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“This country of ours has more wealth than any nation, but that's not what makes us rich. We have the most powerful military on Earth, but that's not what makes us strong. Our universities and our culture are the envy of the world, but that's not what keeps the world coming to our shores. Instead, it is that American spirit - that American promise - that pushes us forward even when the path is uncertain; that binds us together in spite of our differences; that makes us fix our eye not on what is seen, but what is unseen, that better place around the bend.”

“Institutionalized desublimation thus appears to be an aspect of the "conquest of transcendence" achieved by the one-dimensional society. Just as this society tends to reduce, and even absorb opposition (the qualitative difference!) in the realm of politics and higher culture, so it does in the instinctual sphere. The result is the atrophy of the mental organs for grasping the contradictions and the alternatives and, in the one remaining dimension of technological rationality, the Happy Consciousness comes to prevail.”

“A crucial difference between lite libertarians and the right kind is that to the former, the idea of liberty is propositional - a deracinated principle, unmoored from the realities of history, hierarchy, biology, tradition, culture, values. Conversely, the paleolibertarian grasps that ordered liberty has a civilizational dimension, stripped of which the libertarian non-aggression axiom, by which we all must live, cannot endure.”

“There is a calamitous difference between a people who have been immersed in paganism for centuries and a post-Christian society. While the culture of the latter may carry a deep tradition influenced by Christian values, its posture of rebellion will give it a direction that is more explicitly and consciously anti-Christian.”

“In spite of their obvious differences, folk art and popular art have much in common; they are easy to understand, they are romantic, patriotic, conventionally moral, and they are held in deep affection by those who are suspicious of the great arts. Popular artists can be serious, like Frederick Remington, or trivial, like Charles Dana Gibson; they can be men of genius like Chaplin or men of talent like Harold Lloyd; they can be as uni versal as Dickens or as parochial as E.P. Roe; one thing common to all of them is the power to communicate directly with everyone.”

“How do we work together? For if we want liberation for women, then we're committed to building a society in which these distances--of class and economics--dissolve, and all our authentic differences--cultures, personalities, sexualities, talents, and aspirations--emerge and are equally nourished.”

“As we progress along the intercultural journey, we become self-reflective about habits of heart and mind and the ways these are expressed in daily life. We develop strategies for encountering change, unfamiliarity and ambiguity in creative ways. We begin to realize that what is taken, as "common sense" is really "cultural sense". Our life becomes richer and deeper for having encountered differences.”