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Behinds Quotes

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“So often with beginning writers, the story that they want to start with is the most important story of their life - my molestation, my this, my horrible drug addiction - they want to tell that most important story, and they don't have the skills to tell it yet, so it ends up becoming a comedy. A powerful story told poorly becomes funny, it just makes people laugh behind their hands.”

“I have realized that mystery is what keeps people away, and I've grown tired of smoke and mirrors. I yearn for the clean, well-lighted place. So let's peek behind the curtain and hail the others like us. The open-faced sandwiches who take risks and live big and smile with all of their teeth. These are the people I want to be around. This is the honest way I want to live and love and write.”

“Tesla Motors was created to accelerate the advent of sustainable transport. If we clear a path to the creation of compelling electric vehicles, but then lay intellectual property landmines behind us to inhibit others, we are acting in a manner contrary to that goal. Tesla will not initiate patent lawsuits against anyone who, in good faith, wants to use our technology.”

“Even with college, the reason I wanted to go so badly is because I wanted to major in film. I want to take screenwriting classes and learn more about behind the scenes stuff, because I love people like Steve Carell and Kristen Wiig who are able to write a lot of their own material and be so involved in everything they do.”

“I think normally people think that they're afraid to die but I actually think people are more afraid to live. People are more afraid to make the choices that they want because they're very hard decisions to make in order to be happy. I think a lot of people are really afraid of that. It's easy to be in a band because you have a lot of things to hide behind so that's really not always living...that doesn't always constitute as living life the way you want. But at times you have to make decisions that sometimes hurt others in order to live.”

“We are the rags to riches story okay the Robertson's are. Okay? We had very humble beginnings. Everybody's trying to figure out what, what's behind it, and all the Robertsons say, 'hey, it's divine intervention.' Me personally okay, God's gonna take "Duck Dynasty" where he wants it to go okay and to the people that he wants it to go to.”

“If you want to be powerful in life you have to enjoy the process. You have to get pleasure out of making the thing that you're making. There has to be that kind of purpose behind it. If your purpose is simply gaining power, if that becomes your end in life then you end up sort of destroying yourself because you lose the sense of detachment that's very necessary.”

“Both poet and painter want to reach the silence behind the language, the silence within the language. Both painter and poet want their work to shine not only in daylight but (by whatever illusionist magic) from within.”

“We never really are the adults we pretend to be. We wear the mask and perhaps the clothes and posture of grown-ups, but inside ourskin we are never as wise or as sure or as strong as we want to convince ourselves and others we are. We may fool all the rest of the people all of the time, but we never fool our parents. They can see behind the mask of adulthood. To her mommy and daddy, the empress never has on any clothes--and knows it.”

“Not rarely, and this is especially true of wives and mothers, the motive behind assuming a disproportionate share of work and responsibility is completely unselfish. We want to protect, to spare those of whom we are fond. We forget that, regardless of the motive, the results of such action are almost always destructive and unproductive.”

“I think that ties into our name and the meaning behind our name, going Against the Current. We don't really want to fit in to one section. If we're able to be grouped into one category then we've become something that already exists, probably. We want all of those kids that would come out to that pizza shop to come to our show and all of those kids who know us from the radio to come to that show. We have kids that come to our show that have been coming to concerts for years, and ones that it's their first concert and they just wanted to see it. I think that's the best way to do it.”

“The reality is if we sit back and allow a few officials behind closed doors to launch offensive attacks without any oversight against foreign nations, against people we don't like, against political groups, radicals, and extremists whose ideas we may not agree with, and could be repulsive or even violent - if we let that happen without public buy-in, we won't have any seat at the table of government to decide whether or not it's appropriate for these officials to drag us into some kind of war activity that we don't want, but we weren't aware of at the time.”

“I come out here every day, and my job is important when it comes to being there every day and being there for my pitchers. I really want to be known more as a defensive guy, and take my pitchers to the next level. Every time I go out on the field, I take a lot of pride in what I do at the plate, but I take a lot more pride in what I do behind the plate.”

“Want to know the secret behind The Secret? The Law of Attraction will not bring you abundance and prosperity for just thinking pleasant, positive thoughts. It is no cosmic mistake that the word "attraction" has the word "action" in it. Abundance is, in fact, the result of creative thinking and a lot of action. Much action, much prosperity, in other words. What are you waiting for?”

“America comes with both rights and responsibilities. You have, for example, the right to free speech, but you have the responsibility to not yell 'fire' in a crowded theater. If you don't live up to that responsibility, you face certain consequences. It's a simple but effective formula. Unfortunately, tenured professors are completely insulated from it. They can scream fire in their classrooms all they want - and then hide behind their tenure if anyone questions them on it.”

“You want people to think. You want people to be emotionally moved. And there's a theory behind that in terms of storytelling. It has been around for thousands of years. And that's where something like live theater or a live performance is something that is very valuable because you get instant feedback from your audience and you kind of know the things that work and the things that don't work.”

“I hope any poem I've ever written could stand on its own and not need to be a part of biography, critical theory or cultural studies. I don't want to give a poetry reading and have to provide the story behind the poem in order for it to make sense to an audience. I certainly don't want the poem to require a critical intermediary - a "spokescritic." I want my poems to be independently meaningful moments of power for a good reader. And that's the expectation I initially bring to other poets' writing.”

“I don't play baseball first. I put Christ first in my life. I put my family behind Him and I put baseball down the line. I obviously want to succeed. I want to do well. I want to perform. But at the same time, I'm at peace that no matter what happens on this earth, the more important part is being a Christian, and being in the Kingdom of Heaven when it's all said and done.”

“I've got a feeling I'm leaving stardom behind, you know. I'm gradually becoming more of a filmmaker, acquiring a different kind of dignity from that which you achieve in acting. After all, I'm no matinee idol, and I'm getting older. I don't think I can be doing my kind of thing in the seventies; I want to be on more of the creative side of business.”

“He sits in an old armchair in the corner covered with bits of blankets and a bucket behind the chair that stinks enough to make you sick and when you look at that old man in the dark corner you want to get a hose with hot water and strip him and wash him down and give him a big feed of rashers and eggs and mashed potatoes with loads of butter and salt and onions.I want to take the man from the Boer War and the pile of rags in the bed and put them in a big sunny house in the country with birds chirping away outside the window and a stream gurgling.”

“If you go to Japan, they're still buying vinyl, and they want the education. They know who's playing on what tracks from the '60s and the '70s - who the guitar player is, who the drummer is, who the producer was, what studio it was recorded in. That's how I grew up listening to music. We bought albums. We read the liner notes. It was important to know the whole history behind it.”