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Conscious Quotes

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Conscious Quotes

“So many of the conscious and unconscious ways men and women treat each other have to do with romantic and sexual fantasies that are deeply ingrained, not just in society but in literature. The women's movement may manage to clean up the mess in society, but I don't know whether it can ever clean up the mess in our minds.”

“There are a lot of obstacles in the way of our understanding animal intelligence - not the least being that we can't even agree whether nonhuman species are conscious. We accept that chimps and dolphins experience awareness; we like to think dogs and cats do. But what about mice and newts? What about a fly? Is anything going on there at all?”

“Focusing upon the positive by counting your blessings, or using positive affirmations in the fertile time before you fall asleep is an invitation to both your subconscious mind and your pre-conscious mind to use your dreams as a way to show you insights, solutions and new creative ideas.”

“An entertainment is something which distracts us or diverts us from the routine of daily life. It makes us for the time being forget our cares and worries; it interrupts our conscious thoughts and habits, rests our nerves and minds, though it may incidentally exhaust our bodies. Art, on the other hand, though it may divert us from the normal routine of our existence, causes us in some way or other to become conscious of that existence.”

“The idea that we are "stewards of the earth" is another symptom of human arrogance. Imagine yourself with the task of overseeing your body's physical processes. Do you understand the way it works well enough to keep all its systems in operation? Can you make your kidneys function? Can you control the removal of waste? Are you conscious of the blood flow through your arteries, or the fact that you are losing a hundred thousand skin cells a minute?”

“Not for the first time, I wonder what it would feel like that, to be so beautiful that you don't even realize people are watching you, to be so confident that you don't even have to worry about being nervous or feeling self-conscious. I've spent what seems like my whole life trying to pretend I'm that way. What would it be like to have it just come naturally?”

“Fundamentalists believe that we don't believe in anything. In their view of the world, they are in possession of absolute certainties, while we are descending into decadence. We will be able to triumph over terrorism not by waging war on it, but through a conscious, fearless way of life.”

“People who take books on sex to bed become frigid. You get self-conscious. You can't think a story. You can't think, "I shall do a story to improve mankind." Well, it's nonsense. All the great stories, all the really worthwhile plays, are emotional experiences. If you have to ask yourself whether or not you love a girl or you love a boy, forget it. You don't. A story is the same way. You either feel a story and need to write it, or you better not write it.”

“I believe, when in my behavior or in relationships or in the way I react to something, that I'm still dealing with some leftover stuff from my childhood, but the good thing is now, because I have learned so much from the Bible, I can tell when I'm behaving wrong and when I'm not, and it doesn't take me very long to realize that's out of fear, or that's because I was controlled as a child, and I can make a conscious decision to behave the way I know I should behave.”

“I don't go out of my way to get noticed. When I'm in Scotland it's tough, because loads of people come up to me. They're always really polite. It's nice, it's fun and good to speak to people who aren't involved in tennis, but some have this habit of just staring at me and that makes me really self-conscious. I'd rather they came up and said hello.”

“I do have a very conscious desire not to be academic. I'm antiacademic. I hate jargon. I hate that sort of pretension. I am a person who [commits] breaches of decorum - not in private life, but in my work. They are part of my mode of operation. That kind of playfulness is part of my nature in general. The paradox that, in a way, to take something very seriously, you can't always be serious about it.”

“If we can find approaches that meet the needs of the poor in ways that generate profits for business and votes for politicians, we will have found a sustainable way to reduce inequity in the world. This task is open-ended. It can never be finished. But a conscious effort to answer this challenge will change the world.”

“In an evolutionary context, the goal of the spiritual life is not peace; it's perpetual development. Evolutionary enlightenment is about the ecstasy that compels us to create the future. And it's not a future that's going to unfold by itself while we go back to sleep. It's a future that we forge the hard way through direct, conscious, intentional engagement with the life-process itself.”

“Setting a field for synchronicity is a matter of putting yourself in a particular state of mind. It is easy to think about synchronicity intellectually, but unless you enter the state of mind where your prayer-field will help, all you will do is glimpse the coincidences every once in a while. In some situations that is enough and you will be led forward for a time, but eventually you will lose your direction. The only way to establish a constant flow of synchronicity is to stay in a state where your prayer field keeps this flow moving toward you--a state of conscious alertness.”

