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I Quotes

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All I Quotes

“I'm too tired to cook, and I reckon you are, too. Let's grab some grub at the diner on the way home." Nodding at everyone, there not being one person they didn’t know, they sat at a corner table. Both ordered the special: chicken-fried steak, mash and gravy, turnips, and coleslaw. Biscuits. Pecan pie with ice cream. At the next table, a family of four joined hands and lowered their heads as the father said a blessing out loud. At “Amen” they kissed the air, squeezed hands, and passed the cornbread.”

“I'm totally vulnerable to all conditions of existence all the time, no matter where I go or how good I am. Really getting this deconditions me from illusion and entitlement. It’s a fast track to letting go of the ego. To say yes, to the conditions of existence liberates me. I face them directly rather than F.A.C.E them, with fear, attachment, control, and entitlement.”

“I'm traveling a speed unknown to man and I carry love for all in the mirror of my hand. I say love for all…don't try to run away... look at the mirrors of your heart. Face the truth today— I am what I am, thank God. Some people don't understand, Help them, God— I say find yourself first, and then your tool. I say find yourself first, don't you be no fool. Here comes a woman, sweat all down her back. For birth or for pleasure, she's on the right track… But for being free, she ain't supposed to plea. And don't rely on no man to try and understand. I say find yourself first and then your talent. Work hard in your mind for it to come alive. And then prove to the man that you're as strong as him. 'Cause in the eyes of God… you're both children to him… You are what you are, thank God. You gonna shine like a star with the help of God— But we find ourselves first and then our tool… Find yourself, don't be no fool.”

“I’m trying. God knows. I’m trying. But I’m only halfway there. Don’t trust me too far.” His voice suddenly grew harsh. “I like your friends, Sara, but I hated seeing them with you. I didn’t want you to smile at them. I don’t want you to smile at anyone but me. It rubs me raw to see you—” He stopped and drew a ragged breath. “But you’re a woman people will always want to smile at and touch and—” He broke off again. “So I’d better get used to it, hadn’t I”

“I’m trying to be an adult. I’m trying to be responsible. I’m trying not to call home crying. But it’s hard. It’s hard when every morning feels like a hangover. It’s hard when I hear voices every time I go to sleep. It’s hard when the only thing that would make me feel better is to crawl in bed with the one person who truly knows me, but I’m more afraid of her than the bears or the perverts or whoever the hell visits her when I’m away.”

“I'm trying to decide what's worse. Someone being gone, but still out there, or someone being gone forever, dead. I think someone being gone, but still out there, might be worse. Then there’s always the chance, the hoping, the wondering if things might change. If maybe one day he’ll come back. There’s also the wondering about what his new life is like. The life without you. Is he happier? And if he is, you’re left being sad, wondering what it would be like if you were happy with him. But when someone is dead, he’s dead. He’s not coming back. There is no second chance. Death is a period at the end of a sentence. Someone gone, but still out there, is an ellipsis…or a question to be answered.”

“I’m trying to decide whether to tell you two to get a room or go barf in the trash can,” Emma said. “I’m leaning toward the second choice. You are both getting way too weird. And gross.” Cal barked out a laugh and slid his fingers down my arm to entwine with mine. His touch, and Emma’s comments, only made me blush more. Looks like Emma saw Cal lick my face after all. Now that wasn’t awkward or anything.”

“I'm trying to do the honourable thing and not take advantage of you after you've had a shit day.' His jaw flexes. I smile and kiss the side of his mouth. 'It's always a shit day around here. And it's not taking advantage when I'm asking' -my teeth nip at his lips- 'correction, begging you to make my day better.”

“I'm trying to find where I fit into this world." Salem's purr changed tone. "Ah, I see your confusion. You've made an incorrect assumption you believe is the truth and are trying to validate it." "Huh?" "People don't fit anywhere, Arnold. You aren't building materials that are made to fit a perfect purpose. There is no place set aside where you perfectly slot into. No place which exists in adulthood, anyway. If you go around expecting to find that place, you will only find frustration and disappointment." "So, if I can't find where I fit into this world, what can I do?" "You get to know yourself, your skills, your limitations, your hopes and fears, you understand your shape and substance, and then make a place in the world that fits you.”

