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I Quotes

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All I Quotes

“I feel connected with people because of their sense of humor, worldview, and what they think and feel about certain existential issues (things not affected, in my view, by if someone rides a horse or drives a car or talks only IRL or only by typing), not how old they are, what they use to convey what they think and feel about certain existential issues, or if we have both watched the same TV shows or looked at the same websites.”

“I feel conscious that I should find no reason to regret abandoning so pleasant a manner of life and such valuable privileges to become a wife of anyone. Beside, marriag is not in my opinion, so exceedingly desirable as some persons think. A woman's career is over when she marries. Once married, all is fixed - certainty takes the place of all her pleasant dreams. For her, no more hopes, no more doubts, no more suspense, no more possibility of anything better. She knows what she is and will be until death. For my part, I like to give free scope to my thoughts.”

“I feel cut off only because I am split within myself, because I try to be divided from my own feelings and sensations. What I feel and sense therefore seems foreign to me. And on being aware of the unreality of this division, the universe does not seem foreign any more. For I am what I know; what I know is I. The sensation of a house across the street or of a star in outer space is no less I than an itch on the sole of my foot or an idea in my brain.”

“I feel devilish,' said Mr Ringwood morosely. He added, with a flicker of spirit: 'At all events I have let my man shave me!' 'Yes,' admitted Ferdy, recalling with a shudder Mr Ringwood's appearance earlier in the day. 'If you had not, Gil, dear old fellow, I couldn't have dined with you. Couldn't have fancied a morsel!' He regarded the Belcher handkerchief with misgiving. 'And, dash it, I'm not sure I shall be able to fancy anything as it is!' However, he was presently able to to do full justice to a very handsome dinner, consisting of buttered crab, a dish of mutton fry with parsnips, a pheasant pie, with several side-dishes, including some potted sturgeon, and a cold boiled knuckle of veal, and pig's face.”

“I feel different, better, about my personal life as well as my professional life. So much confidence comes simply because I have reached this very good age. Women my age today are forging new ground. Society stops defining us by our reproductive capacity, sexual attractiveness, or other traditional measures, so we become liberated from stereotype. We are freed to grow into our full selves. I couldn’t have allowed myself to feel so positive in the past. When I was at the height of my film career, I didn’t have the kind of respect I now have from the theatrical community. I hadn’t yet proved that I have the chops for the stage. But now I have a stature I’ve never before enjoyed. Virginia Woolf herself observed that when her Aunt Mary left her enough money to live on, her financial independence meant she “need not hate” or “flatter any man.” She said this was of even more value to her freedom and autonomy than the right to vote.”

“I feel different. You know this many times over, because you are a parent, but it transforms you. It's this incredible experience where, in one way, you are still very much yourself, and in some ways you become even more connected to the rest of yourself. All of a sudden, you just get more connected to your child self, and your teenage self, and all these selves that you've maybe been abandoning at every date post that you pass.”

“I feel drawn to the word "unmoored" during this time. I look it up a few times a week. I stare at the definition on my computer screen. I love the example sentence Wikipedia uses, which says, Left unmoored, the boat gradually drifts out to sea. It pops into my head when I wake in the mornings, while I walk the streets, wait for the bus, the train, get into cabs, eat lunch alone, and browse the shelves at the library.”

“I feel empty finally and wonder why that's a good feeling. I drink water, and it's warm. It leaves my thirst unquenced. I can veer off this track any time I want to. I come across signposts to towns and hotels and could easily divert and seek comfort, but I don't. I'm forcing myself into this solitude and keep on walking. There's something about movement, the necessity of movement, to deal with trauma. Academic papers have been written about it, and I've read them, how animals shake to release fear in their muscles. I do that too. Under the sun, amidst the scrub, I shake, I shout, I scream. So I keep to the track, transfixed by the motion of walking. Trusting in an invisible remedy that will make me feel human once again.”

“I feel engaged with young people in Pakistan. But that said, it's still a small minority that reads novels, literary fiction. But it isn't necessarily a small minority of the wealthy elite in the city of Lahore. It can often be and I often do meet at literary festivals students who've ridden a bus 12 hours from a very small town just to hear some of their favorite writers come and speak.”

“I feel entirely grateful and appreciative of being able to make something up and do it, and I'm very grateful how well it's gone. I'm a guy from Toronto who just wanted to be an actor since he was eight so it's all kind-of crazy. Shrek has been wonderfully successful, it did really well in the States, and so it's magical to me, still. I'm still that kid from Toronto.”

“I feel ever so strongly that an artist must be nourished by his passions and his despairs. These things alter an artist whether for the good or the better or the worse. It must alter him. The feelings of desperation and unhappiness are more useful to an artist than the feeling of contentment, because desperation and unhappiness stretch your whole sensibility.”