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“At the end of the day, I think there is an important moment happening in our society right, and I have to do the right thing. At the end of the day, I don't label myself one way or another. I come from a place where I find it hard to identify with a label. I've dated men in the past, and now I'm dating a woman, and I see it as ultimately no big deal.”

“There are drawbacks in being famous too, but you can live with those. They're not life-threatening. If the paparazzi are outside your restaurant or your house - and actors make such a big thing of it and scurry into cars and drape things - you think they're going to be crucified or something. It's not a big deal. You can get used to that. It's not so terrible.”

“I woke up my pop in the middle of the night 'cause the boogie man's under my bed. My pop is this big, huge man, nothing can hurt him. I went running into his bedroom like, 'Daddy, Daddy, the boogie man's under the bed!' Pop opens one eye, he's like, 'Is the boogie man bigger than me?' 'Well, no Daddy, he's not.' 'Well, you got your choice: you can deal with the boogie man or you can deal with me.'”

“I learned that you really don't have any control as a writer. Waah, waah, waah. Big deal. Unless you're the director on the movie, or putting up the money for the movie, you really don't have a lot of control. As someone who's just writing scripts, you just kind of have to shrug. I have no problems or issues with screenwriting in general. It is what it is.”

“It suits him because way back many years ago when Nikita Mikhalkov, the great Russian director, came, I said, "I want you to meet somebody." So I get Billy Bob from Malvern, Arkansas and Nikita Mikhalkov from Moscow. It's just two big talents meet. We sat for two or three hours and talked. It was great. He's the real deal, this guy.”

“Tom Stafford was an odd character, you know - a brilliant guy. He looked weird and I think he took a really defensive attitude about being a hunchback. You know how people can be, giving him a hard time. So he turned that into a defensive mechanism. He would strike first, a lot of times. But he was a great guy, and really those talks we had when I was about 15, out of all of that came the studio over the drugstore and everything else. I'm not saying - I'm no big deal, but I was a part of the birth of the music there.”

“As a comedian I don't think they look at me as a sexual person but I can see where with actors it would be a little difficult for them because its part of their mystique, it gives them an easier time to change characters and people aren't going oh we have a gay actor, their gay so I don't know if I'm gunna buy this guy with this girl, its weird, I don't think it's fair; it's only done with us, it seems, like they just accept everyone as straight and go along with it and then its oh their gay and make a big deal out of it.”