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S Quotes

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“She wrote his name on a piece of paper and lit it with a match. The letters curled as they turned dark and misshapen until she didn’t recognize them. They were figments of something that she had done in her past, lost into some other form of existence. Where did the letters go now? She tried to find traces within the ash of some resemblance of what used to be. She dug down, her fingers turning black and gray like the depths of her. He was gone. Gone. What was she left with but ashes and darkness once the light of the flame went out? The smell of smoke lingered like a memory of him. Was this the end or could she write a new word? Not a new name, not his name, but could she call a new word into existence? A new piece of HER; a new reason for her existence? Picking up the permanent marker, Amy placed it in her pocket for later. Ashes blow in the creek bed and blend with the stream, moving down like sand in an hourglass.”

“She wrote, in the last pages, of feeling all the evil of the neighborhood around her. Rather, she wrote obscurely, good and evil are mixed together and reinforce each other in turn. Marcello, if you thought about it, was really a good arrangement, but the good tasted of the bad and the bad tasted of the good, it was a mixture that took your breath away. A few evenings earlier, something had happened that had really scared her. Marcello had left, the television was off, the house was empty, Rino was out, her parents were going to bed. She was alone in the kitchen washing the dishes and was tired, really without energy, when there was an explosion. She had turned suddenly and realized that the big copper pot had exploded. Like that, by itself. It was hanging on the nail where it normally hung, but in the middle there was a large hole and the rim was lifted and twisted and the pot itself was all deformed, as if it could no longer maintain its appearance as a pot. Her mother had hurried in in her nightgown and blamed her for dropping it and ruining it. But a copper pot, even if you drop it, doesn't break and doesn't become misshapen like that. "It's this sort of thing," Lila concluded, "that frightens me. More than Marcello, more than anyone. And I feel that I have to find a solution, otherwise, everything, one thing after another, will break, everything, everything.”

“She wrote poetry constantly; that was her "work". She was a slow bleeder and she slaved over it for long, exhausting hours, and many a middle of a night I could hear her creaking around the dead house with a pen in one hand, a clipboard and a flashlight in the other, refining her poems, jotting down the lines of a conceit. Writing never came easy for her; it gave her calluses. She never courted the muses, she wrestled them, mauled them all over the house and came up, after weeks of peripatetic labor, with a slim Spencerian sonnet, fourteen lines of imagistic jabberwocky.”

“She wrote the names of the day's cakes on the board: traditional Southern red velvet cake and peach pound cake, but also green tea and honey macaroons and cranberry doughnuts. She knew the more unusual things would sell out first. It had taken nearly a year, but she'd won over her regulars with her skill with what they already knew, so now they would try anything she made.”

“She yanked her hand away as if he had burned her, rubbing her palm along her thigh. The feeling didn’t go away, and neither did the butterflies he had sent winging in her stomach. “How do you know you’re not a vampire?” She needed to distract him, distract both of them. “Maybe you forgot. You’re certainly capable of acting like one.” This time he laughed, startling both of them. The sound was husky, low, and foreign to his ears, as if he had forgotten what it was like. His black eyes leapt to her face almost in fear. “Not bad, wild man. First a growl, and now a laugh. We’re making progress.” Her eyes danced at him, reassured him.”

“She yearned to see her mother again, and Robb and Bran and Rickon… but it was Jon Snow she thought of most. She wished somehow they could come to the Wall before Winterfell, so Jon might muss up her hair and call her “little sister.” She’d tell him, “I missed you,” and he’d say it too at the very same moment, the way they always used to say things together. She would have liked that. She would have liked that better than anything.”

“She'd always believed that people come in two varieties: those who look out the windshield and those who stare in the rearview mirror. She'd always been the windshield type: gotta focus on the future, not the past, because that's the only part that's still up for grabs. Mom throws me out? Gotta get some food and find a place to live. Husband dies? Gotta keep working, or I'll end up going crazy. Got some guy stalking me? Gotta figure out a way to stop it.”

“She'd always had such contempt for mundanes, the way all Shadowhunters did--she'd believed that they were soft, stupid, sheeplike in their complacency. Now she wondered if all that hatred didn't just stem from the fact that she was jealous. It must be nice not worrying that every time one of your family members walked out the door, they'd never come back.”

“She'd assumed she'd be married and have kids by this age, that she would be grooming her own daughter for this, as her friends were doing. She wanted it so much she would dream about it sometimes, and then she would wake up with the skin at her wrists and neck red from the scratchy lace of the wedding gown she'd dreamed of wearing. But she'd never felt anything for the men she'd dated, nothing beyond her own desperation. And her desire to marry wasn't strong enough, would never be strong enough, to allow her to marry a man she didn't love.”

“She'd been impressed by his looks at first--those sharply planed cheekbones and those black, fathomless eyes--but his affable, sympathetic personality grated on her now. She didn't like boys who looked as if they never got mad about anything. In Isabelle's world, rage equaled passion equaled a good time.”

“She'd cried over a broken heart before. She knew what that felt like, and it didn't feel like this. Her heart felt not so much broken as just ... empty. It felt like she was an outline empty in the middle. The outline cried senselessly for the absent middle. The past cried for the present that was nothing.”

“She'd never imagined it like this-when she thought of someone (a woman like herself)losing her mind, she'd imagined shrieks and wails, hallucinations; but at that moment it had seemed clear that there was another way, far quieter; a way that was numb and hopeless, flat, so much so that an emotion as strong as sorrow would have been a relief.”