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Conflict Quotes

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Conflict Quotes

“Washing one's hands of the conflict between the powerful and the powerless means to side with the powerful, not to be neutral.”

MeanCharacterHandsPoliticalValuesPeaceSidesCommunityFreedomPowerfulMoralPowerVirtueDemocracyHonestyIntegrityConflictEthicsInequalityPowerlessWashingPowerlessnessNeutralityPedagogyPedagogy Of The OppressedPraxisCommunity Action
Book:The Politics of Education: Culture, Power, and Liberation
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“It is a kind and wise arrangement of Providence that weaves our sorrows into the elements of character and that all the disappointments, and conflicts, and afflictions of life may, if rightly used, become the means of improvement, and create in us the sinews of strength.... the dross is left in the crucible, the baser metals are transmuted, and the character is enriched with gold.”

IfsKindMayMeanCharacterUsedLeftWiseSorrowConflictElementsGoldDisappointmentImprovementMetalsProvidenceArrangementsAfflictionCrucibleDross
Author:William Morley Punshon
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“I believe a good writer can write a good book with any sort of character, in any sort of setting, but I prefer to write about the outsider. It might just be because I've been one (or perceived myself to be one) for so much of my life. But the simple fact of being marginalized immediately brings conflict to a story before the narrative even begins, and that's gold for a writer because it means that your character already has depth before events begin to unfold.”

WritingBelieveMeanBookCharacterFactsStoriesMightI BelieveSimpleEventsConflictGoldDepthSettingSettingsNarrativeOutsidersGood BookGood WritersMarginalized
Author:Charles de Lint
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“The story [for the western genre] is everything. Whether it's a book or a screenplay, the story drives everything. And if you just go out and try to make one by putting on boots and jumping on a horse and riding off... If you don't have the material, the characters and the things to overcome and conflicts that give life to drama, you don't have it.”

IfsGivingTryingBookCharacterStoriesMaterialsDramaConflictOvercomingHorseWesternGenreBootsRidingJumpingScreenplaysGenre Is
Author:Clint Eastwood
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“I don't know where the characters are going to go or what's going to happen. I know that something inevitable will happen. I know that they want certain things and they're in a certain room and they smell like this and they look like that. More often than not, an entropy creeps in that strangles me, and then the inevitable happens. I don't know if I have the ability to write an ending like My Fair Lady's, when everyone gets what they want after a few minor conflicts. If I tried to write that it would just be false. Or I'd have someone enter with a machine gun.”

IfsKnowsWantWritingLooksCharacterHappensCertainAbilityRoomsConflictGunFairsMachinesSmellInevitableMinorsCreepsEntropyMachine GunsMy Fair Lady
Author:Adam Rapp
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“So long as the spectator has to figure out the meaning of this or that person, or the presuppositions of this or that conflict of inclinations and purposes, he cannot become completely absorbed in the activities and sufferings of the chief characters or feel breathless pity and fear.”

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Book:Basic Writings of Nietzsche
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“Whatever is being investigated, created or produced now, in movies or TV, needs to consider the context in which it is being distributed. It's not a vacuum. There are certain universal themes of love, conflict, loyalty or family that are everlasting and that need to be presented in a way that makes it feel relevant, even if it's a period piece. You need to consider what context that film, that story and those characters are being seen in.”

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Author:J. J. Abrams
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“In America, the stories we tell ourselves and we tell each other in fiction have to do with individualism. Every person here is the center of his or her own story. And our job as people and as characters is to find our own motivations and desires, to overcome conflicts and obstacles toward defining ourselves so that we grow and change.”

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Author:Adam Johnson
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“Clifford paints true-to-life characters with the same gritty touch as the best of Dennis Lehane. Straightforward and edgy, Lamentation gnaws with nail-biting tension on every page. A must-read for contemporary hardboiled mystery fans who appreciate the type of terse dialogue and real life conflicts and settings Elmore Leonard so richly brought to life.”

