Quotessence
Home / Quotes / A Quotes

A Quotes

Browse famous quotes beginning with A. This page is a child index of the full Popular Quotes A-Z directory.

All A Quotes

“A faerie crouched beside me. It was very small, its frame skeletal with a face full of teeth and two sharp black stones for eyes tucked beneath a ravenskin that it seemed to wear as a sort of cloak, but the skin had been poorly cleaned and the eyes were absent. It had all the substance of cobwebs and was both there and not there; viewed from certain angles, it was merely the shadow of a stone, and from others, a live raven. It was digging around in my pockets with fingernails the length again of its spindly arms and sharp enough to slit my throat without my noticing the injury immediately.”

“A faerie heart is different from a human heart. Human hearts are elastic. They have room for all sorts of passions, and they can break and heal and love again and again. Faerie hearts are evolutionarily less sophisticated. They are small and hard, like tiny grains of sand. Our hearts are too small to love more than one person in a lifetime.”

“A Faery Song Sung by the people of Faery over Diarmuid and Grania, in their bridal sleep under a Cromlech. We who are old, old and gay, O so old! Thousands of years, thousands of years, If all were told: Give to these children, new from the world, Silence and love; And the long dew-dropping hours of the night, And the stars above: Give to these children, new from the world, Rest far from men. Is anything better, anything better? Tell us it then: Us who are old, old and gay, O so old! Thousands of years, thousands of years, If all were told.”

“A failed marriage is the most humiliating confirmation of the transitory seduction of the flesh. Lovers can explore every line, every curve and hollow, of the beloved's body, can together reach the height of inexpressible ecstasy; yet how little it matters when love or lust at last dies and we are left with disputed possessions, lawyers' bills, the sad detritus of the lumber-room, when the house chose, furnished, possessed with enthusiasm and hope has become a prison, when faces are set in lines of peevish resentment and bodies no longer desired are observed in all their imperfections with a dispassionate and disenchanted eye.”

“A failure establishes only this, that our determination to succeed was not strong enough.”

“A failure is not always a mistake, it may simply be the best one can do under the circumstances. The real mistake is to stop trying.”

“A failure remains a failure only if we refuse to learn from it. Any situation that teaches us greater humility, sobriety, wisdom about self and others, responsibility, forgiveness, depth of reflection, and better decision making -\-\teaching us what's truly important-\-\is not an ultimate failure. Sometimes what we deem a failure at the time it happens actually serves to foster a change within us that creates an even greater success down the road.”

“A failure to learn about Satan's plan for man here on earth would be fatal to the full exercise of free agency. The reason for this lies in the fact that . . . free agency is the opportunity to choose between good and evil. To intelligently make such a choice one must understand the alternatives-both of them. To the extent one is ignorant of these alternatives, to that same extent he has not made a complete choice. Until a person understands Satan's plan, he can never be certain he does not believe in it and is not helping to carry it out.”

“A faint glow streamed from behind the buildings into the sky, the reflection of thousands of unknown lights, the electric breath of the city. She wanted to rest. To rest, she thought, and to find enjoyment some-where. Her work was all she had or wanted. But there were times, like to-night, when she felt that sudden, peculiar emptiness, which was not emptiness, but silence, not despair, but immobility, as if nothing within her were destroyed, but everything stood still. Then she felt the wish to find a moment's joy outside, the wish to be held as a passive spectator by some work or sight of greatness. Not to make it, she thought, but to ac-cept; not to begin, but to respond; not to create, but to admire. I need it to let me go on, she thought, because joy is one's fuel.”

Author:Ayn Rand

“A faint, high pitched scream came from Etienne's pocket, accompanied by a drumbeat. "There are squirrels in my pants!" a girl cried as Phineas and Ferb's "Squirrels in My Pants"song began blaring from his phone. Every immortal in the room turned to look at him. Etienne scowled at his brother. Laughing, Richart closed his cell phone and put it away. "I didn't change it. I just wanted to know what it was." "Asshole.”

