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“In terms of a narrative nonfiction book, when you're describing scenes that you have multiple sources for, and that you have differing sources for, and you decide to choose a path that puts all that information together, well yeah, there's definitely going to be a little bit of the author in that. But there's nothing wrong with that.”

“Until I saw my drawings replayed on the iPad, I'd never seen myself draw. Someone watching me would be concentrating on the exact moment, but I'd always be thinking a little bit ahead. That's especially so in a drawing where you are limiting yourself, a line drawing for example. When you are doing them you are very tense, because you have to reduce everything to such simple terms.”

“Borrowing money on what's called 'easy terms,' is a one-way ticket to the Poor House. If you think it ain't a Sucker Game, why is your Banker the richest man in your Town? Why is your Bank the biggest and finest building in your Town? Instead of passing Bills to make borrowing easy, if Congress had passed a Bill that no Person could borrow a cent of Money from any other person, they would have gone down in History as committing the greatest bit of Legislation in the World.”

“It’s the strangest thing about this church - it is obsessed with sex, absolutely obsessed. Now they will say we, with our permissive society and rude jokes, are obsessed. No, we have a healthy attitude. We like it, it’s fun, it’s jolly; because it’s a primary impulse it can be dangerous and dark and difficult. It’s a bit like food in that respect, only even more exciting. The only people who are obsessed with food are anorexics and the morbidly obese, and that in erotic terms is the Catholic church in a nutshell.”

“The average person's short-term memory can hold only five to seven bits of data at any one moment. If you put more items in, others fall out. The older you are, the more you have crammed into those memory circuits. Twenty-five-year-olds can remember things because they still have empty space. Some of us take our children to the supermarket in the hope they will remember why we are there.”

“Stories ought not to be just little bits of fantasy that are used to wile away an idle hour; from the beginning of the human race stories have been used - by priests, by bards, by medicine men - as magic instruments of healing, of teaching, as a means of helping people come to terms with the fact that they continually have to face insoluble problems and unbearable realities.”

“To handle that stardom, the red carpets, the photo shoots, people all of a sudden recognizing you and following you in everyday life, it's a bit weird. It's strange, and it can have funny effects on you in terms of do you like it or don't you like it. Some people run away from it, some people embrace it; I found a good middle ground.”

“Let me go out on a limb and suggest that those who see hints of a new class ideology developing around information technology are not necessarily wild-eyed. "Bit-twiddlers" are neither exactly proletariat nor bourgeoisie. They may not own the means of production in the sense that Marx argued, but they certainly do have significantly control over those means, in a more profound way than the term "symbols analysts" or "knowledge workers" captures. As a rough generalization, they value science and technological problem-solving elegance equally at least with profit.”

“[On The Waste Land:] Various critics have done me the honor to interpret the poem in terms of criticism of the contemporary world, have considered it, indeed, as an important bit of social criticism. To me it was only the relief of a personal and wholly insignificant grouse against life; it is just a piece of rhythmical grumbling.”