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Warren Ellis

Warren Ellis Books

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“Terrible goddamn place. Some days it's like some bastard nailed a ticket for the bus tour down to fucking Hell to the front of my brain. For every wild everything-depends-on-it first-week-of-being-madly-in-love kiss on a streetcorner, for every beautiful woman stopping to feel the sun on her face and every child dancing in clean rain, there's a kid living in its own shit in a dumpster somewhere while Daddy sells his ass for milk money, tanks breaking down unwanted houses just to stop homeless people squatting there... Time was this place didn't make sense and I could live with it. Either it's changed, or I have. There's all the good things on this ticket, and pure fucking evil too. And all the same, I'm going down with you.”

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Book:Transmetropolitan, Vol. 5: Lonely City
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“Gentrification had stopped dead several doors west of my spot overlooking Avenue B. You could actually see the line. That side of the line; Biafran cuisine, sparkling plastic secure window units, women called Imogen and Saffron, men called Josh and Morgan. My side of the line; crack whores, burned-out cars, bullets stuck in door frames, and men called Father-Eating Bastard. It’s almost a point of honour to live near a crackhouse, like living in a pre-Rudy Zone, a piece of Old New York.”

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Book:Crooked Little Vein
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“¿Sabes qué hago aquí? Pienso en matar gente obviamente. Pregunta estúpida. Una vez me grabaron mientras mataba. Una periodista imbécil vino a Ryker’s con su estúpido equipo de cámara y me preguntó por qué sonreía. No sólo me gusta. No solo se me da bien. No voy a decirte que es mi idea del arte ni mierdas por el estilo. Cuando mato, me fortalezco. Mi cabeza se aligera. Me quito todo el peso de encima. Mi corazón bombea más deprisa. Y no hay esfuerzo. Todo se vuelve fácil. Soy más fuerte, más rápido. No hay gravedad. Veo más lejos. Lo sé todo. Cada vez que mato, me parezco más a Dios. ¿Puedes imaginártelo? Él crea, yo tomo. Tal vez ese sea el secreto de la religión, ¿no? Tal vez yo soy el nuevo Dios. Puede que matar a la velocidad que él crea me convierta en su único amigo. Qué idea, ¿no?”- Bullseye.”

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Author:Warren Ellis
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“Did you ever want to set someone's head on fire, just to see what it looked like? Did you ever stand in the street and think to yourself, I could make that nun go blind just by giving her a kiss? Did you ever lay out plans for stitching babies and stray cats into a Perfect New Human? Did you ever stand naked surrounded by people who want your gleaming sperm, squirting frankincense, soma and testosterone from every pore? If so, then you're the bastard who stole my drugs Friday night. And I'll find you. Oh, yes.”

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Book:Transmetropolitan, Vol. 5: Lonely City
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“Love is very important, nurse Igor. Love is a gateway emotion. Without it, you cannot fully comprehend and experience things like... vengeance, for instance. Or terror. Loss. Hate. Hate is all you need. Hate means never having to say you're sorry. You can't hate properly without ever having been in love. Because nothing will teach you hate as well as being in love. You can't understand a place without loving it. And it's the act of loving it that teaches you to hate it, as it chips away at your heart with its daily failures and disappointments.”

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Book:Doktor Sleepless, Volume 1: Engines of Desire
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“THAT'S what we achieve. We show them they're accountable. We show them that just as they try to herd us back into cages of quiet mediocrity, we can chase them back to fucking hell with the TRUTH. It's THE JOURNALISM OF ATTACHMENT. It's CARING about the world you report on. Some people say that's bad journalism, that there should be a detached, cold, unbiased view of the world in our news media. And if that's what you want, there's security cameras everywhere that you could watch tapes of. I want to see humans talking about human life, personally. I want to see people who give a shit about the world.”

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Book:Transmetropolitan, Vol. 5: Lonely City
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“The book is almost always better than the movie. You could have no better case in point than FROM HELL, Alan Moore's best graphic novel to date, brilliantly illustrated by Eddie Campbell. It's hard to describe just how much better the book is. It's like, "If the movie was an episode of Battlestar Galactica with a guest appearance by the Smurfs and everyone spoke Dutch, the graphic novel is Citizen Kane with added sex scenes and music by your favourite ten bands and everyone in the world you ever hated dies at the end." That's how much better it is.”

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Author:Warren Ellis
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“Unless you turn out to be a shining and ballistic genius, then, trust me, if you want to do this then you're going to be spending the next few years doing little else. This is a thing you do at a table with a notebook and a keyboard, and there's no getting away from it. Put in the hours. You don't get to turn off 'being a writer.'”

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Author:Warren Ellis
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“Chris Claremont once said of Alan Moore, "if he could plot, we'd all have to get together and kill him." Which utterly misses the most compelling part of Alan's writing, the way he develops and expresses ideas and character. Plot does not define story. Plot is the framework within which ideas are explored and personalities and relationships are unfolded.”

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Author:Warren Ellis
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