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Rick Bragg

Rick Bragg Quotes

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Famous Rick Bragg Quotes

“In water so fine, a few minutes of bad memory all but disappear downstream, washed away by ten thousand belly busters, a million cannonballs. Paradise was never heaven-high when I was a boy but waist-deep, an oasis of cutoff blue jeans and raggedy Converse sneakers, sweating bottles of Nehi Grape and Orange Crush, and this stream. I remember the antidote of icy water against my blistered skin, and the taste of mushy tomato and mayonnaise sandwiches, unwrapped from twice-used aluminum foil. I saw my first water moccasin here, and my first real girl, and being a child of the foot washers I have sometimes wondered if this was my Eden, and my serpent. If it was, I didn't hold out any longer than that first poor fool did.”

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“But I hope I will never have a life that is not surrounded by books, by books that are bound in paper and cloth and glue, such perishable things for ideas that have lasted thousands of years, or just since the most recent Harry Potter. I hope I am always walled in by the very weight and breadth and clumsy, inefficient, antiquated bulk of them, hope that I spend my last days on this Earth arranging and rearranging them on thrones of good, honest pine, oak, and mahogany, because they just feel good in my hands, because I just like to look at their covers, and dream of the promose of the great stories inside.”

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Book:My Southern Journey: True Stories from the Heart of the South
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“Mostly I love Halloween because it is the orange-and-black beginning of a season that tumbles into Thanksgiving, which tumbles into Christmas. And Zombies just seem a little out of place in that. Thanksgiving should have nothing to do with armies of shuffling undead. Don’t get me started on Christmas. The only undead at Christmas should be Jacob Marley, wailing about greed. The iconic image of Halloween should be the pun’kin. The pun’kin, carved into faces that are scary only because we want them to be, winking from every porch. The pun’kin cast in plastic, swinging from the hands of knee-high princesses, leering back from department store shelves, until it gives way to tins of butter cookies. But I fear for the pun’kin. How long before before he is kicked down the street by zombie hordes, booted into obscurity? Young people tell me that no one—no one— wants to dress up like a pun’kin any more. All a pun’kin does they say is sit there, and glow. This may be true, all of it, but try to make a pie out of a zombie, and see where that gets you. Though I hear that, when it comes to pies, your canned zombie is the way to go.”

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Book:Where I Come From: Stories from the Deep South
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“It is true that almost everyone in the foothills farmed and hunted, so there were no breadlines, no men holding signs that begged for work and food, no children going door to door, as they did in Atlanta, asking for table scraps. Here, deep in the woods, was a different agony. Babies, the most tenuous, died from poor diet and simple things, like fevers and dehydration. In Georgia, one in seven babies died before their first birthday, and in Alabama it was worse. You could feed your family catfish and jack salmon, poke salad and possum, but medicine took cash money, and the poorest of the poor, blacks and whites, did not have it. Women, black and white, really did smother their babies to save them from slow death, to give a stronger, sounder child a little more, and stories of it swirled round and round until it became myth, because who can live with that much truth.”

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Book:Ava's Man
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“I know I grew up in the time when a young man in a baggy suit and slicked-down hair stood spraddle-legged in the crossroads of history and talked hot and mean about the colored, giving my poor and desperate people a reason to feel superior to somebody, to anybody. I know that even as the words of George Wallace rang through my Alabama, the black family who lived down the dirt road from our house sent fresh-picked corn and other food to the poor white lady and her three sons, because they knew their daddy had run off, because hungry does not have a color.”

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Book:All Over but the Shoutin'
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“I once banged out a story in Peshawar, Pakistan, while eating a chicken salad sandwich, as demonstrators shouted their displeasure of all things American in the glow of burning flags and some steel-edged radials. I was told, by well-meaning people, that I should tell the angry crowds that I was, in fact, Canadian. I just looked at them. How in the world do you pretend to be from Calgary, when you talk like me? I thought briefly, I would say I was from Alabama, and hope they didn’t know exactly where that was, but I am pretty sure that, if I had, someone would answer back: “Roll Tide.”

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Book:My Southern Journey: True Stories from the Heart of the South
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“But I hope I will never have a life that is not surrounded by books, by books that are bound in paper and cloth and glue, such perishable things for ideas have lasted thousands of years . . . I hope I am always walled in by the very weight and breadth and clumsy, inefficient, antiquated bulk of them, hope that I spend my last days on this Earth arranging and rearranging them on thrones of good, honest pine, oak, and mahogany, because I just like to look at their covers, and dream of the promise of the great stories inside.”

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“The only thing poverty does is grind down your nerve endings to a point that you can work harder and stoop lower than most people are willing to. It chips away a person's dreams to the point that the hopelessness shows through, and the dreamer accepts that hard work and borrowed houses are all this life will ever be.”

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Book:All Over but the Shoutin'
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“When you're a sportswriter, you learn how to use your imagination and to flex your literary muscle, because it's the same game played over and over again. There's nothing unique or marvelous. It's not an earthquake, or a weird mass murder. It's just the same old game played over and over, and you have to bring out the personalities. You have to drag them kicking and screaming out into the light of day, or you're not a good sportswriter.”

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“I began reading Harper Lee's novel in the skimpy shade of a pine outside my grandmother's house, fat beagles pressing against me, begging for attention, ignored. At dark, I kept reading, first on the couch, a bologna sandwich in one hand, then in my bed, by the light of a 60-watt bulb hanging from the ceiling on an orange drop cord. When my mother came in from her job as a maid and unplugged my chandelier, I replayed the story in my head until it was crowded out by dreams. I woke the next morning, smelling biscuits, and reached for the book again.”

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