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T Quotes

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All T Quotes

“There are two kinds of artists in this world; those that work because the spirit is in them, and they cannot be silent if they would, and those that speak from a conscientious desire to make apparent to others the beauty that has awakened their own admiration.”

“There are two kinds of aspiration in the realization of bodhicitta: the aspiration concerned for the welfare of all sentient beings and the aspiration to attain buddhahood for their sake. The spontaneous intention to attain buddhahood for the benefit of all sentient beings occurs when these two aspirations are complete. This is the realization of bodhicitta, the mind of enlightenment. At this point, the student has become a practitioner of the highest capacity and all activities and practices motivated by bodhicitta are those of the Greater Vehicle, the Mahayana.”

“There are two kinds of beauty, one being of the soul and the other of the body, That of the soul is revealed through intelligence, modesty, right conduct, Generosity and good breeding, all of which qualities may exist in an ugly man; And when one's gaze is fixed upon beauty of this sort and not upon that of the body, Love is usually born suddenly and violently.”

“There are two kinds of books in the world--the boring kind they make you read in school and the interesting kind that they won't let you read in school because then they would have to talk about real stuff like sex and divorce and is there a God and if there isn't then what happens when you die, and how come the history books have so many lies in them.”

“There are two kinds of comments that I get. One is, oh, you're such a natural up there, and the other one is, you're working hard up there. And the ones who say I'm working hard are teachers, they're the educators; they're the people who are the performers. It's a huge investment of my psycho-emotional energy to pull that off and to make it look smooth.”

“There are two kinds of comprehensive doctrines, religious and secular. Those of religious faith will say I give a veiled argument for secularism, and the latter will say I give a veiled argument for religion. I deny both. Each side presumes the basic ideas of constitutional democracy, so my suggestion is that we can make our political arguments in terms of public reason. Then we stand on common ground. That's how we can understand each other and cooperate.”

“There are two kinds of crisp potatoes that I prefer above all others. The first are called Swiss potatoes, and they're essentially a large potato pancake of perfect hash browns; the flipping of the pancake is so wildly dramatic that the potatoes themselves are almost beside the point. The second are called potatoes Anna; they are thin circles of potato cooked in a shallow pan in the oven and then turned onto a plate in a darling mound of crunchy brownness. Potatoes Anna is a classic French recipe, but there is something so homely and old-fashioned about them that they can usually be passed off as either an ancient family recipe or something you just made up.”

“There are two kinds of death, the death which is inevitable and common to all beings, and the death which is voluntary and particular to certain ones of them only. It is the second death which is prescribed for us in the words of the Messenger of Allah: "Die before you die." The resurrection is accomplished for him who dies this voluntary death. His affairs return to God and they are but one. He has returned to God and he sees Him through Him. As the Prophet said - on him be Grace and Peace!”

“There are two kinds of discontented in this world, the discontented that works and the discontented that wrings its hands. The first gets what it wants and the second loses what it has. There is no cure for the first but success and there is no cure at all for the second. The very worst of my vices and bad habits will abate of themselves if they are brought to an accounting every day.”

“There are two kinds of Fascists: those who give orders and those who take them. A popular base gives Fascism the legs it needs to march, the lungs it uses to proclaim, and the muscle it relies on to menace—but that’s Fascism from the neck down. To create tyranny out of the fears and hopes of average people, money is required, and so, too, ambition and twisted ideas. It is the combination that kills. In the absence of wealthy backers, we likely would never have heard of Corporal Mussolini or Corporal Hitler. In the absence of their compulsion to dominate at all costs, neither would have caused the harm he did. Most political movements of appreciable size are populist to one degree or another, but that doesn’t make them Fascist, or even intolerant. Whether they seek to limit immigration or expand it, criticize Islam or defend it, lobby for peace or agitate for war, all are democratic, provided they pursue their goals by democratic means. What makes a movement Fascist is not ideology but the willingness to do whatever is necessary—including the use of force and trampling on the rights of others—to achieve victory and command obedience.”

“There are two kinds of fears; rational and irrational - or, in simple terms, fears that make sense and fears that don't. For instance, the Baudelaire orphans have a fear of Count Olaf, which makes perfect sense, because he is an evil man who wants to destroy them. But if they were afraid of lemon meringue pie, this would be an irrational fear, because lemon meringue pie is delicious and has never hurt a soul. Being afraid of a monster under the bed is perfectly rational, because there may in fact be a monster under your bed at any time, ready to eat you all up, but a fear of realtors is an irrational fear. Realtors, as I'm sure you know, are people who assist in the buying and selling of houses. Besides occasionally wearing an ugly yellow coat, the worst a realtor can do to you is show you a house that you find ugly, and so it is completely irrational to be terrified of them.”

“There are two kinds of filmmaking: Hitchcock's (the film is complete in the director's mind) and Coppola's (which thrives on process). For Hitchcock, any variation from the complete internal idea is seen as a defect. The perfection already exists. Coppola's approach is to harvest the random elements that the process throws up, things that were not in his mind when he began.”