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H Quotes

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All H Quotes

“He pulled her up against him, his hands not the slightest bit gentle, and his body was hard and strong against her softness. "Let me give you a little demonstration of what I'm sparing you," he whispered against her mouth. She'd been kissed before. She'd fought Frederick Varienne's assaults, and her uncle's too fond salutes, and she had always thought she didn't like kissing. She was wrong. He put one hand behind her neck, his long fingers holding her head still, while his other arm encircled her waist. He lowered his mouth to hers, leisurely, brushing his lips against hers, back and forth, slowly, oh, so slowly. She wanted to push him away, she wanted to draw him closer, so instead she simply let her hands rest at her sides. As long as she didn't respond, didn't participate, there could surely be no harm in it. Besides, she didn't have much choice in the matter. If Killoran decided to kiss her, for whatever dark reasons, then kiss her he would. His thumb was stroking the side of her face. He was pressing his hand against the small of her back, so that her hips were thrust up against his, and she let her eyelids flutter closed as he just touched the surface of her lips, his brandy-flavored breath warming her. The sensation was disturbing and enchanting, and she wanted more of it.”

“He pulled my skirt up. I began to worry. Everyone knew he had broken in girls before and I didn't want it to happen to me. I said, 'No. Get off, please.' He pulled me down the alley and pushed me to the ground. As I lay on my back worrying about my new blue coat, he pushed his fingers up between my legs — and rammed himself into me. I was crying. His lips were pressed against mine but I was motionless, like a small corpse. He grunted and I knew it was over. He got up, I just lay there on the ground, my tights round my ankles. The clock was striking twelve. As he walked away, he turned and said, 'I've always wanted to do it to you. I like your mouth'. When I got in, my mum said, 'Tracey, what's wrong with you?' I showed her my coat, the dirt and the stains, and told her 'I'm not a virgin any more.' She didn't call the police or make any fuss. She just washed my coat and everything carried on as normal, as though nothing had happened. But for me, my childhood was over, I had become conscious of my physicality, aware of my presence and open to the ugly truths of the world. At the age of thirteen, I realised that there was a danger in innocence and beauty, and I could not live with both. (describing childhood rape)”

“He pulled on a coat and walked down the flight of stairs from the head house into the distribution floor. Then he walked to the far end to the east. This was the top floor of the grain elevator. He passed eighteen of the great bins–six on one side and twelve on the other, closed up with their huge twenty-foot concrete covers. At the end of the building, the ninety-year-old windows faced the coming night. Out there in the gloaming he could see orange needles standing against the dark reflecting the sunset. These spires luminescing in last light were other grain elevators, dotted across Texas down the rail line–all except one. The exception was a cross shrouded in farmer tin. Its owners billed it as the biggest cross in the world, and it anchored a truck stop and religious bookstore to the Interstate Highway.”

“He pulled out a couple of mugs while she warmed up the cocoa. He chuckled and she turned to see what was funny and nearly had a heart attack. He was holding one hot pink and white mug while reading it, the other sitting on the counter: Men should be like my curtains, easy to pull and well hung. Her lips parted, she had to have turned cherry red, and she turned away quickly before she burned the cocoa. Now what? Explain that a friend had given them to her when her last boyfriend and she had parted company? Or just ignore the fact that they were drinking out of those cups while she was having hot cocoa with him and pretend she wasn’t embarrassed to the tip of her toes? He brought the mugs over. “Anything else?” “There’s a can of whipped cream in the fridge, if you want some.” “Real cream,” he said, eyeing the can. “Looks good.” He gave it to her, and he lifted the mugs. She shook up the can and pointed it at the right mug, pushed the nozzle, and the cream dripped and fizzled. Not to be thwarted, she shook it again, hoping that it wasn’t defective. And then the whipped cream swirled around with perfect ridges in a twirl on top with a cute little pointy peak. Perfect. Then she turned to the other mug, shook the can again, and pushed the nozzle. It was working great until halfway through her little mountain of whipped cream twirling to perfection, when the nozzle malfunctioned again and spewed whipped cream everywhere. In horror, she stopped what she was doing and stared at the white cream splattered all over Allan’s chest and a few that had dotted his boxer briefs. Her mouth agape, she glanced up at him. His eyes sparkled with mirth and he laughed. “Oh, oh, let me get something to wipe it up,” she said, belatedly, and set the can of whipped cream on the counter. She grabbed some paper towels and wetted them, then rushed back to wipe the mess up. He was still holding onto both hot pink mugs of cocoa. She had every intention of taking one of the mugs and letting him clean himself, but he just moved his arms apart as if to say she made the mess, she could wash it up. She thought she was going to die. Yes, he was totally hot. And yes, she’d fantasized about making love to him—since they were both unattached, and she truly liked him. But in her wildest dreams she would never have imagined making him cocoa in the middle of the night in her duplex while he stood in sexy silk briefs, not baggy, but nice and form fitting, and then she proceeded to splatter him with whipped cream. All over his tanned chest and those black briefs.”

“He pulled the Carstairs family ring from his finger and held it out to Will. "Take it." Will let his eyes drift down toward it, and then up to Jem's face. A dozen awful things he could say, or do, went through his mind. One did not slough off a persona so quickly, he had found. He had pretended to be cruel for so many years that the pretense was still what he reached for first, as a man might absently turn his carriage toward the home he had lived in for all his life, despite the fact that he had recently moved. "You wish to marry me now?" he said, at last.”

