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“A long-term relationship is about showing up and working hard and banking on each other. If one's down, the other might be up and can help the other one up, and sometimes you're both down and you just [band] together. Endurance is a big theme of it for me. That might not sound romantic, but I kind of think that it is.”

“In the past when a country became as powerful as the United States, other countries would band together to clip its wings. But that isn't happening now and I don't think it's not going to happen, because other countries are not threatened by us, and they secretly appreciate the services that we provide, even if they don't usually say so.”

“There's people that say “It's not fair You have all that stuff.” I wasn't born with it. It was a horrible process to get to this. It took me my whole life. If you're new at this- and by “new at it.” I mean 15 years in, or even 20- you're just starting to grow traction. Young musicians believe they should be able to throw a band together and be famous, and anything that's in their way is unfair and evil. What are you, in your 20s, you picked up a guitar? Give it a minute.”

“Our audience is young and vibrant; we retain our previous following; we are three generations into it. Unlike other bands that are very demographically specific, who they appeal to and who their fans are, we're the antithesis of that. If you see your younger brother or a parent of yours or a neighbor at most rock concerts, that's not cool but with us and kids, it's a tribal gathering. Whether it's kids or neighbors - they're all part of a secret society.”

“CBGB was a wild place, ... The first time I ever played there was in 1987, I think, with my hardcore band, Scream. And I remember the craziest [thing] about that club was you could be in front of the stage and it could be louder than any show you've ever been to in your life. But if you were towards the back of the club at the bar, you could sit and have a conversation with someone. It was the weirdest thing to me.”

“I just implore local music fans to get out on a regular basis to support the local bands that you like. If you find what the corporate record industry shovels out as distasteful, prove that there's a demand for something different and better. I don't expect everyone else to do the two or three nights a week that I did at my peak, but two or three shows a month isn't much of a burden for true music fans!”

“Wherever inspiration comes from, it's like I'll hear a melody and chords, almost a rough structure of the whole thing [song]. I'll just hear it and chase what's in my head. The rest comes from jamming with band, improvising, seeing what comes up as well. I'll come up with it off the top of my head, catch it, sing and hum, and if something is missing, just jam, and that's the [songwriting] process.”

“I never did use earphones until into the Eighties or Nineties. I don't like to use earphones. I've never heard anybody sing with earphones effectively. They just give you a false sense of security. A lot of us don't need earphones. I don't think Springsteen or Mick do. But other people more or less have given in. But they ought not to. They don't need to. Especially if they have a good band.”

“When bands come from that underground scene and go into the mainstream, people just hate it. And it blows my mind. If you're saying you don't like what pop culture is, then change it. And when someone does make an effort to change it, everyone rebels against it and hates it. You can't win. People just want that division to exist. They don't want that division to go away.”

“If it's just a pastime, keep doing it because it's relaxing and to blow off some steam. But if you're not sure if you want to do it, or you're thinking you can be famous, you shouldn't do it because you want to be famous. You have to do it because you love it and you want to play for people. And if that's what you want to do, then do it, but you can't go into it with that mindset of "we'll be in a band and we'll be famous."”

“The book is almost always better than the movie. You could have no better case in point than FROM HELL, Alan Moore's best graphic novel to date, brilliantly illustrated by Eddie Campbell. It's hard to describe just how much better the book is. It's like, "If the movie was an episode of Battlestar Galactica with a guest appearance by the Smurfs and everyone spoke Dutch, the graphic novel is Citizen Kane with added sex scenes and music by your favourite ten bands and everyone in the world you ever hated dies at the end." That's how much better it is.”

“"If you are loyal you are successful," ruminated the company paper at one time. "All useful work is raised to the plane of art when love for the task-loyalty-is fused with the effort. Loyalty is the great lubricant of life. It saves the wear and tear of making daily decisions as to what is best to do. The man who is loyal to his work is not wrung nor perplexed by doubts, he sticks to the ship, and if the ship founders he goes down like a hero with colors flying at the masthead and the band playing."”