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I Quotes

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All I Quotes

“I think I understand now what you meant when you said I have to give up my mortal qualms. And I am willing to do that. But I want you to marry me.' 'Ah.' He sat down on the couch, looking stunned with lack of sleep. 'And so you came here in the middle of the night?' 'I hope that you love me,' I tried to sound the way Oriana did when she forbade us to do things- stern, but not unkind. 'And I will try to live as the Folk do. But you ought to marry me even if neither of those things were true, because otherwise I might ruin your fun.' 'My fun?' he echoed. Then he sounded worried. Then he sounded awake. 'Whatever game you are playing with Nicasia and Cardan,' I said. 'And with me. Tell Madoc we're to be wed and tell Jude about your real intentions or I will start shaping stories of my own.' ... I realised that Locke might teach me lessons, but he wasn't going to like what I did once I learned them. 'You promised-' he began, but I cut him off. 'Not a marriage of a year and a day, either,' I said. 'I want you to love me until you die.' He blinked. 'Don't you mean until you did? Because you're sure to.' I shook my head. 'You're going to live forever. If you love me, I will become a part of your story. I will live on in that.' He looked at me in a way he'd never done before, as though evaluating me all over again. Then he nodded. 'We will marry,' he said, holding up his hand. 'On three conditions. The first is that you will tell no one about us until the coronation of Prince Dain.' That seemed like a small thing, the waiting. 'And during that time, you must not renounce me, no matter what I say or do.' I know the nature of faerie bargains. I should have heard this as the warning that it was. Instead, I was only glad that two of his conditions seemed simple enough to fulfill. 'What else?' Be bold, be bold, but not too bold, lest that your heart's blood should run cold. 'Only this,' Locke said. 'Remember we don't love the way that you do.”

“I think I understand what bands want, just from having made records myself. I understand what it takes to get a good vocal sound, or to make people comfortable in the studio. From minor things like their headphone mix - and if a singer's singing, how they should hear themselves - to how to make people feel that they're getting exactly what they want. All those things, I think, are an advantage, especially the part about having done it myself. I'm not just an engineer who records the sounds well. I'm not afraid to take chances.”

“i think i've always fought stillness with chaos… maybe because it feels easier… you can't be shaken from your footing if you've never even had it, right? but now i'm being asked to stay still in the uncertainty, to try to learn to breathe easy in all this delicate nuance… to start to question the way i've made such a habit out of fearful, so breath-held and chest-tight, always just hoping for gentle in the unknown… because what if life doesn't have to just “not hurt”… what if there could be something so beautiful waiting for me in the unknown”

“I think I’ve found the worst feeling,” he mutters. “Helplessness,” says Spock promptly, like he’s thought about this before. “Being unable to do anything.” “Yeah, helplessness is pretty bad. But for me,” he says, looking at the picture they’ve put up of her, of Natalie and Sam posing together in front of the zoo, holding hands and smiling like the sun, “it’s knowing you could have done something. And you didn’t.”

“I think I veered towards filmmaking because there's more of a sense of control in it. You're not waiting to be picked. That said, in film school I acted in probably 6,000 student films because no other filmmakers knew anyone who wanted to act. It was all a big beautiful snake eating its tail, progressing along the way.”