“A Faint Music by Robert Hass Maybe you need to write a poem about grace. When everything broken is broken, and everything dead is dead, and the hero has looked into the mirror with complete contempt, and the heroine has studied her face and its defects remorselessly, and the pain they thought might, as a token of their earnestness, release them from themselves has lost its novelty and not released them, and they have begun to think, kindly and distantly, watching the others go about their days— likes and dislikes, reasons, habits, fears— that self-love is the one weedy stalk of every human blossoming, and understood, therefore, why they had been, all their lives, in such a fury to defend it, and that no one— except some almost inconceivable saint in his pool of poverty and silence—can escape this violent, automatic life’s companion ever, maybe then, ordinary light, faint music under things, a hovering like grace appears. As in the story a friend told once about the time he tried to kill himself. His girl had left him. Bees in the heart, then scorpions, maggots, and then ash. He climbed onto the jumping girder of the bridge, the bay side, a blue, lucid afternoon. And in the salt air he thought about the word “seafood,” that there was something faintly ridiculous about it. No one said “landfood.” He thought it was degrading to the rainbow perch he’d reeled in gleaming from the cliffs, the black rockbass, scales like polished carbon, in beds of kelp along the coast—and he realized that the reason for the word was crabs, or mussels, clams. Otherwise the restaurants could just put “fish” up on their signs, and when he woke—he’d slept for hours, curled up on the girder like a child—the sun was going down and he felt a little better, and afraid. He put on the jacket he’d used for a pillow, climbed over the railing carefully, and drove home to an empty house. There was a pair of her lemon yellow panties hanging on a doorknob. He studied them. Much-washed. A faint russet in the crotch that made him sick with rage and grief. He knew more or less where she was. A flat somewhere on Russian Hill. They’d have just finished making love. She’d have tears in her eyes and touch his jawbone gratefully. “God,” she’d say, “you are so good for me.” Winking lights, a foggy view downhill toward the harbor and the bay. “You’re sad,” he’d say. “Yes.” “Thinking about Nick?” “Yes,” she’d say and cry. “I tried so hard,” sobbing now, “I really tried so hard.” And then he’d hold her for a while— Guatemalan weavings from his fieldwork on the wall— and then they’d fuck again, and she would cry some more, and go to sleep. And he, he would play that scene once only, once and a half, and tell himself that he was going to carry it for a very long time and that there was nothing he could do but carry it. He went out onto the porch, and listened to the forest in the summer dark, madrone bark cracking and curling as the cold came up. It’s not the story though, not the friend leaning toward you, saying “And then I realized—,” which is the part of stories one never quite believes. I had the idea that the world’s so full of pain it must sometimes make a kind of singing. And that the sequence helps, as much as order helps— First an ego, and then pain, and then the singing”

“A faint sheen of perspiration made Simone's face glow, and every part of him felt warm and alive. I want you, he thought. God, I want you. He used his free hand to cup the side of her face. Her skin was so soft...so dewy and creamy and perfect. He wanted to touch every inch of her. He wanted to lick the salt sheen from her breasts and her belly and her legs. He wanted to taste the deep places.”

“A faint singing seemed to issue from the walls... yes, it was as though the walls themselves were singing!... The song became plainer... the words were now distinguishable... he heard a voice, a very beautiful, very soft, very captivating voice... but, for all its softness, it remained a male voice... The voice came nearer and nearer... it came through the wall... it approached... and now the voice was in the room, in front of Christine. Christine rose and addressed the voice, as though speaking to some one: "Here I am, Erik," she said. "I am ready. But you are late." Raoul, peeping from behind the curtain, could not believe his eyes, which showed him nothing. Christine's face lit up. A smile of happiness appeared upon her bloodless lips, a smile like that of sick people when they receive the first hope of recovery. The voice without a body went on singing; and certainly Raoul had never in his life heard anything more absolutely and heroically sweet, more gloriously insidious, more delicate, more powerful, in short, irresistibly triumphant. He listened to it in a fever and he now began to understand how Christine Daaé was able to appear one evening, before the stupefied audience, with accents of a beauty hitherto unknown, of a superhuman exaltation, while doubtless still under the influence of the mysterious and invisible master. The voice was singing the Wedding-night Song from Romeo and Juliet. Raoul saw Christine stretch out her arms to the voice as she had done, in Perros church-yard, to the invisible violin playing The Resurrection of Lazarus and nothing could describe the passion with which the voice sang: "Fate links thee to me for ever and a day!" The strains went through Raoul's heart.”

“A faint smile showed on his face. ‘The Giant! You and Groen have your little joke all to yourselves, I fancy. Everyone takes it for granted the Giant is the Moloch of Machinery—They don’t see that the real Giant is that pigmy figure—man. The individualist who endures through Stone and Iron and who though civilizations crumble and die, fights his way through yet another Glacial Age to rise in a new civilization of which we do not dream . . .’ His smile broadened. ‘As I grow older I am more and more convinced that there is nothing so pathetic, so ridiculous, so absurd, and so absolutely wonderful as Man—”

“A faint smile touched his lips. “How militant you’re being. What if I don’t choose to stay? Will I be chained to your wrist like a diplomat’s briefcase?” “If necessary.” She blinked back tears of anger and exhaustion. “I’ll do anything I can to keep you here. It’s stupid of you to even think of leaving me when you love me. And you do love me. Why don’t you admit it?” “I love you,” he said obediently. “You’re so damned frightened that I’m going to be hurt—” She stopped and tried to steady her voice. “Well, if you don’t stay with me, I’ll get Penny and Mac to give me the most dangerous assignments they can dredge up. Beirut, investigative reporting, drug running.” The smile disappeared from Jordan’s face. “The hell you will.”