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Color Quotes

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Color Quotes

“And just as music is the space between notes, just as the stars are beautiful because of the space between them, just as the sun strikes raindrops at a certain angle and throws a prism of color across the sky—so the space where I exist, and want to keep existing, and to be quite frank I hope I die in, is exactly this middle distance: where despair struck pure otherness and created something sublime.”

“If you are a woman, if you're a person of color, if you are gay, lesbian, bisexual, transgender, if you are a person of size, if you are a person of intelligence, if you are a person of integrity, then you are considered a minority in this world. And it's going to be really hard to find messages of self-love and support anywhere. Especially women's and gay men's culture. It's all about how you have to look a certain way, or else you're worthless... For us to have self-esteem is truly an act of revolution, and our revolution is long overdue.”

“In 1879 the Bengali scholar S.M. Tagore compiled a more extensive list of ruby colors from the Purana sacred texts: ‘like the China rose, like blood, like the seeds of the pomegranate, like red lead, like the red lotus, like saffron, like the resin of certain trees, like the eyes of the Greek partridge or the Indian crane…and like the interior of the half-blown water lily.’ With so many gorgeous descriptive possibilities it is curious that in English the two ancient names for rubies have come to sound incredibly ugly.”

“The years between thirty-five and sixty-five revolve before the passive mind as one unexplained, confusing merry-go-round. True, they are a merry-go-round of ill-gaited and wind-broken horses, painted first in pastel colors, then in dull grays and browns, but perplexing and intolerably dizzy the thing is, as never were the merry-go-rounds of childhood or adolescence; as never, surely, were the certain-coursed, dynamic roller-coasters of youth. For most men and women these thirty years are taken up with a gradual withdrawal from life.”

“We will have to choose not between color nor race nor religion nor between East and West either, but simply between being slaves and being free. And we will have to choose completely and for good; the time is already past now when we can choose a little of each, a little of both. We can choose a state of slavedom, and if we are powerful enough to be among the top two or three or ten, we can have a certain amount of license - until someone more powerful rises and has us machine-gunned against a cellar wall.”

“I realize that there are certain hardships that only females must endure, such as childbirth, waiting in lines for public-restroom stalls, and a crippling, psychotic obsession with shoe color. Also, females tend to reach emotional maturity very quickly, so that by age 7 they are no longer capable of seeing the humor in loud inadvertent public blasts of flatulence, whereas males can continue to derive vast enjoyment from this well into their 80s.”

“Brown people and black people and red people swarmed through our great halls, until those who were white looked simply faded-out human beings beside them. Indeed, I came to see that white is not a color in skin any more than in textiles, and if it had not quality, it had no value even for humanity. I saw that color in skin had a certain advantage in strength and warmth as a means of beauty.”

“What quality is shared by all objects that provoke our aesthetic emotions? Only one answer seems possible— significant form. In each, lines and colors combined in a particular way; certain forms and relations of forms, stir our aesthetic emotions. These relations and combinations of lines and colors, these aesthetically moving forms, I call ‘Significant Form’; and ‘Significant Form’ is the one quality common to all works of visual art.”

“In the first two years of my career, there were a lot of restraints on what I could do. I couldn't wear certain colors of lipstick, like bright pink, dark pink or red; [my lips] had to be natural. Eventually, I stopped communicating with certain people at the label, and did exactly what I wanted to do. And that was to cut my hair, dye it black, change my clothes, change my sound. Really to just express myself.”

“Words can mean different things to different people. It is important to understand what people mean when they use a certain word. Let's make an example. Take the word gay. Fifty years ago, gay meant exclusively cheerfulness, lighthearted excitement, merry or bright colors. Today this word has a different meaning. You won't call a cheerful person gay because it could be understood as something else.”

“Why all this insistence on the senses? Because in order to convince your reader that he is THERE, you must assault each of his senses, in turn, with color, sound, taste, and texture. If your reader feels the sun on his flesh, the wind fluttering his shirt sleeves, half your fight is won. The most improbable tales can be made believable, if your reader, through his senses, feels certain that he stands at the middle of events. He cannot refuse, then, to participate. The logic of events always gives way to the logic of the senses.”

“As any man, I, of course, have certain preferences. Being a Scot by birth, I'm inclined to favor those with a well-scrubbed look and a hint of color in their cheeks-put there by an early walk in the chill air rather than by rouge. The smell of soap on a woman's skin or the hint of shampoo in her hair is perfume enough for me . . . Humor is important. The most beautiful woman in the world is a bore without that.”

“I think words speak to us even though they may be written on a wall. So we hear them in our mind. We say it to ourselves. But they are also visual things. You draw them. They are designed. They are colored. They have a certain size. I put them in a certain place. So they are objects that have to be - artistic decisions have to be made in terms of the color and the size and the line and whatever.”

“I'm not a person that really deal in color. I recognize the inequities that certain cultures have to go through. I understand the history of slavery and all those things. But I'm not a victim. I can vote, I can participant. I can invest my money. I can invest my time. And that's what I'm doing. I'm not working for anybody. I'm not making any money doing what I'm doing. I'm doing it because someone did it for me.”