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Blood Quotes

“Sirs, you are doubtlessly intelligent people, however, I have a problem understanding how you found a place in prophecy for those I know to be void of a even a single drop of Hebrew blood - without any cultural or historical ties to the Holy Land and in fact simple converts to a base form of Judaism. Clinton eulogized Rabinowitz (Yitzhak Rabin) as a son of David and a son of Solomon. You must know that this man was a Khazar of Turko- Mongolian lineage, and can in no way represent a 'return' since his southern Russian ancestors never made it down to Palestine until 1948.”

“What do prisoners do? Write, of course; even if they have to use blood as ink, as the Marquis de Sade did. The reasons they write, the exquisitely frustrating restrictions of their autonomy and the fact that no one listens to their cries, are all the reasons that mentally ill people, and even many normal people write. We write to escape our prisons.”

“In fact a man in love or one consumed with hatred creates symbols for himself, as a superstitious man does, from a passion of conferring uniqueness on things or persons. A man who knows nothing of symbols is one of Dante's sluggards. This is why art mirrors itself in primitive rites or strong passions, seeking for symbols, revolving round the primitive taste for savagery, for what is irrational (blood and sex).”

“I think any supernatural hero today, whether he's a vampire, werewolf, a resuscitated mummy, whatever he is, is going to have to deal with the fact that scientists are going to want to catch him and study him. His big enemy is not going to be Dr. Van Helsing today, it's going to be the doctor who wants to put him in a lab and get his blood for what it can do to cure disease or grant immortality.”

“On the other hand, heroism is basic to the character of the Nordic peoples. This heroism of the ancient mythic period and this is what is decisive has never been lost, despite times of decline, so long as the Nordic blood was still alive. Heroism, in fact, took many forms, from the warrior nobility of Siegfried or Hercules to the intellectual nobility of Copernicus and Leonardo , the religious nobility of Eckehart and Lagarde, or the political nobility of Frederick the Great and Bismarck , and its substance has remained the same.”

“Now when you get something like the Apocalypse of John, when this avenging God is going to have blood to the bridle bits for 200 miles, I think that's venous, I don't think that's justice, I don't think that's Jesus, and I don't think it's the God of Jesus. That's the killer God, and the trouble with the killer God is that it justifies us doing the same, and in fact it invites us maybe to start with a bit.”

“In a brilliant fusion of fact and fiction, Jayne Anne Phillips has written the novel of the year. It's the story of a serial killer's crimes and capture, yes, but it's also a compulsively readable story of how one brave woman faces up to acts of terrible violence in order to create something good and strong in the aftermath. Quiet Dell will be compared to In Cold Blood, but Phillips offers something Capote could not: a heroine who lights up the dark places and gives us hope in our humanity.”

“The idea that we are "stewards of the earth" is another symptom of human arrogance. Imagine yourself with the task of overseeing your body's physical processes. Do you understand the way it works well enough to keep all its systems in operation? Can you make your kidneys function? Can you control the removal of waste? Are you conscious of the blood flow through your arteries, or the fact that you are losing a hundred thousand skin cells a minute?”

“Weight (too much or too little) is a by-product. Weight is what happens when you use food to flatten your life. Even with aching joints, it's not about food. Even with arthritis, diabetes, high blood pressure. It's about your desire to flatten your life. It's about the fact that you've given up without saying so. It's about your belief that it's not possible to live any other way - and you're using food to act that out without ever having to admit it.”

“Wars are generally fought for material things; they're not fought over ideals. After we get into them, we are told we are fighting for ideals. We are fighting for oil and tin and rubber and markets, and as long as we insist on a standard of life that is so high above all the rest of the world, we're going to have to pay for our standard of living with a lot of blood. I think we ought to re-examine the fact that Jesus was a pauper, and we should be committing ourselves to a very humble, simple way of life.”

“What is the big deal about Eminem? Since when is offensive language a reason for being unpopular? I like the fact that Eminem is brash and angry and politically incorrect. At least he has an opinion. He's stirring things up. He's provoking a discussion. He's making people's blood boil. He's reflecting what's going on in society right now. That is what art is supposed to do.”

“I think there's a whole book being written about it in the UK. I don't know if you can get it here. It's about all the hidden messages and meetings in this and the fact that it is about women and the fact that this cave is full of blood and all this kind of stuff. And when I was making it, I didn't make it with that specifically in mind, but I always had it in the back of mind and I thought, 'Let's just throw it in there and see what people make of it.' And people seem to be making quite a lot of it. So I don't want to spell it out or say this, that or the other.”

“There's nothing like a deadline to get the old blood flowing. All the juices, really. It doesn't follow, if you think about it. You'd assume certain things ... certain activities ... would become unimportant. Certain betrayals would become unbearable. But they don't really. In fact, quite the opposite. Everything takes on a new light. The impossible becomes possible, desirable even. It's quite remarkable.”

“As for us, we were never concerned with the Kantian-priestly and vegetarian-Quaker prattle about the "sacredness of human life." We were revolutionaries in opposition, and have remained revolutionaries in power. To make the individual sacred we must destroy the social order which crucifies him. And this problem can only be solved by blood and iron.”

“I was really interested in the fact that blacks have high blood pressure, heart disease, and diabetes at a higher percentage than the rest of the population. That didn't stay very aggressively in the book, but that's how it started. I began to document these moments as support for this other thing I was thinking about, and then the moments themselves began to take over.”

“America has never had a very wide vocabulary for miscegenation. We say we like diversity, but we don't like the idea that our Hispanic neighbor is going to marry our daughter. America has nothing like the Spanish vocabulary for miscegenation. Mulatto, mestizo, Creole - these Spanish and French terms suggest, by their use, that miscegenation is a fact of life. America has only black and white. In eighteenth-century America, if you had any drop of African blood in you, you were black.”

“I liked the Hollywood stuff. But I also liked the fact that in both, you know, I guess in the, like, the auteur, the art film auteur at that time was Lina Wertmuller. So, you go see "Swept Away" or you go see a movie she did "Blood Feud" with Sophia Loren and Giancarlo Giannini. And I remember "Wifemistress" was a big movie at that time, really liked it, Laura Antonelli.”

“Each living creature is said to be alive and to be the same individual - as for example someone is said to be the same person from when he is a child until he comes to be an old man. And yet, if he's called the same, that's despite the fact that he's never made up from the same things, but is always being renewed, and losing what he had before, whether it's hair, or flesh, or bones, or blood, in fact the whole body.”

“Perhaps the whole root of our trouble, the human trouble, is that we will sacrifice all the beauty of our lives, will imprison ourselves in totems, taboos, crosses, blood sacrifices, steeples, mosques, races, armies, flags, nations, in order to deny the fact of death, the only fact we have. It seems to me that one ought to rejoice in the fact of death - ought to decide, indeed, to earn one's death by confronting with passion the conundrum of life.”

“I really don't know why it is that all of us are so committed to the sea, except I think it is because in addition to the fact that the sea changes and the light changes, and ships change, it is because we all came from the sea. And it is an interesting biological fact that all of us have, in our veins the exact same percentage of salt in our blood that exists in the ocean, and, therefore, we have salt in our blood, in our sweat, in our tears. We are tied to the ocean. And when we go back to the sea, whether it is to sail or to watch it we are going back from whence we came.”

“In fact her maturity and blood kinship converted her passion to fever, so it was more affliction than affection. It literally knocked her down at night, and raised her up in the morning, for when she dragged herself off to bed, having spent another day without his presence, her heart beat like a gloved fist against her ribs. And in the morning, long before she was fully awake, she felt a longing so bitter and tight it yanked her out of a sleep swept clean of dreams.”