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T Quotes

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All T Quotes

“The barking of the dogs was getting louder, closer once more. Jesse's finger curled around the trigger. He tried to still his mind from all thoughts. But the image of Miss Althea lingered. Sweet-smelling Miss Althea with her warm smile and her so very round parts. She never looked at him mean or like she was afraid. She looked at him loving, warm and loving, like she looked at the boy. She looked at Jesse that way. And he liked it. He really liked it. But he wanted it different, too. He was not a boy. Jesse was a man. He wanted Miss Althea to see that. He wanted to put meat on her table. That's what men do for the women they love.”

“The barks of trees are best gathered in the spring, if it be of great trees, as oaks or the like, because they come easiest off, and so you may dry them if you please, but indeed your best way is to gather all barks only for present use.”

“The barrels were on a platform and to keep the platform level someone had shoved a quarter-inch tape box underneath it. I pulled it out. Covered in old beer and sweat and condensation, it was one of the master tapes of Joy Division's debut album, Unknown Pleasures. It made me smile. It was an absolutely perfect metaphor for the Haçienda. Joy Division had held the whole fucking thing up.”

“The barren earth in the evening looked rejuvenated. The grasses were greener than winter and so were the trees – and were the birds and the flowers and the air. I felt as though the walls and the roads and the sky above were whispering to me. I felt songs in birds and music in the air. It was love I felt – and the blessing of being loved. It was a completely new world – a world of loving someone and being loved at the same time.”

“The barrier during self-improvement is not so much that we hate learning, rather we hate being taught. To learn entails that the knowledge was achieved on one's own accord-it feels great-but to be taught often leaves a feeling of inferiority. Thus it takes a bit of determination and a lot of humility in order for one to fully develop.”

“THE BARROW In this high field strewn with stones I walk by a green mound, Its edges sheared by the plough. Crumbs of animal bone Lie smashed and scattered round Under the clover leaves And slivers of flint seem to grow Like white leaves among green. In the wind, the chestnut heaves Where a man's grave has been. Whatever the barrow held Once, has been taken away: A hollow of nettles and dock Lies at the centre, filled With rain from a sky so grey It reflects nothing at all. I poke in the crumbled rock For something they left behind But after that funeral There is nothing at all to find. On the map in front of me The gothic letters pick out Dozens of tombs like this, Breached, plundered, left empty, No fragments littered about Of a dead and buried race In the margins of histories. No fragments: these splintered bones Construct no human face, These stones are simply stones. In museums their urns lie Behind glass, and their shaped flints Are labelled like butterflies. All that they did was die, And all that has happened since Means nothing to this place. Above long clouds, the skies Turn to a brilliant red And show in the water's face One living, and not these dead." — Anthony Thwaite, from The Owl In The Tree”

“The bartender/cook looked as if he might have been a fixture of the desert even before the rails were laid. He had the worn look of a man who had seen more than he should and heard a thousand stories that remained in his head, classified and indexed as drama, humor, or horror. There was also an unmistakable aura of style about him, a sophistication that said he didn't belong in a godforsaken roadside tavern on a remote and seldom-traveled road through the desert. For a fleeting instant, Pitt thought the old cook looked vaguely familiar. On reflection, though, Pitt figured the man only resembled someone he couldn't quite place.”

“The bartender pursed his lips and nodded when she showed him one of her bills, so she told him to get her a shot of bourbon and a beer on the side, which was what Eddy always got if he was paying for it himself. If somebody else was paying, he'd order mixed drinks the bartender didn't know how to make, then spend a lot of time explaining exactly how you made the thing. Then he'd drink it and bitch about how it wasn't as good as the ones they made in L.A. or Singapore or some other place she knew he'd never been.”

“The bartenders are the regular band of Jack, and the heavenly drummer who looks up to the sky with blue eyes, with a beard, is wailing beer-caps of bottles and jamming on the cash register and everything is going to the beat - It's the beat generation, its béat, it's the beat to keep, it's the beat of the heart, it's being beat and down in the world and like oldtime lowdown.”

“The base of all artistic genius is the power of conceiving humanity in a new, striking, rejoicing way, of putting a happy world ofits own creation in place of the meaner world of common days, of generating around itself an atmosphere with a novel power of refraction, selecting, transforming, recombining the images it transmits, according to the choice of the imaginative intellect. In exercising this power, painting and poetry have a choice of subject almost unlimited.”

“The Baseball Hall of Fame is something every player dreams about, but being a member of God's Hall of Fame is the greatest achievement of all. God offers each of us the gift of eternal life through Jesus Christ. When we accept God's gift of salvation, our name is written in the Book of Life, guaranteeing us a place in heaven forever. I made that decision during spring training in 1973, asking Jesus to come into my heart as Lord and Savior.”

“The baselines belongs to the runner, and whenever I was running the bases, I always slid hard. I wanted infielders to have that instant's hesitation about coming across the bag at second or about standing in there awaiting a throw to make a tag. There are only 27 outs in a ballgame, and it was my job to save one for my team every time I possibly could.”