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I Quotes

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All I Quotes

“I think of moral beauty as what is the good and the just - terms perhaps best defined by their opposite: evil. Evil is the willingness to do damage to the other; its maximal expression is murder, but it includes a great deal of subtle and not-so-subtle injuries as it advances to that extreme. Evil acts reduce the other to an object, a being to its component parts, and obliterate subjectivity. Evil's breeding ground is a lack of empathy.”

“I think of music a lot when I paint. The theme of it to a degree is music. So instead of literally putting in music or literally putting in a musical instrument, I use only a hint of the instrument, but the brocaded pattern is like a line of Bach because of its order and the leaves going up are like passages from Vivaldi, and the emphasis on drapery is where the sound comes.”

“I think of my days as an aviation aficionado, obsessed with the Gripen ( not yet knowing what war machines cost us), watching fighter jets break the sound barrier. The jet would pass before the boom, delaying time so the object arrived before its sound. That’s how some of us move through this world, seen long before we’re heard. The world says "too late," but we’re exactly on time, aligned. Things happen when the conditions align. And this is what I am returning to, a rhythm that keeps me kin to the land. Land not as metaphor, but the taproot of my lineage. To honour this means inviting imvelo into my creative practice. It means slowing down. It means sitting with the stress of being an artist who reveres the earth while participating in the machine that devours it.”

“I think of my father growing up in South Jersey, the son of second-generation German immigrant glassblowers. The opportunities for him of feeling that aspiration, that yearning, get out of the small town, connect to a larger world, get yourself to New York, wanting to play the piano at every opportunity, bonding with people who were on a similar path, ending up in Provincetown, which was kind of nexus for nonconformity, and artistic dropout reality.”

“I think of my father, whose personality traits included brash, cynical, bombastic, obnoxious, charming, kindly, and falling-down drunk, yet who managed to rise from the copper mines of Butte to the corporate stratosphere, ending up as vice president of research for a multinational firm. Did he ever take a personality test or submit to executive coaching? Or were things different in the fifties and sixties, with a greater emphasis on what you could actually do?”

“I think of my life as divided between a lot of different periods. I grew up in the country, but as I got older I became more of an urban person. That's really when I started to become more of a creative person who was interested in fine arts, painting, drawing, and music. I studied jazz for a long time. Looking back, all those things were great training.”