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A Quotes

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All A Quotes

“Arms are instruments of ill omen.... When one is compelled to use them, it is best to do so without relish. There is no glory in victory, and to glorify it despite this is to exult in the killing of men.... When great numbers of people are killed, one should weep over them with sorrow. When victorious in war, one should observe mourning rites.”

“Arms around me in the dark. Lips against mine in the sunlight. Do you know why I love you? He knew me. And loved me. And he had never asked me for anything. Even Shade wanted me to die for him. Maybe I shouldn’t forgive a monster just because he loved me that way—but— But loving me that way made him a monster. My doom was the price of saving Arcadia, and only a monster would care more about me than saving thousands upon thousands of innocents. Shade was the last prince; of course if he could save only one, he would choose Arcadia. I would do the same.”

“Arms covered, hair covered, skirts down to the knee before you were five and no more than two inches above the ankle after that, because the urges of men were terrible things and those urges needed to be curbed. The man eyes that were always roaming here and there like the eyes of tigers, those searchlight eyes, needed to be shielded from the alluring and indeed blinding power of us ... Whatever our shapes and features, we were snares and enticements despite ourselves, we were the innocent and blameless causes that through our very nature could make men drunk with lust ... We were custodians of an invaluable treasure that existed, unseen, inside us; we were precious flowers that had to be kept safely inside glass houses, or else we would be ambushed and our petals would be torn off and our treasure would be stolen ...”

“Arms discourage and keep the invader and plunderer in awe, and preserve order in the world as well as property... Horrid mischief would ensue were the law-abiding deprived of the use of them.”

“Arms still crossed, Lindsay's clogs tapped on the sidewalk. “So Sam didn’t tell you I was a desperate orphan child with no life outside of work? This isn’t some kind of intervention, some kind of lame attempt to cheer me up?” He grinned.“Why would she do that?” “Because that’s how it sounded.” Nudging her shoulder, he grinning down at her. “You don’t look desperate, Dr. Lindsay, not by a long shot." “That’s because you don’t know me.” Lindsay bit her lower lip, arms still crossed, clogs still tap-tap-tapping. Her chest heaved. “My parent’s died in a car accident almost two years ago. It’s a difficult thing to get over. I’m still not exactly right. I guess she worries about me.” Ty sucked in his breath, thinking fast. “I’m really sorry about your parents, Linds.” As he put an arm around her shoulder, she broke into a self-conscious smile and shook her head. “Spend any time with me at all and you’ll find that Sam’s right. I’m a desperate orphan child, completely paranoid and irrepressibly horny.” “Whoa!” She looked so cute, but vulnerable, too. He closed the arm around her shoulder, squeezing her sideways to his chest. Embarrassed, she smiled as she elbowed his rib. Then she dropped her arms and stayed put, tucked close against him. It felt right, having her there.”

“Arms still crossed, Lindsay's clogs tapped on the sidewalk. “So Sam didn’t tell you I was a desperate orphan child with no life outside of work? This isn’t some kind of intervention, some lame attempt to cheer me up?” He grinned.“Why would she do that?” “Because that’s how it sounded.” Nudging her shoulder, he grinning down at her. “You don’t look desperate, Dr. Lindsay, not by a long shot. “That’s because you don’t know me.” Lindsay bit her lower lip, arms still crossed, clogs still tap-tap-tapping. Her chest heaved. “My parent’s died in a car accident almost two years ago. It’s a difficult thing to get over. I’m still not exactly right. I guess she worries about me.” Ty sucked in his breath, thinking fast. “I’m really sorry about your parents, Linds.” As he put an arm around her shoulder, she broke into a self-conscious smile, and shook her head. “Spend any time with me at all and you’ll find that Sam’s right. I’m a desperate orphan child, completely paranoid and irrepressibly horny.” “Whoa!” She looked so cute, but vulnerable, too, against him. He closed the arm around her shoulder, squeezing her sideways to his chest. Embarrassed, she smiled as she elbowed his rib. Then she dropped her arms and stayed put, tucked close against him. It felt right, having her there.”

