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“At the risk, then, of being shunned by some of my gloomier peers, I venture to tell you that writers work like demons, suffer greatly, and are also happy, in unmistakable ways, some of the time. If we had no knowledge of happiness, our novels wouldn't sufficiently resemble real life. Some of us are even made a little bit happy, on occasion, by the writing process itself. I mean, really, if there wasn't some sort of enjoyment to be derived, would any of us keep doing it?”

“A lot of fantasy names are too much. They’re too difficult to pronounce. I wanted the flavour of medieval England. I took actual names we still use today, like ‘Robert’, and in some case I tweaked them a little bit. I made ‘Edward’ into ‘Eddard’. If you look back at medieval times, no one knew how to spell their own names. There are a lot of variations that we’ve lost.”

“It is the close observation of little things which is the secret of success in business, in art, in science, and in every pursuit in life. Human knowledge is but an accumulation of small facts made by successive generations of men--the little bits of knowledge and experience carefully treasured up by them growing at length into a mighty pyramid.”

“Many people say, "When I get a million dollars, then I'll be happy because I'll have security," but that's not necessarily so. Most people who acquire a million dollars want another and then another. Or they could be like a good friend of mine who made and lost every dime of a million dollars. It didn't bother him a bit. He wasn't excited about it, but he explained to me, "Zig, I still know everything necessary to make another million dollars, and I've learned what to do not to lost it. I'll simply go back to work and earn it again.”

“I don't remember ever being see-saw, when I'd made my mind up that a thing was wrong. It takes the taste out o' my mouth for things, when I know I should have a heavy conscience after 'em. I've seen pretty clear, ever since I could cast up a sum, as you can never do what's wrong without breeding sin and trouble more than you can ever see. It's like a bit o' bad workmanship--you never see th' end o' the mischief it'll do. And it's a poor look-out to come into the world to make your fellow creatures worse off instead o' better.”

“There'd been studies over the years supporting the proposition that groups composed exclusively of women usually made intelligent decisions, that exclusively male groups did a bit less well, and that mixed groups did most poorly of all, by a substantial margin. It appeared that, when women were present, testosterone got the upper hand and men took greater risks than they might otherwise. Correspondingly, women in the mixed group tended to revert to roles, becoming more passive, and going along with whatever misjudgment the males might perpetrate.”

“I'm not going to retire because I want the money. We want honest athletes, but at the same time, you're going to have people saying, 'He's so greedy. He's made X amount of money, and he has to take that last little bit.' Yes, I do have to take that last little bit. I'm sorry if that is frustrating to some, but if they were in my shoes, they would do exactly the same thing.”

“EA called my agency and made us an offer and I was really enthusiastic about this, really excited to do it. I had Need for Speed: Underground already, the first one. And I'm a bit of a gamer, and definitely car enthusiast, so I've done a lot of things to my cars that people can do in this game. Everything from after-market kits to styling them, exteriorly with wheels, rims, and kits. You name it I have some fun doin' that.”

“"She (Minnie Ruth Solomon) was unusual because even though I knew her family was as poor as ours, nothing she said or did seemed touched by that. Or by prejudice. Or by anything the world said or did. It was as if she had something inside her that somehow made all that not count. I fell in love with her some the first time we ever talked, and a little bit more every time after that until I thought I couldn't love her more than I did. And when I felt that way, I asked her to marry me . . . and she said she would."”

“I made some friends at Listerine and they taught me a little bit about oral care. That half of adults suffer from oral disease, that the number one chronic disease among children is oral disease, that we're only taking care of 25% of our mouths when brushing alone and there are more germs in your mouth than there are people on the planet.”

“I was OK in school, but I always missed a lot because I was playing so much. But if I'd stuck at it I imagine that I'd be doing something financial or economical. Finance always attracted me, even though maths was always a bit of a love-hate relationship. I would have tried playing football, but I don't think I'd have made it.”

“Somehow I felt that if Fox Talbot had had more time and more drawing talent, he would have filled in the interval between his two drawings and made a complete panorama. Now, 163 years later, I was able to use his great invention to elaborate on his youthful dream of capturing and fixing the fleeting image. In doing so, I may also have added another little bit to the soul of this extraordinary place.”

“Any fool can make a quilt; and, after we had made a couple of dozen over twenty years ago, we quit the business with a conviction that nobody but a fool would spend so much time in cutting bits of dry goods into yet small bits and sewing them together again, just for the sake of making believe that they were busy at practical work.”

“I'm a hybrid-genre person, which a lot of people find confusing. I grew up listening to American country music and rock n' roll made between 1955 and 1959. The Everly Brothers and Chuck Berry were my first musical loves and are still what I am most moved by. Roy Orbison came a little bit later.”

“I always liked the steel guitar. I also love the guys that play the bottleneck. But I could never do it; I never made it do what I want. So every time I would pick up the guitar, I'd shake my hand and trill it a bit. For some strange reason my ears would say to me that sounds similar to what those guys were doing. I can't pick up the guitar now without doing it. So that's how I got into making my sound. It was nothing pretty. Just trying to please myself. I heard that sound.”

“I'm not known as a singer, but in life I like to do things that are a bit beyond my reach to keep myself from slipping. I find that technology has made it so that we don't need to have a memory system, and as I get older I want to do things that challenge me. What could be more challenging than doing this show with a knee that's been replaced, after tearing my Achilles heel with a baker's cyst on the back of my knee? And then I have to try and dance!”

“I was off the scene for a while during the ska period and when I returned and joined the Treasure Isle studio, I came there with a different mood. The musicians picked up on that and we kept on going in that direction. The music became slower, which gave the bass player the time to play more notes. In 1965 I named it rocksteady. The first rocksteady song was 'Girl I've Got A Date'. That one was still a bit up-tempo, leaning towards ska. It turned the tide and made Treasure Isle the number one studio.”

“I think the greatest gift actually acting is that I have a true fascination and love for people, and the way they are, and all the choices they made in life and all the different paths they took. I feel like acting gives me an opportunity to dig a little bit into that. That's great because it's eye-opening and it makes you an open person.”

“As a consumer, if I heard someone who said, "I've written this song," and then I found out it wasn't by them, it's a bit disappointing. A lot of the guys that do that are really talented and they've made some incredible music, but they get addicted to having success and feel too much pressure, so they get other people to make sure that their next song makes money.”

“I know I made plenty of mistakes in my tenure. But one of the things that you learn is to be very careful and to protect yourself down the road a little bit, which is to say you've got to think ahead and think where is the story going to go? What are all the possible outcomes? And how do I protect the president from unexpected twists and turns in the road?”