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I Quotes

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All I Quotes

“I closed my eyes. The only things I knew about why Empty Ones worked the way we did was that we had room for extra souls because we started out with less, and that we could make gates because of our innately human sense of home. But my home was here. How on earth was I supposed to find another one?The gate needs to be opened and closed before dawn, Cresseda said, a hint of strain flowing through her voice.YES. THANKS FOR THAT. VERY HELPFUL RIGHT NOW.”

“I closed the gulf of anarchy and brought order out of chaos. I rewarded merit regardless of birth or wealth, wherever I found it. I abolished feudalism and restored equality to all regardless of religion and before the law. I fought the decrepit monarchies of the Old Regime because the alternative was the destruction of all this. I purified the Revolution.”

“I coax my palm into his lapel in search of my wish, returning his feverish kiss. "Checkmate, you son of a bug," I say against his mouth two seconds before my fingers find an empty pocket. "Sleight of hand, blossom," he says right back. "'Tis in fact in my pants pocket, if you'd like to search there." I shove him off and drop to the floor, wiping my mouth. "It's mine!" "And you'll receive it when the time is right." His lips, all I can look at, tilt into that smug smile that I've come to detest. He motions toward the chair. "Sit. You've just been soundly kissed. No doubt you're short of breath." "Don't flatter yourself." I huff in an effort to hide the gulp of air and hold the teddy bear against my chest. "That kiss meant nothing. It had underlying motivation." "Oh, to be sure. That kiss was nothing if not motivational.”

“I cocked an ear, but there was nothing much to hear. A girl was on the phone next door, complaining about some guy to a girlfriend, and someone down a floor was either talking to his cat or having a psychotic episode, but both voices were clearer than the soft noises coming from the living room. The vamps were presumably cleaning the wounds better than I’d been able to do at the bar, and bandaging him up. I knew nobody was planning a snack– it would be like offering people used to Beluga caviar and Dom Perignon a sack of stale Fritos and a flat Coke. Sloppy seconds weren’t likely to appeal.”

“I collaborated with a brilliant young sound designer named Anthony Mattana, who enriched the sound of the total production with vocal effects, percussive and other sounds. He also mixed the sound effects and the music, using the theater's first rate sound system to complement the theater's acoustics. This completed my score.”