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I Quotes

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All I Quotes

“It's my latest recipe." She beamed. "Roast leaf." "It's gone off. That's not like any roast beef sandwich I've ever tasted." "No, no. Not roast beef. Roast leaf." He stared at her. "I'm a vegetarian," she explained. "I don't eat meat. So I create my own substitutions with vegetables. Roast leaf, for example. I start with whatever greens are in the market, boil and mash them with salt, then press them into a roast for the oven. According to the cookery book, it's every bit as satisfying as the real thing." "Your cookery book is a book if lies." To her credit, she took it gamely. "I'm still perfecting the roast leaf. Perhaps it needs more work. Try the others. The ones on brown bread are tuna-ish- brined turnip flakes in place of fish- and the white bread is sham. Sham is everyone's favorite. Doesn't the color look just like ham? The secret is beetroot.”

“It's my letter," she began. "I cannot make it right." "Come in, come in," the Prince said gently. "Maybe we can help you." She sat down in the same chair as before. "All right, I'll close my eyes and listen; read to me." " 'Westley, my passion, my sweet, my only, my own. Come back, come back. I shall kill myself otherwise. Yours in torment, Buttercup.' " She looked at Humperdinck. "Well? Do you think I'm throwing myself at him?" "It does seem a bit forward," the Prince admitted. "It doesn't leave him a great deal of room to maneuver.”

“It's my opinion he don't want to kill you,' said Perea - 'at least not yet. I've heard deir idea is to scar and worry a man wid deir spells, and narrow misses, and rheumatic pains, and bad dreams, and all dat, until he's sick of life. Of course, it's all talk, you know. You mustn't worry about it. But I wunder what he'll be up to next.' 'I shall have to be up to something first,' said Pollock, staring gloomily at the greasy cards that Perea was putting on the table. 'It don't suit my dignity to be followed about, and shot at, and blighted in this way. I wonder if Porroh hokey-pokey upsets your luck at cards.' He looked at Perea suspiciously. 'Very likely it does,' said Perea warmly, shuffling. 'Dey are wonderful people.' ("Pollock And The Porrah Man")”

“It’s my Prom King, Brett. He’s tapping at the window, wanting me to roll it down or to get out of the car — what an image that would be. How will I ever live that down? I can’t even see myself laughing about it twenty years from now. If the neighbors walk past they’ll probably report me to social services, I can hear them on the phone now, “She’s too lazy to even go to the bathroom, she just shits in her car.”

“It's natural for a man to defend what's dear to him: his own life, his home, his family. But in order to make him fight on behalf of his rulers, the rich and powerful who are too cunning to fight their own battles-in short to defend not himself but people whom he's never met and moreover would not care to be in the same room with him-you have to condition him into loving violence not for the benefits it bestows on him but for its own sake. Result: the society has to defend itself from its defenders, because what's admirable in wartime is termed psychopathic in peace. It's easier to wreck a man than to repair him. Ask any psychotherapist. And take a look at the crime figures among veterans.”

“It’s natural that we should fear and be suspicious of representations of us by those who are not like us. Equally rational is the assumption that those who are like us will at least take care with their depictions, and will be motivated by love and intimate knowledge instead of prejudice and phobia. In the twentieth and twenty-first centuries, writing by women, and by oppressed minorities of all kinds, has wondrously expanded the literary landscape, ennobling griefs that had, historically, either passed unnoticed or been brutally suppressed and caricatured. We’re eager to speak for ourselves. But in our justified desire to level or even obliterate the old power structures—to reclaim our agency when it comes to the representation of selves—we can, sometimes, forget the mystery that lies at the heart of all selfhood. Of what a self may contain that is both unseen and ultimately unknowable. Of what invisible griefs we might share, over and above our many manifest and significant differences. We also forget what writers are: people with voices in our heads and a great deal of inappropriate curiosity about the lives of others.”

“It’s neutral creative territory; it’s where we meet when we really want to connect and elevate the game. We’re not here to impose our brand on each other, but to experience, like embodied spiritual hedonists, the richness of what it means to be — well, what it means to exist, period.”