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Conflict Quotes

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Conflict Quotes

“The good news is you can get a lot of information off the Internet for free and in a hurry. But I think the breaking up of the media, which is otherwise kind of healthy, has contributed to less actual reporting and a louder, more contentious, more divisive public discourse, highlighting conflict, sometimes falsely.”

“I usually give a book 40 pages. If it doesn't grab me by then, adios. With young adult books, you can usually tell by Page 4 if it's worth the time. The author establishes the conflict early, sometimes in the first sentence. The themes of hope, family, friendship and overcoming hardship appeal to most everyone.”

“Being in relationship is not living in a fantasyland and don`t think that everything's going to be perfect all the time. You will go through phases where you're just not getting along. You're not communicating well. That's going to happen, and it's going to feel impossible to you sometimes. It might not even make sense to you sometimes. Arguments are normal. You have to be patient and sit through that and remember that this is a part of human communication and interaction. You're going to have these conflicts with anyone. It's not necessarily just that person.”

“Sometimes I wish eastern Congo could suffer an earthquake or a tsunami, so that it might finally get the attention it needs. The barbaric civil war being waged here is the most lethal conflict since World War II and has claimed at least 30 times as many lives as the Haiti earthquake.”

“Concrete, Steel & Paint portrays the core values of restorative justice-respect, responsibility and relationships-expressed through art. it is art that involves victims, offenders and communities in a dialogue that is sometimes difficult and painful, sometimes reconciling, but always engaging. As one prisoner says in the film, 'We have come together collectively through art.' It will be a great discussion tool for college classes, community groups and others interested in issues of justice, community-building, conflict resolution and socially-engaged art.”

“Often, when there is a conflict between parent and child, at its very hub is an expectation that the child should be acting differently. Sometimes these expectations run counter what is known about children's growth. They stem from remembering oneself, but usually at a slightly older age.”

“It's absurd and quite tragic the way people have managed to pit science against faith. They aren't in conflict at all - they're long lost dance partners. I don't divide the world up into Christians and other people - we are all human beings, brothers and sisters, and we embrace truth wherever we find it, whether that's in a lab, a field or a cathedral. Because sometimes you need a scientist and sometimes you need a poet.”

“[While designing] I'm mixing two lines of thought really: me as a designer for women and then me as a man. At the start of the design process it's the designer for women that comes to the forefront - sketching and revising the silhouette. Then the man comes into the picture - and I look at the shoe from a very masculine point of view. Then there is a conflict between the two sides of me. Sometimes the man wins, and sometimes the designer wins.”

“I write, and I feel how the correct and precise use of words is sometimes like a remedy to an illness. Like a contraption for purifying the air, I breathe in and exhale the murkiness and manipulations of linguistic scoundrels and language rapists of all shades and colors. I write and I feel how the tenderness and intimacy I maintain with language, with its different layers, its eroticism and humor and soul, give me back the person I used to be, me, before my self became nationalized and confiscated by the conflict, by governments and armies, by despair and tragedy.”

“To understand most important ideas in psychology, you need to understand how the mind is divided into parts that sometimes conflict. We assume that there is one person in each body, but in some ways we are each more like a committee whose members have been thrown together to do a job, but who often find themselves working at cross purposes.”

“I'm afraid, as true as love is, it is tested by circumstance and sometimes you don't make the best choices. As much as the fans claim [that] all they want is just want people sitting around and having a nice time together, trust me, you would not be watching the show if there wasn't conflict, if there wasn't drama, if there wasn't jeopardy. And it's not just physical jeopardy, it's romantic jeopardy as well.”

“Characters exist in a flat line until we challenge them - sometimes they challenge themselves, sometimes they're challenged by other people, by nature, by robots, or by fungal infections in and around one's nether-country. Stories need conflict across the physical, emotional, intellectual and spiritual spectra. Accidents, betrayals, cataclysm, desperation, excess - these are the letters in the alphabet of conflict.”

“I think the occupation of my poetry is akin to this desire to be many things at once - things that sometimes conflict. Regarding how the quotidian makes its way into the work, it's all of it, in a way. Like, when I'm writing poems, I'm just picking up scraps of whatever is happening around me - a geographical location, a love affair failed, the day the air felt like rope.”

“Some people think that in order to lead a morally decent life one may sometimes have to forego the possibility of having a good life oneself. Even if that is true, it does not render morality incredible, but it does raise a question about morality's authority: about what one has most reason to do when one is faced with a conflict of this kind.”

“The good of the family cannot be achieved without consideration of an individual's important interests. If those interests are urgent and weighty, they must become important interests of the family and can sometimes have priority in case of conflict. Sometimes, members must split their differences in compromise. Over time, yielding to others at some times must be balanced against getting priority for one's interests at other times.”

“I think war and armed conflict is always the last of all the options you have on the table. I think you try to avoid that at all costs. Sometimes it's unavoidable. That's the lesson of World War II. I think the other lesson of the last 50 or 60 years, however, is that, the stronger the U.S. military, the stronger our defense capabilities, the stronger the chances for peace are.”

“All good dramas are rife with conflicts, and the conflicts have to be resolved. What I think is so great about a show that takes place in a hospital is that you have so many different people with different needs. Sometimes all those can be in conflict. The drama of Heartland also comes from the group of people waiting, and they are sometimes agonizingly waiting for a new organ for their body in order to survive. So the show is so much about survival, which creates a sense of urgency to get the organs. I think that sense of urgency is probably the most prominent dramatic quality to the show.”

“Sometimes, recently Israeli-Palestinian conflict is indeed a clash between wrong and wrong. It is not as simple as fascism was. Every decent man had to be against fascism, period. It is not as simple as apartheid or colonialism or racism or misogyny. It is not simple because the Palestinians have no other land. They are absolutely right about this. The Israeli Jews also have no other land and they are absolutely right about this. It is a tragedy of two peoples claiming the same very small country, about the size of New Jersey.”

“It's easy enough to predict that there will be conflict, but you place yourself in a maelstrom when you offer a view about the conflict, and I don't have an investment in one side or the other; I feel compassion for both sides. I've spent a fair amount of time in Gaza and Israel, done a lot of reporting and lived over there, and the tragedy is sometimes overwhelming. At the same time, America does have an investment in what happens.”

“Comfort is not where you grow. You grow in conflict, easy to say but hard to do. Adversity's greatest gain is I grow closer to Christ and still understand that God's in control and He always knows my situation. It's not too big for Him. And He has a plan for me. But sometimes the plan's not exactly what I want. But the plan is hopefully, to influence other people for eternity as they watch me go through that situation.”

“Each of us has interests which conflict the interests of everybody else... 'everybody else' we call 'society'. It's a powerful opponent and it always wins. Oh, here and there an individual prevails for a while and gets what he wants. Sometimes he storms the culture of a society and changes it to his own advantage. But society wins in the long run, for it has the advantage of numbers and of age.”