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B Quotes

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All B Quotes

“Bria was silent for a moment. “What—what were you dreaming about?” I shrugged. “The usual. The night that our mother and Annabella died. I always see different parts of it, different bits and pieces.” “What did you see tonight?” I grimaced, even though she couldn’t see it in the darkness. “Oh, tonight was a real doozy. I dreamed about watching them die, about seeing them both disappear into balls of flames as Mab’s elemental Fire washed over them.” “Oh.”

“Brian and Avis deliver their stacks and try to refuse dinner, but the waiters bring them glasses of burgundy, porcelain plates with thin, peppery steaks redolent of garlic, scoops of buttery grilled Brussels sprouts, and a salad of beets, walnuts, and Roquefort. They drag a couple of lawn chairs to a quiet spot on the street and they balance the plates on their laps. Some ingredient in the air reminds Avis of the rare delicious trips they used to make to the Keys. Ten years after they'd moved to Miami they'd left Stanley and Felice with family friends and Avis and Brian drove to Key West on a sort of second honeymoon. She remembers how the land dropped back into distance: wetlands, marsh, lazy-legged egrets flapping over the highway, tangled, sulfurous mangroves. And water. Steel-blue plains, celadon translucence. She and Brian had rented a vacation cottage in Old Town, ate small meals of fruit, cheese, olives, and crackers, swam in the warm, folding water. Each day stirring into the next, talking about nothing more complicated than the weather, spotting a shark off the pier, a mysterious constellation lowering in the west. Brian sheltered under a celery-green umbrella while Avis swam: the water formed pearls on the film of her sunscreen. They watched the night's rise, an immense black curtain from the ocean. Up and down the beach they hear the sounds of the outdoor bars, sandy patios switching on, distant strains of laughter, bursts of music. Someone played an instrument- quick runs of notes, arpeggios floating in soft ovals like soap bubbles over the darkening water.”

“Brian ebbe un attimo di illuminazione. Guardò tutta quella spazzatura in perenne aumento e per la prima volta capì in cosa consistesse il suo lavoro. Non in progettazione o trasporto o riduzione alla fonte. Lui si occupava di comportamento umano, delle abitudini e degli impulsi della gente, dei loro incontrollabili bisogni e innocenti desideri, forse delle loro passioni, sicuramente dei loro eccessi e delle loro debolezze ma anche della loro gentilezza, della loro generosità, e la domanda era come impedire questo metabolismo di massa di sopraffare l'umanità. La discarica gli mostrava senza mezzi termini come finiva il torrente dei rifiuti, dove sfociavano tutti gli appetiti e le brame, i grevi ripensamenti, le cose che si desideravano ardentemente e poi non si volevano più.”

“Brian, I know you told me your last job was your last job, a strange feeling came over me when I took the booking, they asked for someone with an abundance of patience and who has better patience than you, no one, better care, and that best carer, my friend is you, Brian you listen to me, and you listen good, think of this as your retirement present, think of this as a way of closure for all the wonderful work you have done for the past thirty years, if not for my sake, then do it for the sake of an old eighty-four-year-old woman”

“Brian is a deeply compassionate man who was sad to learn that his work colleague, Tom, had lost his 17-year-old daughter to a drug overdose. When Tom returned to work weeks later, Brian approached him and said, “Man, I am so sorry. There are no words to express my condolences. “Brian reached out to hug Tom. At first, he was rigid and on guard, but with Brian’s genuine embrace, he felt Tom release into his safety. Tom had been so incredibly strong for his wife and family that Brian’s powerful hug allowed him to surrender into another man’s strength. It was a memorable and powerful step towards healing. Sometimes a hug at the right time, even if spontaneous, can be the kindest thing you can do for another human being.”

“Brian is an archetypal character, a bit like Don Juan, which is how I play him. He's a blast to play. He believes unapologetically in his freedom. He holds nothing back. Something I'm learning is, you can't hate the character you play. If I think my character is an asshole, that's all that will come across. He is drawn in an extreme way, but that doesn't mean he's not a person.”

“Brian Myers takes a fresh approach. He largely ignores what the regime tells the outside world about itself, but concentrates instead on what North Koreans themselves are supposed to believe, paying special attention to the North Korean narratives and mass culture, including movies and television shows. (...) There are few books that can give the world a peek into the Hermit Kingdom. The Cleanest Race provides a reason to care about how those in North Korea see themselves and the West. It is possibly the best addition to that small library.”

“Brian orders us both Grandpa's Turtle Sundaes, a classic with vanilla ice cream, hot fudge, caramel sauce, whipped cream and nuts, topped with a house-made turtle candy instead of a cherry. Sigh. So much for getting out of the elastic waistband pants anytime soon. But the thing is, it works. Decadent, insane, over the top, but so freaking delicious. Cold ice cream, fluffy whipped cream, the mingling richness of fudge and caramel, perfectly tempered with the salt and crunch of toasted pecans and peanuts. A weirdly perfect food.”

“Brian Posehn went up at 4:45 in the morning. And he gets lost at a certain point. I don't know if we kept him getting lost on the CD. That joke isn't as technically well delivered as I'm sure it is in his Comedy Central special. But the whole disk has this looseness and flavor to it where anything can happen that a lot of people will prefer.”

“Brian ‘The Tax Man’ Cockerill - While I’m mentioning drug dealers, I have to give a mention to a man hated by the peddlers of soul destroying stuff, big Brian ‘The Tax Man’ Cockerill (AKA as Scot’s Brian), born on 16 December 1964 in Coatbridge, in Lanarkshire, at 6ft 3in, with 23 stone of rock solid muscle, his awesome power has made him a truly terrifying force in Britain’s underworld. A walking colossus, anyone who gets in his way and tries to stay there had better be ready for the hiding of their life.”

“Brian Turner writes as only a soldier can, of terror and compassion, hurt and horror, sympathy and desire. He takes us into the truth and trauma of the Iraq war in language that is precise, delicate and beautiful, even as it tells of a suicide bomber, a skull shattered by a bullet, a blade in a bloodgroove.”