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T Quotes

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All T Quotes

“The key isn't winning -- or losing, it's making the attempt. I may never be what I ought to be, want to be -- but how will I know unless I try? Sure, it's scary, but what's the alternative? Stagnation - A safer, more terrible form of death. Not of the body, but of the spirit. An animal knows what it is, and accepts it. A man may know what he is -- but he questions. He dreams. He strives. Changes. Grows.”

“The key-note of ancient culture is not conflict, neither is it mastery, but conciliation and friendship. Man strives to make peace with the animals, the trees and the powers that be, or deeper still, he wants to draw them into himself and make them kin of his kin, till he is unable to draw a fast line between his own life and that of the surrounding nature. Culture is too complex — and we may add too unprofitable — a thing to be explained by man's toil for the exigencies and sweets of life, and the play of his intellect and imagination has never —until recent times perhaps — been dominated by the quest of food or clothing. The struggle for daily bread and for the maintenance of life until the morrow is generally a very keen one in early society, and it seems that the exertion calls for the exercise of all faculties and powers. But as a creature struggling for food, man is a poor economist; at any rate he is a bad hand at limiting his expenditure of energy to the needs of the day. There is more than exertion in his work; there is an overshooting force, evidence that the energy which drives him is something more complex than the mere instinct of existence. He is urged on by an irresistible impulse to take up the whole of nature in himself, to make it, by his active sympathy, something human, to make it heore.”

“The key of writing fiction isn't just to remove something that the reader or listener can easily imagine. It's not a matter of being coy, or withholding information. It's allowing for multiple possibilities, recognizing the complexity of human behavior, and making the world of a piece of fiction as marvelously confounding as the world we live in.”

“The key problem I encounter working with wounded, depressed, and unhappy people is a lack of connection…starting from a disconnection from themselves and then with others. This is why love often becomes so distorted and destructive. When people experience a disconnection from themselves, they feel it but do not realize the problem.”

“The key problem is to find out why that sector of society of the past, which I would not hesitate to call capitalist, should have lived as if in a bell jar, cut off from the rest; why was it not able to expand and conquer the whole of society?... [Why was it that] a significant rate of capital formation was possible only in certain sectors and not in the whole market economy of the time?”

“The key question facing those of us working in the media (old and new) is whether we embrace and adapt to the radical changes brought about by the Internet or pretend that we can somehow hop into a journalistic Way Back Machine and return to a past that no longer exists and can't be resurrected. There is no question that, as the industry moves forward and we figure out the new rules of the road, there will be - and needs to be - a great deal of experimentation with new revenue models.”