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“I don't think I made a conscious decision as a career choice. From my school days I had decided, persuaded by my parents, to prepare myself for the law. Then the Japanese occupation came and we went through three and a half years of what I would call the university of life, it was hard, it was harsh.”

“We had the hardware expertise, the industrial design expertise and the software expertise, including iTunes. One of the biggest insights we have was that we decided not to try to manage your music library on the iPod, but to manage it in iTunes. Other companies tried to do everything on the device itself and made it so complicated that it was useless.”

“I haven't decided if he deserved to eat bread made out of sticks or live in a rancid puddle, probably because I haven't made up my mind whether anyone deserves such treatment, though I suspect that the day a person gives up on the Geneva Conventions is the day a person gives up on the human race.”

“That's what torture does: it creates a miasma of unknowing, about as dangerous a situation in wartime as one can imagine. This hideous fate was made possible by an inexperienced president with a fundamentalist psyche and a paranoid and power-hungry vice-president who decided to embrace "the dark side" almost as soon as the second tower fell, and who is still trying to avenge Nixon. Until they are both gone from office, we are in grave danger the kind of danger that only torturers and fantasists and a security strategy based on coerced evidence can conjure up.”

“Sometimes we say we want an end to hate or racism or sexism. But we all participate in keeping these structures alive. If everyone decided to relinquish the past what would happen to people who feel that there hasn't been proper atonement made to them? And what happens to the person who feels that the constant atonement is their identity?”

“What does it mean to be a used white wife, a mother, a tragic girl writing poems? Sandra Simonds gets into these messy words and then tears them apart. Sometimes with the words of others. And sometimes with poems made from scratch. They aren't all bad, these words. But they aren't all good either. And that is where Mother was a Tragic Girl gets its power. You will at moments be laughing but then you will also at moments just as much be crying. If Antigone was alive and decided to write some poems about the nuclear family, she would write them like Sandra Simonds. These are tough.”

“Before I decided to concentrate on writing, I drew pictures and painted, and made Super 8 experimental movies. I was the singer in three rock bands, and I wrote and staged and acted in plays for kids in my neighborhood. So I was kind of all over the place in my interests and far-flung in terms of where my creativity wanted to end up.”

“I had already made a decision early on that I would be a plain girl with tons of personality, and accepting it made everything a lot easier. If you are lucky, there is a moment in your life when you have some say as to what your currency is going to be. I decided early on it was not going to be my looks. I have spent a lifetime coming to terms with this idea and I would say I am about 15 to 20 percent there.Decide what your currency is early. Let go of what you will never have. People who do this are happier and sexier.”

“Turtles have always been my sigil, I suppose. When I was a kid, growing up in Bayonne, NJ, I lived in a federal housing project, and we were not allowed to have a dog or cats. The only pets I could have were turtles. So, I had an entire toy castle filled with dime-store turtles. I gave them all names, and since they were living in a toy castle, I decided they were all knights and kingsand I made up stories about how they killed each other and betrayed each other and fought for the kingdom. So, Game of Thrones, actually began with turtles. I decided later to recast it with actual human beings.”

“Look, first of all, the climate is changing. I don't think the science is clear what percentage is man-made and what percentage is natural. It's convoluted. And for the people to say the science is decided on, this is just really arrogant, to be honest with you, it's this intellectual arrogance that now you can't even have a conversation about it. The climate is changing, and we need to adapt to that reality.”

“I believe we have made a decision now that will permit us to create an economic order in the world that will promote more growth, more equality, better preservation of the environment, and a greater possibility of world peace, we are on the verge of a global economic expansion that is sparked by the fact that the United States at this critical moment decided that we would compete, not retreat.”

“I think that has to do with my awareness that in a sense we all have a certain measure of responsibility to those who have made it possible for us to take advantage of the opportunities. The door is opened only so far. If some of us can squeeze through the crack of that door, then we owe it to those who have made those demands that the door be opened to use the knowledge or the skills that we acquire not only for ourselves but in the service of the community as well. This is something that I guess I decided a long time ago.”

“We are free, in the West, to choose; we have real choice to pursue our own desires; we are free to set the goals and contents of our own lives; the West is made up of individuals who are free to decide what meaning to give to their lives-in short the glory of the West is that life is an open book,[1] while under Islam, life is a closed book, everything has been decided for you: God and the Holy Law set limits on the possible agenda of your life.”

“When I landed in L.A. in early '89, William Morris decided to take me on to see if I could get any jobs. I was cast in a TV movie called Protected Surf, and made $30,000 in four weeks, and I decided I needed to take acting seriously, because I had never made that much money in a year, much less four weeks. That's when I decided I thought I could make a career out of it.”

