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“The gap between the rich and poor is growing among and within most nations. The political and social effects of unequal location of energy and other mineral resources are acute. Population numbers continue to climb. The global environment shows signs of widespread deterioration. Both natural and social environments are increasingly vulnerable to catastrophic disturbances... There may, however, be a cheering challenge in the possibility that out of its struggle with these realities the human race may move a bit nearer to behaving as if it were indeed one family.”

“Opening a play is just tough. The idea that actors are weirdly protected from it is a myth. If you imagine yourself having to spend two and a bit hours cooking bolognaise, remembering a whole major work by David Hare and speaking it at the correct moment between chopping carrots and stirring the onions in front of an audience - the normal human response is 'Please, can I go to the airport?'”

“It is the close observation of little things which is the secret of success in business, in art, in science, and in every pursuit in life. Human knowledge is but an accumulation of small facts made by successive generations of men--the little bits of knowledge and experience carefully treasured up by them growing at length into a mighty pyramid.”

“A highly developed moral nature joined to an undeveloped intellectual nature, an undeveloped artistic nature, and a very limited religious nature, is of necessity repulsive. It represents a bit of human nature a good bit, of course, but a bit only in disproportionate, unnatural and revolting prominence.”

“I fight against the gluttony of time with so many very amusing weapons with gestures and with three attitudes and with charming phrases; with tears and with tinsel, and with sugar-coated pills, and with platitudes slightly regilded. Yes, and I fight him also with little mirrors wherein gleam confusedly the corruptions of lust, and ruddy loyalty, and a bit of moonshine, and the pure diamond of the heart's desire, and the opal cloudings of human compromise: but, above all, I fight that ravening dotard with the strength of my own folly.”

“With a little persuasion, any familiar thing can turn abnormal in the mind. Here's a thought experiment. Consider this brutal bit of magic. A human grows a second human in a space inside her belly; she grows a second heart and a second brain, second eyes and second limbs, a complete set of second body parts as if for use as spares, and then, after almost a year, she expels that second screaming being out of her belly and into the world, alive. Bizarre, isn't it?”

“Drama is life with the dull bits left out. There is no terror in the bang, only in the anticipation of it. I believe in putting the horror in the minds of the audience, and not necessarily on the screen. The length of a film should be directly related to the endurance of the human bladder.”

“When you're looking for a house, you're not looking for a house that's perfect. You're looking for that house to have character. And I think it's those little bits of humanity they come from the music. That's what the music brings out when you have that, it brings out the character of a song. You go back and listen to 30, 40 years of music, and all the great, great songs that we've had in our lives, they all have that character. They have that human nudge, they all have that human relation. You can relate to it.”

“Eating reveals the characteristic grossness of the human race and also the in-built failure of its satisfactions. We arrive eager, we stuff ourselves and we go away depressed and disappointed and probably feeling a bit queasy into the bargain. It's an image of the déçu in human existence. A greedy start and a stupefied finish. Waiters, who are constantly observing this cycle, must be the most disillusioned of men.”

“No doubt other writers have often put a thing more brilliantly, more subtly than even a very cunning artist in words can hope to emulate, a supreme phrase being a bit of luck that only happens now and then. And inasmuch as the condiments and secret travail of human nature are always the same, and that certain psychological moments must ever and ever recur, what more tempting than to pin down such a moment with the blow of a borrowed hammer?”

“Stories ought not to be just little bits of fantasy that are used to wile away an idle hour; from the beginning of the human race stories have been used - by priests, by bards, by medicine men - as magic instruments of healing, of teaching, as a means of helping people come to terms with the fact that they continually have to face insoluble problems and unbearable realities.”

“In the end, I feel that one has to have a bit of neurosis to go on being an artist. A balanced human seldom produces art. It's that imbalance which impels us. I often think that all I want to do now is to avoid suicide, accidental or otherwise. Other than that, I think living on the edge is what drives my work and me beyond a certain point. The artist lives with anxiety. When you finally reach a plateau of achievement, there comes a new anxiety - the hunger to push on still further. That angst is what makes you go forward.”

“Most of us live our lives desperately trying to conceal the anguishing gap between our polished, aspirational, representational selves and our real, human, deeply flawed selves. Dunham lives hers in that gap, welcomes the rest of the world into it with boundless openheartedness, and writes about it with the kind of profound self-awareness and self-compassion that invite us to inhabit our own gaps and maybe even embrace them a little bit more, anguish over them a little bit less.”

“Wellness that is being allowed - or the wellness that is being denied - is all about the mindset, the mood, the attitude, the practiced thoughts. There is not one exception, in any human or beast; because, you can patch them up again and again, and they will just find another way of reverting back to the natural rhythm of their mind. Treating the body really is about treating the mind. It is all psychosomatic. Every bit of it, no exceptions.”

“Any young boy can nowadays explain human flight - mechanistically: " ... and to climb you shove the throttle all the way forward and pull back just a little on the stick. ... " One might as well explain music by saying that the further over to the right you hit the piano the higher it will sound. The makings of a flight are not in the levers, wheels, and pedals but in the nervous system of the pilot: physical sensations, bits of textbook, deep-rooted instincts, burnt-child memories of trouble aloft, hangar talk.”

“In all the dictatorships, there's such a non-understanding of what human beings are. I mean, if you believe in the Bible, you have the story of Adam and Eve and God tells them, "Do whatever you want. The only thing you shouldn't do is eat the apple." What do they do the first thing? They eat the apple. So if you know a little bit the psychology of human beings, you have to understand that if you say something you should not do, then everybody wants to do it.”