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Quote by Phyllis Hastings

“بابام همیشه می گفت که سؤال یک چیز جدی است و نباید سرسری به آن جواب داد. باید از هر جهت به آن فکر کرد جواب های غیر معقول آن را دور ریخت و بقیه را سبک و سنگین کرد. می گفت روی همین اصل که به خیلی از سؤالات پیش از آن که خوب و درست طرح شوند، زود جواب داده شده، فجایع بسیار اتفاق افتاده است.”

Quote by Phyllis Hastings

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Scarecrow lover

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Phyllis Hastings

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“In repressing and censoring the literary genre specifically invented to give "the necessity of lying" a place in the world, the Inquisitors achieved exactly the opposite of what they wanted. Theirs was a world without novels, yes, but also a world into which fiction had spread and contaminated practically everything: history, religion, poetry, science, art, speeches, journalism, and the daily habits of people.”

“We still are victims, in Latin America, of what we could call 'the revenge of the novel.' We still have great difficulty in our countries in differentiating between fiction and reality. We are traditionally accustomed to mix them in such a way that this is, probably, one of the reasons why we are so impractical and inept in political matters, for instance. But some good came also from this novelization of our whole life. Books such as Marquez's One Hundred Years of Solitude, Cortázar's short stories, and Roa Bastos's novels would not have been possible otherwise.”

“بی قصد گفتم: (( بعضی اوقات از خودم می پرسم، واقعا آزاد بودن چه معنی ای دارد.)) - من فکر می کنم که آزادی نمی تواند جز کمی بی گدار زدن به آب باشد . آزادی تعادلی متزلزل است، کمی خارج از حد و‌ مرز بودن.”

“I felt truly ashamed when I spat blood onto the street and caught her frightened gaze. I felt sorry for her; she seemed too delicate, as if she'd never seen someone in pain before. She looked like a butterfly; hazel eyes, hair neatly braided, a broad white forehead with a few strands of brown hair falling across it. Her beauty was simple; the kind one passes every day without a second glance. So why was I drawn to her, of all the faces around me, faces filled with judgment as I collapsed on the street? From Whispers along the Strings of Love”

“استاسیو گفت: (( ارواح به صورت کرکس، چلچله و‌با موجودات دیگری بین این دو متولد می شوند. برای یکی افقی گسترده و‌کوه بلند لازم است که بر قله ی آن بال زده، صعود کرده و به آفتاب خیره شود و دیگری فضایی چند وجبی و سقفی می خواهد تا بتواند زیر آن لانه ی خود را پنهان کند. چلچله ها تیره و گمنام، ولی خوشحال هستند. نگاه ها را فریب نمی دهند، آدم ها را تحت سلطه در نمی آورند، در صفحات درخشان و حزن انگیز تاریخ به آنها اشاره نشده است، سقف خانه ای که در آن زندگی می کنند و یا درختی که روی آن استراحت کرده و فرود می آیند، تنها شاهد و تنها خوشبختی چند روزی است که می گذرد. هنگامی که مرگ هر دو گروه فرا می رسد، همه روی یک بستر مشترک ابدیت فرود می آیند، جایی که جملگی در یک خواب ابدی فرو می روند، چه فرماندهی باشند که برای رسیدن به این وضعیت و بستر از نردبان مرگ بالا رفته باشد و‌چه شبانی که یک بار آن بستر را دیده و‌ دو‌ ساعت بعد یادش رفته باشد.”