“Arms wrapped around his neck, she kissed his temple. "I'm sorry I scared you." It wasn't the done thing for an archangel to admit fear, but he was hers, and she'd hurt him without meaning to; it was up to her to fix her mistake. His wings shifted, but he didn't extricate their bodies. "I didn't know fear until you, Elena. Use the power wisely.”

“Arms, like laws, discourage and keep the invader and plunderer in awe and preserve order.”

“Armstrong was the key creator of the mature working language of jazz. Three decades after his death and more than three-quarters of a century since his influence first began to spread, not a single musician who has mastered that language fails to make daily use, knowingly or unknowingly, of something that was invented by Louis Armstrong.”

“Armstrong, sitting in the commander's seat, spacesuit on, helmet on, plugged into electrical and environmental umbilical's, is a man who is not only a machine himself in the links of these networks, but is also a man sitting in (what Collins is later to call) a 'mini-cathedral.' a man somewhat more than a pilot, somewhat more than a superpilot, is in fact a veritable high priest of the forces of society and scientific history concentrated in that mini cathedral, a general of the church of the forces of technology.”

“Army Brat: an acronym for Born, raised and transferred. Brats, irreverent, sometimes more reckless than courageous and unabashedly basking in the reflected glory and adoration our fathers deservedly received. But mostly we were gypsies--agile quick-witted and tough bunch of youngsters growing up in a world that barricaded the rest of the universe out and kept us cocooned within ours. The brats moved every two years across the country, from one cantonment to another, inadvertently learning to adapt and engage faster than their 'civilian' counterparts changed their iphones. Resilience was a byproduct of this lifestyle. Our wings were our roots. And those wings had brought my father to Tawang, a sensitive military base near out border with China.”

“Army of Lovers (The Sonnet) What's needed is an army of lovers, To set this world on fire, A fire that burns prejudice to ashes, And sparks a humanitarian desire. Lovers devoted to the path of sacrifice, Pure and chaste serving without reward, Pursuing the one impossible dream, The dream of humanizing the entire world. Not a trace of self within, Not a kernel of self-obsession, Uncorrupted and unbending to the bone, Wake up and be the living ascension. Drink from the fountain of service effulgent. Annihilated for others we turn omnipresent.”

“Arnold had never given much thought to whether or not he loved America—but now it seemed pretty obvious to him that he didn’t. Not in the way Nathan Hale had loved America. Or even in the way his late father, a Dutch-Jewish refugee, had loved America. In fact, he found the idea of sacrificing his life for his country somewhat abhorrent. Moreover, it wasn’t that he disliked abstract loyalties in general. He loved New York, for instance: Senegalese takeout at three a.m., and strolling through the Botanical Gardens on the first crisp day of autumn, and feeding the peacocks at the Cathedral of St. John the Divine. If Manhattan were invaded—if New Jersey were to send an expeditionary force of militiamen across the Hudson River—he’d willingly take up arms to defend his city. He also loved Sandpiper Key in Florida, where they owned a time-share, and maybe Brown University, where he’d spent five years of graduate school. But the United States? No one could mistake his qualified praise for love.”

“Arnold Harberger, Milton Friedman & Co. Inc., your modest proposal of partial equilibrium for the general good is not without its own internal contradictions. Moreover, you cannot take complete credit for this program of equilibriation. Although you and your colleagues and disciples at the Department of Economics of the University of Chicago may have dedicated two decades to the design of the program and the technical training of its executors, it took the approach of another major economic and political crisis of capitalism, analogous to that of the 1930's, to mobilize the political support and the military force to instal a government prepared to put your program of equilibration and your equilibrating experts to work in Chile - and you, Milton Friedman, are still waiting to put your part of the same program, complete with Brazilian style indexing, into practice at home for the glory and benefit of the bourgeoisie in the USA, whom you so faithfully serve as paid executors and executioners.”