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I Quotes

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All I Quotes

“I come from a generation where I couldn't even contemplate such a thing. I find it amazing... You can become a multi-millionaire as a club player without playing international football. But international football is about individual pride and wanting to perform at the highest level. If I got picked at 41, I would have played, even if I thought I would make a fool of myself. I just wanted to play for my country.”

“I come from a land whose democracy from the very beginning has been tainted with race prejudice born of slavery, and whose richness has been poured through the narrow channels of greed into the hands of the few. I come to the Second International Writers Congress representing my country, America, but most especially the Negro peoples of America, and the poor peoples of America—because I am both a Negro and poor. And that combination of color and of poverty gives me the right then to speak for the most oppressed group in America, that group that has known so little of American democracy, the fifteen million Negroes who dwell within our borders. We are the people who have long known in actual practice the meaning of the word Fascism—for the American attitude towards us has always been one of economic and social discrimination: in many states of our country Negroes are not permitted to vote or to hold political office. In some sections freedom of movement is greatly hindered, especially if we happen to be sharecroppers on the cotton farms of the South. All over America we know what it is to be refused admittance to schools and colleges, to theatres and concert halls, to hotels and restaurants. We know Jim Crow cars, race riots, lynchings, we know the sorrows of the nine Scottsboro boys, innocent young Negroes imprisoned some six years now for a crime that even the trial judge declared them not guilty of having committed, and for which some of them have not yet come to trial. Yes, we Negroes in America do not have to be told what Fascism is in action. We know. Its theories of Nordic supremacy and economic suppression have long been realities to us.”

“I come from a little bit of a theatrical background. I started that way. I don't have a tremendous body of work or anything, but I went to drama school. And so, to get to do a piece where the characters get to talk a lot, and that isn't just about the spectacle or the set piece, or is simply visual or movement based. It was really wonderful for me, and juicy and exciting.”

“I come from a long line of tellers: mesemondok, old Hungarian women who tell while sitting on wooden chairs with their plastic pocketbooks on their laps, their knees apart, their skirts touching the ground... and cuentistas, old Latina women who stand, robust of breast, hips wide, and cry out the story ranchera style. Both clans storytell in the plain voice of women who have lived blood and babies, bread and bones. For them, story is a medicine which strengthens and arights the individual and the community.”

“I come from a loving, supportive family, and my mother taught me that there are more valuable ways to achieve beauty than just through your external features. She was focused on compassion and respect, and those are the things that ended up translating to me as beauty. Beautiful people have many advantages, but so do friendly people.... I think beauty is an expression of love.”

“I come from a musical family. Mom was a piano teacher for a large portion of her life, and Dad is a saxophone hobbyist who grew up in England during the heyday of Tubby Hayes and Ronnie Scott. I started taking piano lessons from my Mom, but it's too easy to slack off with your parent, so she passed me on to a friend of hers, where I got more motivated to play music by playing pop hits and TV themes. I did some classical training, but I was always more into the really thematic stuff.”