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Cry Quotes

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Cry Quotes

“Sometimes I think the people to feel the saddest for are people who are unable to connect with the profound—people such as my boring brother-in-law, a hearty type so concerned with normality and fitting in that he eliminates any possibility of uniqueness for himself and his own personality. I wonder if some day, when he is older, he will wake up and the deeper part of him will realize that he has never allowed himself to truly exist, and he will cry with regret and shame and grief.”

“These kids will make you cry, laugh... They make you feel all kinds of emotions through their writings and they share a lot with me, as an instructor, that they might not normally share with other people because they are young artists and they need a platform for pulling that stuff out.”

“Who can attain to anything great if he does not feel in himself the force and will to inflict great pain? The ability to suffer is a small matter: in that line, weak women and even slaves often attain masterliness. But not to perish from internal distress and doubt when one inflicts great suffering and hears the cry of it that is great, that belongs to greatness.”

“The idea ... that collective society should take hold of Evil and set it down hard in its chair and make it cry seems to many of us absolutely sound. Of course, we feel that it is not for us, those who love righteousness, to jump on the necks of the wicked. We prefer to have it attended to in a more dignified, impersonal way by Society as a whole.”

“It considers not only how we relate to others, but how we relate to our ideas of others so that a completely phony, non-human replica of a dead wife can inspire the same feelings that the wife herself once did. That is a peculiarity of humans: We feel the same emotions for our ideas as we do for the real world, which is why we can cry while reading a book, or fall in love with movie stars. Our idea of humanity bewitches us, while humanity itself stays safely sealed away into its billions of separate containers, or "people.”

“My divorce has changed my life. I don’t cry anymore. My bad dreams are starting to go away. I feel stronger, as if all these ordeals have toughened me. When I go out in the street, sometimes women in the neighborhood call to me, congratulating me and shouting ‘Mabrouk!’ – a word once tainted by evil memories, but which I know like to hear again. And shouted by women I don’t even know! I blush, but deep down I’m so proud.”

“The cry for freedom is a sign of suppression. It will not cease to ring as long as man feels himself captive. As diverse as the cries for freedom may be, basically they all express one and the same thing: The intolerability of the rigidity of the organism and of the machine-like institutions which create a sharp conflict with the natural feelings for life. Not until there is a social order in which all cries for freedom subside will man have overcome his biological and social crippling, will he have attained genuine freedom.”

“In truth, “Extremely Loud & Incredibly Close” isn't about Sept. 11. It's about the impulse to drain that day of its specificity and turn it into yet another wellspring of generic emotions: sadness, loneliness, happiness. This is how kitsch works. It exploits familiar images, be they puppies or babies - or, as in the case of this movie, the twin towers - and tries to make us feel good, even virtuous, simply about feeling. And, yes, you may cry, but when tears are milked as they are here, the truer response should be rage.”

“We are capable of suffering with our world, and that is the true meaning of compassion. It enables us to recognize our profound interconnectedness with all beings. Don't ever apologize for crying for the trees burning in the Amazon or over the waters polluted from mines in the Rockies. Don't apologize for the sorrow, grief, and rage you feel. It is a measure of your humanity and your maturity. It is a measure of your open heart, and as your heart breaks open there will be room for the world to heal. That is what is happening as we see people honestly confronting the sorrows of our time.”

“I'm getting less good at faking it. People in my family are noticing and asking what's wrong. My friends give me invitations to talk, to cry. I love them for their caring, but I want to run from it. I have lost their language, their facility with words that convey feelings. I am in new territory and feel like a foreigner in theirs.”

“I never wanted there to be any moment in my movies when something would happen and the audience would cheer, like sometimes that happens in certain types of horror movies. I was never a fan of that, I wasn't looking for 'inventive' kills and I even hate that word because it's like, if you have these characters screaming or crying in pain I don't think anyone should be jumping out of their seat cheering. It should be horrible and you should feel sick watching it because that's what it is, sick.”