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“A student may easily exhaust his life in comparing divines and moralists without any practical regard to morals and religion; he may be learning not to live but to reason... while the chief use of his volumes is unthought of, his mind is unaffected, and his life is unreformed.”

“I think the ambiguity of similarity and difference is very powerful. It's the same scene in different times of year read across the grid, and, of course, different locations reading vertically. But you can get confused and lost in the series. You force the mind, which is always comparing and contrasting, to stumble ... That ambiguity is very powerful. One is getting lost and refinding oneself.”

“In times of uncertainty, we tend to move away from deterministic world views. And when we try to find moral footing for our actions, we compare ourselves to the foil of all foils, the Nazi period. It's a quest for moral certainty by saying, "Even if we're not doing great these days, at least we're not the Third Reich." Which can be consoling or alarmist. There's always a present-day agenda behind it.”

“I always compare young missioners to the kids who naively signed up to go to Iraq to fight terrorism. They are just the foot soldiers in the spiritual war that Mike Bickle and Lou Engle are waging against what they consider sin. They will say it is biblical truth, but the Bible says many things, and you don't see anyone saying that slavery is okay or that we should not eat shellfish. Why the fascination with sex?”

“The greatest gratification that I get to work with these hands is that when I come out and I go to the waiting room and speak and talk to the families of my patients, I get standing ovations and I get tears and they look at me as superhuman and superhero. No amount of money, no amount of anything can ever compare to that feeling.”

“I like the little chess match of how people move through space. I'm not comparing myself to Michelangelo with this analogy, but he said when he sculpts it's like finding the sculpture within. It feels that way when you are with actors, too. There's a natural way to do this with a natural language that flows and feels like real people talking. And you've just got to find it. So I enjoy that part of the process.”

“I don't think my playing style has really changed over the years; it's just gotten better. I can hear the improvement in comparing older records and later records. I'm referring to soloing ability, to having a better sound, to knowing chords better, and getting rhythmically stronger. It also has to do with ideas - learning how to edit your ideas and being better able to follow ideas out to a logical conclusion.”

“I like to compare the two to a quarterback and a lineman. Being a brakeman is very physical and success is mostly determined by how fast you can push a sled for about 30 meters. Your position is won or lost by the hundredths of seconds you are faster than another individual. It's like the lineman who is there mostly for their athleticism and physicality. The driver, like the quarterback, possesses a unique skill that takes a lot longer to learn.”

“We know there are states, like Alaska, where there are not a lot of providers. How do we work on issues like that? How do we work on making sure that the small-business part of this works better?... And if people have [alternate] plans, let's compare them and see. Access, affordability, and quality - that's what this is about. [But] "repeal" is a symbol of something that I don't think is connected to the substance of what's happening. Do you want to take away care from people who have preexisting conditions? [Repeal] takes you backward.”