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I Quotes

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All I Quotes

“I tend to work most often from the method of ignoring any ritualistic writing for long periods of time, and then I'll spend three straight weeks writing for 12 hours a day and just going through the motions with my worldly business because the compulsion to write descends upon me like a kind of madness. I don't mean to be dramatic, but it feels that way when it strikes.”

“I tend to write pretty much by myself. I always did that anyway. I used to write with Ron Strykert 'cause he was the only guitarist and we played well together. We lived in the same place. I would play a certain style and he would kind of dance around what I did, in a sense. I learned from him and also vice-versa. With this band, I think I bounce ideas off everybody. Perhaps on the next album they'll be more collaborative stuff, but for the last 2-3 years, I've been pretty well writing by myself.”

“I tended to be hard on the egos of a certain kind of men. The ones who normally swept women off their feet had never moved me much, because I'd always felt that if they swept me off my feet they'd practiced on a lot of women before me, and would practice more with women after me. I'd rarely been wrong on that. ~Anita Blake”

“I tended to find lines of poetry beautiful only when I encountered them quoted in prose, in the essays my professors had assigned in college, where the line breaks were replaced with slashes, so that what was communicated was less a particular poem than the echo of poetic possibility. Insofar as I was interested in the arts, I was interested in the disconnect between my experience of actual artworks and the claims made on their behalf; the closest I'd come to having a profound experience of art was probably the experience of this distance, a profound experience of the absence of profundity.”

“I tended to listen to doo-wop, but my grandmother would always have the radio on all day and she'd start with Yiddish and then move on to gospel and later to "make believe" ballroom music. I got to hear all kinds of music and my mother would get up to go to work listening to country music. That was her alarm clock. My dad was a jazz lover and listened to the man who wrote "Misty", Errol Garner. He loved piano players, so I got to listen to that as well.”

“I tensed, waiting for the fury - both his and mine - but it was only quiet and calm in the darkness of his room. I could almost taste the sweetness of reunion in the air, a separate fragrance from the perfume of his breath; the emptiness when we were apart left its own bitter aftertaste, something I didn't consciously notice until it was removed. There was no friction in the space between us. The stillness was peaceful - not like the calm before the tempest, but like a clear night untouched by even the dream of a storm.”