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T Quotes

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All T Quotes

“That was a general impression that one got, that she [Eleanor Roosevelt] was always flitting around the country and descending on some place in the Ozarks that she decided was disadvantaged, and announcing that something had to be done. And she had a very active social conscience, which I think in general is to her credit, although it tended, as many people thought, to just be overdone to the point where it gave rise to this crack that she regarded the whole world as one vast slum project”

“That was a memorable day to me, for it made great changes in me. But it is the same with any life. Imagine one selected day struck out of it, and think how different its course would have been. Pause you who read this, and think for a moment of the long chain of iron or gold, of thorns or flowers, that would never have bound you, but for the formation of the first link on one memorable day.”

“That was a perfectly reasonable explanation," she said grumpily. "Perhaps my advisers don't lie to me." "Isn't that what you'd want?" asked Giddon. "Well, yes, but it doesn't elucidate my puzzle!" "If I may say so, Lady Queen," said Giddon, "it's not always easy to follow your conversation." "Oh, Giddon," she said, sighing. "If it's any comfort, I don't follow it either.”

“That was a piece I did in 1963 with Konrad Lueg in a department store, in the furniture department. It was announced in some papers as an exhibition opening, but the people who came didn't know that it was to be a sort of Happening. I don't think it is quite right that it has become so famous anyhow. It was just a lot of fun, and the word itself, Capitalist Realism, hit just right. But it wasn't such a big deal.”

“That was a really interesting series [Threshold ] that I think would've been really great had it continued. I know Brannon Braga, who was running the show at the time, had a lot of really interesting ideas for what was going to happen the second, third, fourth, and fifth seasons, and they had it really planned out what was going to go on. But CBS just decided to pull the plug on it.”

“That was actually Lloyd Phillips who was a Kiwi film producer in L.A. And it was about Gorgeous George, not Haystacks Calhoun. I was in a couple of Lloyd's films and got approached to write the story. People don't realize it, but Gorgeous George had this flamboyant, camp stage persona that had a tremendous influence on other celebrities, like Elton John, Liberace, Elvis Presley, and Mohammed Ali, who all wanted to establish their own outlandish stage personas. The project died because Gorgeous George's wife refused to give up the rights.”