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W Quotes

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All W Quotes

“We wish we could have been there for you. We didn't have many role models of our own--we latched on to the foolish love of Oscar Wilde and the well-versed longing of Walt Whitman because nobody else was there to show us an untortured path. We were going to be your role models. We were going to give you art and music and confidence and shelter and a much better world. Those who survived lived to do this. But we haven't been there for you. We've been here. Watching as you become the role models.”

“We wished to go to the Ambrosian Library, and we did that also. We saw a manuscript of Virgil, with annotations in the handwriting of Petrarch, the gentleman who loved another man's Laura, and lavished upon her all through life a love which was a clear waste of the raw material. It was sound sentiment, but bad judgment. It brought both parties fame, and created a fountain of commiseration for them in sentimental breasts that is running yet. But who says a word in behalf of poor Mr. Laura? (I do not know his other name.) Who glorifies him? Who bedews him with tears? Who writes poetry about him? Nobody. How do you suppose he liked the state of things that has given the world so much pleasure? How did he enjoy having another man following his wife every where and making her name a familiar word in every garlic-exterminating mouth in Italy with his sonnets to her pre-empted eyebrows? They got fame and sympathy--he got neither. This is a peculiarly felicitous instance of what is called poetical justice. It is all very fine; but it does not chime with my notions of right. It is too one-sided--too ungenerous.”

“We with Komplizen Film believe very much in the writer-director and in the freedom of a filmmaker. I think it's always good to be involved where you spend the money. Filmmaking, you see in the picture what the money's spent for. I never had to leave a phase of filmmaking before being really happy, and that was really a big luxury. That could happen, I think, because I am my own producer.”

“We with my husband [Joseph Millar] are often the first reader for one another's work, and we often also have the last word. We trust each other. We have our past working life in common, our recombined families, as well as our life as teachers, and we read much of the same literature and have similar esthetics, so there's a simpatico there. But we do disagree and that can be fruitful, even if it's not so great in the moment.”

“We wives are emotional beings. Clothes play an important role in emotional control. If you go to work knowing you look wonderful, feeling at ease, comfortable, and appropriately garbed, you're bound to be more alert and more able to cope with problems, including the unexpected. Getting the habit of dressing well every day will prevent panic at an unexpected situation at work, or after work for that mattter.”

“We women are callow fledglings as compared with the wise old birds who manipulate the political machinery, and we still hesitate to believe that a woman can fill certain positions in public life as competently and adequately as a man. For instance, it is certain that women do not want a woman for President. Nor would they have the slightest confidence in her ability to fulfill the functions of that office. Every woman who fails in a public position confirms this, but every woman who succeeds creates confidence.”

“We women are weak," replied Bimala. "So I suppose we must join in the conspiracy of the weak." "Women weak!" I exclaimed with a laugh. "Men belaud you as delicate and fragile, so as to delude you into thinking yourselves weak. But it is you women who are strong. Men make a great outward show of their so-called freedom, but those who know their inner minds are aware of their bondage. They have manufactured scriptures with their own hands to bind themselves; with their very idealism they have made golden fetters of women to wind round their body and mind. If men had not that extraordinary faculty of entangling themselves in meshes of their own contriving, nothing could have kept them bound. But as for you women, you have desired to conceive reality with body and soul. You have given birth to reality. You have suckled reality at your breasts.”

“We women have lived too much with closure: "If he notices me, if I marry him, if I get into college, if I get this work accepted, if I get this job" -- there always seems to loom the possibility of something being over, settled, sweeping clear the way for contentment. This is the delusion of a passive life. When the hope for closure is abandoned, when there is an end to fantasy, adventure for women will begin.”

“We women, me and you. Tell me something real. Don’t just say I’m grown and ought to know. I don’t. I’m fifty and I don’t know nothing. What about it? Do I stay with him? I want to, I think. I want… well, I didn’t always… now I want. I want some fat in this life.” “Wake up. Fat or lean, you got just one. This is it.” “You don’t know either, do you?” “I know enough to know how to behave.” “Is that it? Is that all it is?” “Is that all what is?” “Oh shoot! Where the grown people? Is it us?” “Oh, Mama.” Alice Manfred blurted it out and then covered her mouth. Violet had the same thought: Mama. Mama? Is this where you got to and couldn’t do it no more? The place of shade without trees where you know you are not and never again will be loved by anybody who can choose to do it? Where everything is over but the talking? - Violet Trace and Alice Manfred”