“He pulled the gun from his waist, running it along my cheek and back down to my lips. I blinked back the tears at sick game. He finally stopped the gun at my temple, my pulse fighting against the pressure of the cold metal of the gun. “Do you think you are a good person, Kendall?” “No, not at all,” I said, swallowing down the misery of my honest answer. “Really?” he asked, one eyebrow lifting in confusion. “Are you afraid to die?” I wished I could spit in his face for making everything so hard. I wished he would just pull the trigger and end it already. But a small part of me was begging and pleading internally that he wouldn’t shoot me. “No, I’m not afraid to die,” I admitted, I closed my eyes and the tears fell quickly. “I’m not afraid of much in life. I’ve seen too much to be scared.” He let out a sigh. I opened my eyes. He pulled the gun away from me. “Well, damn. How the hell am I supposed to kill someone so miserable?” I looked away. Even in death I was pitiful.”

“He pulled the truck onto the shoulder of the road and parked, cell phone tight in one hand, his eyes on the landscape before him. From here he could see the foothills rippling out like a blanket from the ragged edge of the mountains. They spread in loose folds until becoming the flat expanse of prairie that crossed all the way to the Great Lakes. July's bounty was a brash flare of colour: wind combed through golden tracts of wheat and sun-bright canola so brilliant he had to squint. The truck was balanced along the edge of an invisible wall which blocked Waterton from the rest of the world. He hadn't thought about how very real that barrier was; now that his phone was reconnected, it felt like a physical presence. He wasn't quite sure what he'd find on the other side.”

“He pulls out the pipe I stole and sticks it between his teeth. “What do you think?” he asks around the stem. “Do I look noble?” I snatch it away, and his teeth close with a clack. “Don’t you know that will kill you?” He stares at me a minute, a mischievous light coming into his eyes. Then suddenly he lunges at me. “Give it back!” “It’s mine! I stole it!” “I saved you from getting flogged!” He makes a grab for the pipe, and I roll aside, holding it out of his reach. With a wicked laugh, he tickles my side, and I drop the pipe as I hasten to shove him away. Aladdin picks up the pipe and brandishes it triumphantly, while I lie in the grass and laugh.”

“He punched me in the face," Ash said, who understandably did not seem to find the situation humorous at all. "And then he yelled at me for sleeping with our personal trainer!" "I was told breakup scenes were a good way to distract people," Jared said with beautiful simplicity. "Ash looked so surprised," Holly said. "He had no idea what was going on. He said, 'I didn't sleep with our personal trainer! We don't even have a personal trainer!'" Angela and Holly giggled. Ash held the back of his hand to his bleeding mouth and glared. Jared was still grinning like a maniac. "In that case," he told Ash solemnly, "I will consider taking you back.”

“He pushed himself to his feet. “Don’t lie, Sansa. I am malformed, scarred, and small, but…” she could see him groping “…abed, when the candles are blown out, I am made no worse than other men. In the dark, I am the Knight of Flowers.” He took a draught of wine. “I am generous. Loyal to those who are loyal to me. I’ve proven I’m no craven. And I am cleverer than most, surely wits count for something. I can even be kind. Kindness is not a habit with us Lannisters, I fear, but I know I have some somewhere. I could be… I could be good to you.”

“He pushed his way between them with his burly frame and forced her to stand in the cold with him. He flipped the long, silver dagger so its worn handle faced her. "Take your claw, pup," he growled. This was called White Fang, a blade almost as legendary as the hunter who owned it. It has been long told in the village that as a youth, Wolfsbane had destroyed an entire pack on his own, thus earning his name.”

“He pushed to his feet, wobbly, still adjusting to his new center of gravity. He gingerly moved one forepaw, then the next, one rear paw, then the other. He picked up the pace, but still slow as he circled the clearing. A snort, like he'd figured it out, and he broke into a lope, stumbled and plowed muzzle-first into the undergrowth. I stifled a laugh, but not very well. and he glowered at me. "Forget running. A nice, leisurely stroll might be more your speed." He snorted and turned fast. When I fell back, he gave a growling chuckle. "Still can't resist throwing your weight around, can you?" He lunged again. This time I stood my ground and he checked his leap at the last second...and toppled sideways. I didn't hide my laugh that time. He twisted fast, grabbed my pajama leg and wrenched, and down I went. "Bully." He growled a chuckle. I fingered an imaginary tear in my pant leg. "Great. I finally get some pj's and you rip them." He walked over for a better look. I tried to grab his foreleg, but he darted out of my reach and tore across the clearing.”

“He pushes his hair, soaked from the snow, out of his eyes. "So what are we going to do, break a window? Look for a back door?" "I'm just going to walk in," I say. "I'm her son." "You also betrayed her and left the city when she forbade anyone from doing that," he says, "and she sent people after you to stop you. People with guns." "You can stay here if you want," I say. "Where the serum goes, I go," he says. "But if you get shot at, I'm going to grab it and run." "I don't expect anything more." He is a strange sort of person.”

“He put a fresh sheet in and, after spending a few moments wishing he were doing something quite different, typed: Gregory: But this is really qutie farcical. Like all the other lines of dialogue he had so far evolved, it struck him as not only in need of instant replacement, but as requiring a longish paragraph of negative stage direction in the faint hope of getting it said ordinarily, and not ordinarily in inverted commas, either. Experimentally, he typed: (Say this without raising your chin or opening your eyes wide or tilting your face or putting on that look of vague affront you use when you think you are "underlining the emergence of a new balance of forces in the scheme of the action" like the producer told you or letting your mind focus more than you can help on sentences like "Mr. Recktham managed to breathe some life into the wooden and conventional part of Gregory" or putting any more expression into it than as if you were reading aloud something you thought was pretty boring (and not as if you were doing an imitation of someone on a stage reading aloud something he thought was pretty boring, either) or hesitating before or after "quite" or saying "fusskle" instead of "farcical".) Breathing heavily, Bowen now x-ed out his original line of dialogue and typed: Gregory: You're just pulling my leg.”