“The early Stones were adolescent rockers. They were self-conscious in an obvious and unpretentious way. And they were committed to a musical style that needed no justification because it came so naturally to them. As they grew musically the mere repetition of old rock and blues tunes became increasingly less satisfying.”

“Think about how rare it is that you exist at all. Also think about time this way: If something exists, even for a second, then forever in the future that thing “existed”, and forever in the past that thing “was going to exist”. So to even be conscious for a millisecond is a kind of immortality, but you have more than a millisecond. You have minutes. Hours. Months. A year? Years! This is a gift.”

“Whenever I start working on a song, I immediately try to forget everything, to empty my head. I try to approach it like,“This is the first time I've ever played a guitar. What am I going to do?”. That's one way of getting straight through the conscious mind into the subconscious layer where the true creative spirit lies.”

“One have our biggest challenges if making sure that we are staying true to the mission that we feel called to do, which is writing songs for the church and helping the church connect with God. While the global ministry grows and the influence has been blessed in an amazing way, we are really conscious about staying focused on the families that come into our church every weekend and making sure that we're meeting their needs for whatever season they're in.”

“A good athlete can enter a state of body-awareness in which the right stroke or the right movement happens by itself, effortlessly, without any interference of the conscious will. This is a paradigm for non-action: the purest and most effective form of action. The game plays the game; the poem writes the poem; we can't tell the dancer from the dance. It happens when we trust the intelligence of the universe in the same way that an athlete or a dancer trusts the superior intelligence of the body.”

“[Having] appropriated to itself all conscious intelligence in the universe ...Man faces the existential crisis of being a solitary and mortal conscious ego thrown into an ultimately meaningless and unknowable universe ...and the psychological and biological crisis of living in a world that has come to be shaped in such a way that it precisely matches his world view-i.e., in a man-made environment that is increasingly mechanistic, atomized, soulless, and self-destructive.”

“Thinking in pictures is, therefore, only a very incomplete form of becoming conscious. In some way, too, it stands nearer to unconscious processes than does thinking in words, and it is unquestionably older than the latter both ontogenetically and phylogenetically.”

“It's definitely been a conscious decision to seek out roles that are different, in any way, from anything that I've done, just to prove to myself that I can do it and to challenge myself. If I can, then great, it will open up those doors and just prove to other directors and peers that I am, in fact, available for things other than comedy.”

“When you're in a two-shot together, you can't be the same as when you're both in singles. Try as you will, it cannot be the same as when you're in the shot together. It simply cannot be. It's physically impossible. You're behind the camera desperately wanting to help your colleague. When it's just you, on your own, it can be self-conscious in a way that you're not when we're just talking, you and I, and then all of a sudden it's me and then it's you. The two-shots were probably more natural.”

“Which natural gift would you most like to possess? The ability to master other languages (which would have hugely enhanced the scope of these answers). How would you like to die? Fully conscious, and either fighting or reciting (or fooling around). What do you most dislike about your appearance? The way in which it makes former admirers search for neutral words.”

“I want each character to be as unique as possible. I want them to reflect something of who they are in the way that they move and in how their bodies work. That was foremost in my head when I was writing Salvage: I wanted every gesture, every little movement, to really carry meaning and communicate meaning to the reader. I was very conscious of that when I was writing.”

“I don't think about the reader in any conscious way that impacts the writing, as far as, Hey, most readers would like this! But at the same time, if it were presented to me: "John, you're going to write a novel. It's going to take you a few years. When you're done with it, there's a law that no one's allowed to read it." I don't think I would write it. I want someone to read it!”

“I didn't know enough as a writer to understand why I needed to do this, but I understood in a very gut way that I could not entertain those thoughts of pleasing people and write this book - that it would be a very different book. Without really sort of investigating that instinct, which I'm glad for, I just made a conscious decision to put blinders on and not think about anything and put it all in. And I did. I put everything in. I had to look at the whole picture to see what I needed.”