchen told me, watch carefully to see how one thing connects to another.”

“People, like buildings, have facades. Tom created his. His walk was a feat. It had taken him twenty years of killing bad guys and a pair of Tony Lama boots to perfect the illusion. He made sure that everyone felt it by the third clunk of his boot heel. When he entered a crime scene there was a hush, and no one ever quite knew why they were holding their breath. But he did. A crime scene was theater and the stage was his.”