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Asking Quotes

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Asking Quotes

“I got on the phone with the president of my label and I said, "Obviously, I write songs in a lot of styles and play a lot of different kinds of music. We're getting toward the end of our business collaboration. If you could envision a record that you wanted to hear from me, what kind of record would it be?" It wasn't like asking him to fill an order, it was really just a conversation. For all the things I'd ever asked him, this was one thing I'd never asked, and I don't know why. So I was curious. And the thing that he was most interested in hearing was a solo record.”

“Press junkets are incredibly annoying. You sit in a chair for three to six hours and have different journalists shuttle in for three minutes at a time, asking cheesy movie questions to get a quick sound bite - and that's their only objective. You can't really move or eat. You're just stuck there. It's pressure, constant pressure.”

“I have this table in my new house. They put this table in without asking. It was some weird nouveau riche marble table, and I hated it. But it was literally so heavy that it took a crane to move it. We would try to set up different things around it, but it never really worked. I realized that table was my ego. No matter what you put around it, under it, no matter who photographed it, the douchebaggery would always come through.”

“Our American past always speaks to us with two voices: the voice of the past, and the voice of the present. We are always asking two quite different questions. Historians reading the words of John Winthrop usually ask, What did they mean to him? Citizens ask, What do they mean to us? Historians are trained to seek the original meaning; all of us want to know the present meaning.”

“Every director is different and they all have different styles. I've worked with directors who were very specific and they gave a lot of direction. The one thing about Michael [Haneke]that I think is interesting is that he really has a reason for everything he's asking you. If you challenge it, he is open for discussion but he has a clear idea of what he wants with reasons why.”

“Coming from a sort of very rigid European type of training to this culture which is just a little more open - a lot more open, and kind of curious, and asking different sorts of questions.Because the problem for me was that the European modernist movement in the '70s was all about right or wrong. Some things were right and you were dealing with the truth, as it were, and then some things were wrong and therefore not allowed.”

“After I was released, people used to keep asking me, 'what's it like to be free? And it was very difficult for me to answer. I'd always felt free. As far as my state of mind was concerned, I didn't feel any different...People ask me about what sacrifices I've made. I always answer: I've made no sacrifices, I've made choices.”

“The different colors [of water] again refer to the fact that those little jacks, if you want to call them jacks, those little pyramids, can be packed together in all different ways. And depending on how they're packed together.If you Google blue ice, as I did just while your caller was asking his question, you see some beautiful pictures of ice covering a lake.”

“Two questions help us see why we are unlikely to get what we want by using punishment... The first question is: What do I want this person to do that's different from what he or she is currently doing? If we ask only this first question, punishment may seem effective because the threat or exercise of punitive force may well influence the person's behavior. However, with the second question, it becomes evident that punishment isn't likely to work: What do I want this person's reasons to be for doing what I'm asking?”

“Yeah, I love A Nightmare on Elm Street. I was just a fan. I was such an avid fan. I remember being on the set talking about a sequence and he started asking me about maybe staging it a little different. I realized - I think he was shocked that I knew his work so well - I remember I started going like, "Why don't we do it like The Last House on the Left, where you had the girl on the ground..."”

“Because of my experience in Occupy, instead of asking the question, "Who will benefit from this system I'm implementing with the data?" I started to ask the question, "What will happen to the most vulnerable?" Or "Who is going to lose under this system? How will this affect the worst-off person?" Which is a very different question from "How does this improve certain people's lives?"”

“As a child, I remember asking my parents when I was five years old, "How come if you are not Zionists, you came to the country?" I was surprised at myself that I asked this question. It means that it was always in the air. Then years later I understood it was because of the Holocaust, because they were refugees. They did not come as immigrants and, because of the illusions of the '50s and the late '40s, my mother said, "The world must be better." She could not imagine that it wouldn't be different.”

“People, Reacher was certain about. Dogs were different. People had freedom of choice. If a man or a woman ran snarling toward him, they did so because they chose to. They were asking for whatever they got. His response was their problem. But dogs were different. No free will. Easily misled. It raised an ethical problem. Shooting a dog because it had been induced to do something unwise was not the sort of thing Reacher wanted to do.”

“I was going to say 'my friend Stuart', but I suppose he's not a friend any more. I seem to have lost a number of friends in the last few years. I don't mean that I've fallen out with them, in any dramatic way. We've just decided not to stay in touch. And that's what it's been: a decision, a conscious decision, because it's not difficult to stay in touch with people nowadays, there are so many different ways of doing it. But as you get older, I think that some friendships start to feel increasingly redundant. You just find yourself asking, "What's the point?" And then you stop.”

“In asking forgiveness of women for our mythologizing of their bodies, for being unreal about them, we can only appeal to their own sexuality, which is different but not basically different, perhaps, from our own. For women, too, there seems to be that tangle of supplication and possessiveness, that descent toward infantile undifferentiation, that omnipotent helplessness, that merger with the cosmic mother-warmth, that flushed pulse-quickened leap into overestimation, projection, general mix-up.”