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Artist Quotes

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Artist Quotes

“Even the mistakes, even everything bad that happened, I wouldn’t change because then I wouldn’t be the person that I am today. The past is the past. I just want to focus on the future, and getting better, not making the same mistakes and just becoming a better person, a better artist. Just a better everything.”

“Poverty when coupled with creativeness is usually free of frustration. This is true of the poor artisan skilled in his trade and of the poor writer, artist, and scientist in the full possession of creative powers. Nothing so bolsters our self-confidence and reconciles us with ourselves as the continuous ability to create; to see things grow and develop under our hand, day in, day out. The decline of handicrafts in modern times is perhaps one of the causes for the rise of frustration and the increased susceptibility of the individual to mass movements.”

“People say 'I love Artists', but what they really know about Artists? They've ever thought about sharing the real madness with us? I believe those extreme passions/emotions in me separated from the real world is the sauce to pull out the inspirations out of me that touch the core of people's hearts, which is usually wandering about deep inside of you unconsciously covered with the social taboo called 'common sense'.”

“Business is a creative and therefore spiritual endeavor. Great entrepreneurs enter the field of business in the same way great artists enter the field of art. With their business creation, entrepreneurs express their spiritual desire for self-realization, evolutionary passion for self- fulfillment, and creative vision of a new world. The entrepreneur's business is their artwork. The creation of business is as creative as any creation in art. In fact, building a business may be the most creative human activity.”

“Unnur Birna is a Reykjavik-based violinist and singer. She has performed as a session musician with countless Icelandic and international artists while recording and appearing as a solo artist as well. Unnur has joined me as an unpaid guest on a few Icelandic shows in recent years, so it is a great pleasure to return the favour and appear on one of her songs at last. This new track, Sunshine, came about in Italy, written as an ode to sunlight and happiness after fleeing the dark winter in Iceland”

“I like to be aware of a book as a piece of writing, and aware of its structure as a product of mind, and yet I want to be able to see the represented world through it. I admire artists who succeed in dividing my attention more or less evenly between the world of their books and the art of their books . . . so that a reader may study the work with pleasure as well as the world that it describes.”

“It is a fallacy to think that carping is the strongest form of criticism: the important work begins after the artist's mistakes have been pointed out, and the reviewer can't put it off indefinitely with sneers, although some neophytes might be tempted to try: "When in doubt, stick out your tongue" is a safe rule that never cost one any readers. But there's nothing strong about it, and it has nothing to do with the real business of criticism, which is to do justice to the best work of one's time, so that nothing gets lost.”

“Every artist's strictly illimitable country is himself. An artist who plays that country false has committed suicide; and even a good lawyer cannot kill the dead. But a human being who's true to himself - whoever himself may be - is immortal; and all the atomic bombs of all the antiartists in spacetime will never civilize immortality.”

“In the early days of my carer as an actor, I shared what was then the prevailing attitude of Negro performers :;that the content and form of a play or a film scenario was of little importance to us. What mattered was was the opportunity, which came so seldom to our folks ... Later I came to understand that the Negro artist could not view the matter simply in terms of of his individual interests, and that he had a responsibility to his people who rightfully resented the traditional stereotyped portrayals of Negros on stage and screen.”

“The genius is not in how much Stanley Kubrick does in “2001: A Space Odyssey,'' but in how little. This is the work of an artist so sublimely confident that he doesn't include a single shot simply to keep our attention. He reduces each scene to its essence, and leaves it on screen long enough for us to contemplate it, to inhabit it in our imaginations. Alone among science-fiction movies, “2001'' is not concerned with thrilling us, but with inspiring our awe.”

“It seems hard for the American people to believe that anything could be more exciting than the times themselves. What we read daily and view on the TV has thrust imagined forms into the shadow. We are staggeringly rich in facts, in things, and perhaps, like the nouveau riche of other ages, we want our wealth faithfully reproduced by the artist.”

“The great artist when he comes, uses everything that has been discovered or known about his art up to that point, being able to accept or reject in a time so short it seems that the knowledge was born with him, rather than that he takes instantly what it takes the ordinary man a lifetime to know, and then the great artist goes beyond what has been done or known and makes something of his own.”

“All serious art, music, literature is a critical act. It is so, firstly, in the sense of Matthew Arnold's phrase: "a criticism of life." Be it realistic, fantastic, Utopian or satiric, the construct of the artist is a counter-statement to the world.”

“The difficulty in working with someone on a show like Idol or X Factor is they have an idea of what they think is cool in their heads, and it's important as a producer to maintain control of the session and not let it get side-tracked or chase too many rabbits. But it's also important to let the artist feel like their opinion matters, so that balance is difficult.”