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Author:Robert Dugoni
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“One of the tricks is to have the exposition conveyed in a scene of conflict, so that a character is forced to say things you want the audience to know - as, for example, if he is defending himself against somebody's attack, his words of defense seem Justified even though his words are actually expository words. Something appears to be happening, so the audience believes it is witnessing a scene (which it is), not listening to expository speeches. Humor is another way of getting exposition across.”

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Author:Ernest Lehman
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“My biggest difference with our film and those kinds of science fiction films is that they are going from one special effect set piece to the next, what we were doing was more of a character study. And I think that is the freedom that you get by doing an Indie film. You can only really do that with a lower budget. So I understand where the conflict is between those two priorities.”

ThinkingKindTwoCharacterFilmNextDifferencesFictionStudyPiecesSpecialEffectsConflictScience FictionPrioritiesBudgetsSpecial EffectsIndie Films
Author:Duncan Jones
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“Characters exist in a flat line until we challenge them - sometimes they challenge themselves, sometimes they're challenged by other people, by nature, by robots, or by fungal infections in and around one's nether-country. Stories need conflict across the physical, emotional, intellectual and spiritual spectra. Accidents, betrayals, cataclysm, desperation, excess - these are the letters in the alphabet of conflict.”

PeopleNeedsWritingCountrySometimesCharacterStoriesSpiritualChallengesLinesEmotionalConflictIntellectualLettersBetrayalAccidentsFlatsExcessDesperationRobotsAlphabetInfection
Author:Chuck Wendig
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“Storytelling is an act of cruelty. We are cruel to our characters because to be kind is to invite boredom, and boredom in storytelling is synonymous with big doomy death-shaped death. So: be cruel to your protagonist. Rob him of something. Something important. Something he needs. A weapon. An asset. A piece of knowledge. A loved one. A DELICIOUS PIE. Take it away! Force him to operate without it. Conflict reinvigorates stale stories. New conflict, or old conflict that has evolved and grown teeth.”

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Author:Chuck Wendig
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“I've wondered, though, if one of the reasons we fail to acknowledge the brilliance of life is because we don't want the responsibility inherent in the acknowledgment. We don't want to be characters in a story because characters have to move and breathe and face conflict with courage. And if life isn't remarkable, then we don't have to do any of that; we can be unwilling victims instead of grateful participants.”

IfsWantReasonCharacterStoriesFacesMovingLife IsResponsibilityFailingConflictVictimGratefulBreatheAcknowledgeRemarkableInherentThousand YearsBrillianceUnwillingParticipantsAcknowledgment
Book:A Million Miles in a Thousand Years: What I Learned While Editing My Life
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“Yes. To write a novel is to risk my sanity. The deeper I get into the suffering and conflict of the characters, into the very situations and thoughts and feelings that make the novel worthwhile, the worse I feel, and the more likely I am to be severely depressed when the book is finished. There is no avoiding this: it is the result of attempting to tell all you know, to reach for the stars, to write what matters.”

KnowsFeelsWritingBookMatterCharacterFeelingsSufferingStarsResultsSituationNovelRiskConflictDeeperFinishedSanityWorthwhileWhat MattersAvoidingAttemptingThoughts And Feelings
Author:Anne Rice
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“It is doubtful whether God can bless a man greatly until he has hurt him deeply." God actually rises up storms of conflict in relationships at times in order to accomplish that deeper work in our character. We cannot love our enemies in our own strength. This is graduate-level grace. Are you willing to enter this school? Are you willing to take the test? If you pass, you can expect to be elevated to a new level in the Kingdom. For He brings us through these tests as preparation for greater use in the Kingdom. You must pass the test first.”

IfsMenFirstsCharacterUseSchoolOrderHurtLevelsEnemyGreaterGraceWillingConflictTestsDeeperAccomplishStormKingdomsPreparationBlessGraduatesDoubtful
Author:Aiden Wilson Tozer
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“The conflict that exists today is no more than an old-style struggle for power, once again presented to mankind in semireligious trappings. The difference is that, this time, the development of atomic power has imbued the struggle with a ghostly character; for both parties know and admit that, should the quarrel deteriorate into actual war, mankind is doomed.”

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Book:Einstein on Politics: His Private Thoughts and Public Stands on Nationalism, Zionism, War, Peace, and the Bomb
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