“I’m trying to help,” Albert said. “By paying him with beer?” “I paid him what he wanted, and Sam was okay with it. You were at the meeting,” Albert said. “Look, how else do you think you get someone like Orc to spend hours in the hot sun working? Astrid seems to think people will work just because we ask them to. Maybe some will. But Orc?” Lana could see his point. “Okay. I shouldn’t have jumped all over you.” “It’s okay. I’m getting used to it,” Albert said. “Suddenly I’m the bad guy. But you know what? I didn’t make people the way they are. If kids are going to work, they’re going to want something back.” “If they don’t work, we all starve.” “Yeah. I get that,” Albert said with more than a tinge of sarcasm. “Only, here’s the thing: Kids know we won’t let them starve as long as there’s any food left, right? So they figure, hey, let someone else do the work. Let someone else pick cabbages and artichokes.” Lana wanted to get back to her run. She needed to finish, to run to the FAYZ wall. But there was something fascinating about Albert. “Okay. So how do you get people to work?” He shrugged. “Pay them.” “You mean, money?” “Yeah. Except guess who had most of the money in their wallets and purses when they disappeared? Then a few kids stole what was left in cash registers and all. So if we start back using the old money we just make a few thieves powerful. It’s kind of a problem.” “Why is a kid going to work for money if they know we’ll share the food, anyway?” Lana asked. “Because some will do different stuff for money. I mean, look, some kids have no skills, right? So they pick the food for money. Then they take the money and spend it with some kid who can maybe cook the food for them, right? And that kid maybe needs a pair of sneakers and some other kid has rounded up all the sneakers and he has a store.” Lana realized her mouth was open. She laughed. The first time in a while. “Fine. Laugh,” Albert said, and turned away. “No, no, no,” Lana hastened to say. “No, I wasn’t making fun of you. It’s just that, I mean, you’re the only kid that has any kind of a plan for anything.”

“I’m trying to make a profit. I’m using batteries, toilet paper, and paper towels as currency. Each is something that will eventually be in short supply.” “You’re trying to get all the toilet paper in town?” Astrid shrilled. “Are you kidding?” “No, Astrid, I’m not kidding,” Albert said. “Look, right now, kids are playing with the stuff. I saw little kids throwing rolls of it around on their lawns like it was a toy. So—” “So your solution is to try and take it all away from people?” “You’d rather see it wasted?” “Yeah, actually,” Astrid huffed. “Rather than you getting it all for yourself. You’re acting like a jerk.” Albert’s eyes flared. “Look, Astrid, now kids know they can buy their way into the club with it. So they’re not going to waste it anymore.” “No, they’re going to give it all to you,” she shot back. “And what happens when they need some?” “Then there will still be some left because I made it valuable.” “Valuable to you.” “Valuable to everyone, Astrid.” “It’s you taking advantage of kids dumb enough not to know any better. Sam, you have to put a stop to this.” Sam had drifted away from the conversation, his head full of the music. He snapped back. “She’s right, Albert, this isn’t okay. You didn’t get permission—” “I didn’t think I needed permission to give kids what they want. I mean, I’m not threatening anyone, saying, ‘Give me your toilet paper, give me your batteries.’ I’m just playing some music and saying, ‘If you want to come in and dance, then it’ll cost you.’” “Dude, I respect you being ambitious and all,” Sam said. “But I have to shut this down. You never got permission, even, let alone asked us if it was okay to charge people.” Albert said, “Sam, I respect you more than I can even say. And Astrid, you are way smarter than me. But I don’t see how you have the right to shut me down.” That was it for Sam. “Okay, I tried to be nice. But I am the mayor. I was elected, as you probably remember, since I think you voted for me.” “I did. I’d do it again, man. But Sam, Astrid, you guys are wrong here. This club is about all these kids have that can get them together for a good time. They’re sitting in their homes starving and feeling sad and scared. When they’re dancing, they forget how hungry and sad they are. This is a good thing I’m doing.” Sam stared hard at Albert, a stare that kids in Perdido Beach took seriously. But Albert did not back down. “Sam, how many cantaloupes did Edilio manage to bring back with kids who were rounded up and forced to work?” Albert asked. “Not many,” Sam admitted. “Orc picked a whole truckload of cabbage. Before the zekes figured out how to get at him. Because we paid Orc to work.” “He did it because he’s the world’s youngest alcoholic and you paid him with beer,” Astrid snapped. “I know what you want, Albert. You want to get everything for yourself and be this big, important guy. But you know what? This is a whole new world. We have a chance to make it a better world. It doesn’t have to be about some people getting over on everyone else. It can be fair to everyone.” Albert laughed. “Everyone can be equally hungry. In a week or so, everyone can starve.”

“I'm trying to stitch these scenes from a life together, I am trying to master the art of cinematic collage, but I find the material has become amorphous. I can no longer tell what is true apart from what I want to be tru anymore. It's like a movie I watched when I was high. The images shimmer somewhere in the mirky depths, I know I have watched this film before, but I can't pull up anything I would trust as real, true detail, because everything has been embellished by these years of grief, guilt and remorse. The celluloid has tarnished, it wasn't ever deemed to be worth much, it wasn't stored properly, so now the writer can't even decipher the director's name on the film can. I can no longer separate what happened on screen from the stoner wisecracks I made whilst watching it.”