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Conflict Quotes

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Conflict Quotes

“There's one bright spot in the generally gloomy picture know as the Pacific Conflict Zone. According to my calculations, by the year 2500 or so we should have killed off every last member of our species who is stupid enough to take part in so futile a pastime as this war between "ideals," and with luck they won't have left their genes behind because they'll typically have been killed at an age when society thinks they're too young to assume the responsibility of childbearing. After that we may get some peace and quiet for a change.”

“Frankly speaking, we all know that provoking military and political instability, regional, and other conflicts is a helpful means of distracting the public from growing domestic social and economic problems in certain countries. Such attempts cannot be ruled out, unfortunately.”

“The world understands that our country could solve all conflicts with military solutions, but we won't because we have leaders and we have a moral responsibility but we have also have a political - we have a political leader who is scared and who is raised on the idea that American force is the true evil.”

“The perennial architectural debate has always been, and will continue to be, about art versus use, visions versus pragmatism, aesthetics versus social responsibility. In the end, these unavoidable conflicts provide architecture's essential and productive tensions; the tragedy is that so little of it rises above the level imposed by compromise, and that this is the only work most of us see and know.”

“Concrete, Steel & Paint portrays the core values of restorative justice-respect, responsibility and relationships-expressed through art. it is art that involves victims, offenders and communities in a dialogue that is sometimes difficult and painful, sometimes reconciling, but always engaging. As one prisoner says in the film, 'We have come together collectively through art.' It will be a great discussion tool for college classes, community groups and others interested in issues of justice, community-building, conflict resolution and socially-engaged art.”

“Ultimately, only diplomacy can bring about a durable solution to the challenge posed by Iran's nuclear program. As President and Commander in Chief, I will do what is necessary to prevent Iran from obtaining a nuclear weapon. However, I have a profound responsibility to try to resolve our differences peacefully, rather than rush towards conflict.”

“There is no "scientific worldview" just as there is no uniform enterprise "science" - except in the minds of metaphysicians, school masters, and scientists blinded by the achievements of their own particular niche... There is no objective principle that could direct us away from the supermarket "religion" or the supermarket "art" toward the more modern, and much more expensive supermarket "science." Besides, the search for such guidance would be in conflict with the idea of individual responsibility which allegedly is an important ingredient of a "rational" or scientific age.”

“The problem with an economic meltdown is that the responsibility and the challenges to deal with the environment are squandered. That's an age-old battle in terms of the major conflicts in places like Afghanistan, etc. So there are age-old battles that'll keep going on. Unfortunately, man is a very slow learner, and we tend to repeat mistakes, as opposed to learning from mistakes.”

“I think that the first responsibility of an artist is to follow truth, and the innate original forces and energies that are within them. At the same time, I also think, collectively, that there has to be a place for artists to reflect and deal with the society they're living in. I think that great art inevitably reflects some of the drama and trauma and conflicts that exist in the outer world.”

“You do not become a ''dissident'' just because you decide one day to take up this most unusual career. You are thrown into it by your personal sense of responsibility, combined with a complex set of external circumstances. You are cast out of the existing structures and placed in a position of conflict with them. It begins as an attempt to do your work well, and ends with being branded an enemy of society.”

“I've wondered, though, if one of the reasons we fail to acknowledge the brilliance of life is because we don't want the responsibility inherent in the acknowledgment. We don't want to be characters in a story because characters have to move and breathe and face conflict with courage. And if life isn't remarkable, then we don't have to do any of that; we can be unwilling victims instead of grateful participants.”