“Tom [Courtenay] and Albert Finney met Ron Harwood on the dresser, so that's how it started. It's a wonderful documentary. It's called Tosca's Kiss and Mr Hardwood told me about it when I asked him what the genesis was. It was made in 1983 and Verdi, who was rich and successful, toward the end of his life decided to build a mansion for himself in Milan, where he lived, and he stipulated that when he died opera singers and musicians - because he knew so many who were no longer playing at the Scala and some were poor - could live there.”

“According to the legend an evil old doctor, who called himself God and us dogs, created the first boy in his adolescent image. The boy peopled the garden with male phantoms that rose from his ejaculations. This angered God, who was getting on in years. He decided it endangered his position as CREATOR. So he crept upon the boy and anaesthetized him and made Eve from his rib. Henceforth all creation of beings would process through female channels. But some of Adam's phantoms refused to let God near them under any pretext.”

“When I was at art school, a lot of art education is about art being a means of self-expression, and as an 18-year-old I didn't know if I had a huge amount I wanted to express. It was a big moment when I decided I wanted to shift the emphasis or the intention of my art from something I disgorged myself upon and something that actually fed me or made me see the world or understand the world.”

“When I was about 17, I didn't speak. English was like a foreign language. I'd just grunt. The only time I talked was when I said my lines on set. I didn't speak to any of the actors or anything. Then one day Alison from the Corrie press office started talking to me in the green room and I just decided to talk back. She ran upstairs to tell everyone that she'd just had a 10-minute conversation with me like it was the most unbelievable thing in the world. I just woke up one day and thought, 'I'm going to talk today'. I've really made up for lost time since.”

“It's fascinating. It's also exhilarating when you see people making the exact same choices that you've made. It kind of validates what you've decided to do. I saw a wonderful production of Jessica Lange doing Streetcar with Alec Baldwin. It was gorgeous. It's a measure of what a great classic that is, that our Cate Blanchett also did an absolute amazing Blanche in Sydney, as well as in New York.”

“Well I've made no secret of my life long love of MAD Magazine, it's probably my first and greatest influence in terms of my comic sensibilities. I've known John [Ficarra] for many years, and we've been friends. About four or five months ago, at a dinner in New York, John made the very nice offer of my being guest editor for an issue of MAD and I thought about it for about half a nanosecond and decided that was a pretty good idea.”

“hough I was creative, I also liked math and science. At Knox College, I studied creative writing and earned a degree in chemistry, thinking I would attend medical school. Ultimately, I decided that a career in nursing would allow more time for pursuing other creative interests. While I worked as an RN, I wrote stories inspired by my patients, designed t-shirts, and made hand-painted sandals.”

“I decided to do philosophy at university, with a view to becoming a professional philosopher. Being a rather unstable character, at some points I had doubts about becoming a professional philosopher, but the example of two of my teachers, Ezequiel de Olaso and Juan Rodriguez Larreta, made me confirm my original decision.”

“My husband had a clothing store in Paris, and I had his factory make specifically for me something similar to the one I was looking for. We made it in different colours, and decided to sell them in the store...and in a day, they were sold out! This sweater became later known as the "poor boy sweater" and it ended up making the cover of Elle magazine, and in a day, I became the "Queen of knit", without knowing anything about knitting!”

“There came [a script called] “Dracula Sucks.” Now, I liked “Dracula Sucks,” but we gotta change [the title]. They said, “If you like that, you’re going to like this: ‘Zorro the Gay Blade.’” I decided I was going to go out and raise the money and develop my own projects. And that’s what I did. I made “Love at First Bite” and I made “Zorro the Gay Blade.” [Script rewriter Hal Dresner] and I put together “Zorro” in about eight weeks.”

“There hadn't been one done since the late 70s. I was living in Brooklyn, had no connection to Roger Corman, to no one in this movie. I didn't go to film school. I'm like the person who should have never made this film. But I just decided to put one foot in front of the other. I was writing film articles for magazines at the time. I convinced an editor from one of the magazines that I was working for to give me a shot to do a piece on Roger. This was an excuse to go meet him.”

“Gian Luigi Polidoro and his girlfriend had written this script, it was an American comedy, and they decided I was the guy to play the part. I was young, they offered me the lead in the film, and I said, "Sure, I'll do it." And I'm telling you, there is a movie waiting to be made about the making of a movie like that, particularly at that time in New York. I mean, we shot all over the streets of New York without permits. We would literally grab a shot and run. But Rent Control... I think the total cost was $100,000, and to this director's credit, I think it looks like $200,000.”