“Different people have different styles, but there is an opportunity as a director to be a writer in every moment, with every visual cue and every piece of production design. Everything is a decision, and everything can be obsessed over.” PeopleDifferentMomentsOpportunityDecisionPiecesStyleDesignDirectorsProductionsObsessedVisualsDifferent PeoplesDifferent StylesProduction Design Author:B. J. Novak
“I think a lot of people have a vision of L.A. in which TV executives and movie directors plan their latest productions by the swimming pool.” PeopleThinkingVisionPlansTvsDirectorsProductionsExecutivesSwimmingPoolSwimming PoolMovie Director Author:Bruno Tonioli
“The ideal set-up would be the story man, the director, and the layout man, as well as musician, operating as a sort of story unit. They all should be keenly interested in the picture. No one in person should donate to an extent where he would keep the others from entering into the production and freely expressing themselves.” MenShouldWellsPersonsStoriesWould BeDesignDevelopmentDirectorsMusicianIdealsProductionsUnitsEnteringDonateLayout Author:Walt Disney
“Technological civilization... rests fundamentally on power-driven machinery which transcends the physical limits of its human directors, multiplying indefinitely the capacity for the production of goods. Science in all its branches - physics, chemistry, biology, and psychology - is the servant and upholder of this system” HumansPsychologyCivilizationDirectorsLimitsCapacityProductionsDrivenPhysicsServantBranchesBiologyGoodsChemistryTechnologicalMachineryMultiplying Author:Charles A. Beard
“The director makes the movie. The director has to have the story in their head, has to know the style of the piece, has to answer questions from actors, design, set, lighting, every department throughout the pre-production, production, and post-production, because they've got it in their mind. They've got to know exactly what they want and what the style and story of the movie is. It's them. They make it.” KnowsWantMindStoriesActorsAnswersPiecesStyleDesignDirectorsProductionsPostsDepartmentLightingPost Production Author:Jon Lovitz
“Musicians ought to reclaim some of the power in the houses of production. The opera houses are run either by managers or by stage directors, never by musicians.” RunningHouseStageOughtDirectorsMusicianProductionsManagersOperaOpera House Author:Laurence Equilbey
“I find that in the process of making a film you're constantly discovering things that you never even imagined would work at the beginning. Actors come into the film and do things you never even imagined. Production designers come in, the director of photography lights it in a way that you never imagined. So, it's always evolving, always exciting.” WayLightFilmActorsProcessDirectorsPhotographyExcitingProductionsEvolveDesignerDiscoveringDiscovering Things Author:Peter Jackson
“When you're shooting a low-budget movie you're never just the director: you're also in the catering department, and hair and make-up and a part-time grip. I can't even imagine the luxury of not having to keep an eye on every aspect of production while directing.” I CanEyeImagineHairDirectorsLowsAspectProductionsLuxuryShootingBudgetsDepartmentPart TimeCatering Author:Amber Sealey
“In live-action, writing, production and editing happen in discrete stages. In animation, they overlap - happening simultaneously. This allows a real dialogue to occur between the writer, the director, the actors and the editor, and it makes the writing process a lot more collaborative and a lot less lonely.” WritingRealHappensActionActorsProcessStageDirectorsHappeningsLonelyProductionsDialogueEditorsEditingWriting ProcessAnimationDiscrete Author:Michael Arndt
“One of the good things is the relationship between director and editor used to be more contentious. Studios used to leave directors alone more during the post production process and now they're clamoring to get in. So, the director and the editor end up teaming up sort of against the studio to fight what they're doing and you lose the creative tension that you used to have between an editor and a director.” EndsUsedFightingProcessLosesCreativeDirectorsGood ThingsProductionsStudiosUsed To BePostsTensionEditorsContentiousPost ProductionCreative TensionTeaming Up Author:Michael Sucsy
“In Korea is what I do is I watch the playback of each take with all of the actors and spend a lot of time discussing each take. Also, I use the process we call auto-assembly because I storyboard my entire film right at the beginning, even before pre-production ever begins, so my vision is already laid out on the storyboard for everybody to share. It enables the on-set assembly person, as we call them, to cut together each take into a sequence. This enables a director to review the take within the context of the sequence of the scene.” PersonsUseTogetherFilmActorsProcessVisionWatchesCuttingShareSceneDirectorsProductionsReviewsSequenceKoreaAssemblyDiscussing Author:Park Chan-wook
“I have walked many times around the world and each time it's different from the last one. It feels a little bit like I am a theatrical director, creating a theatre in space. It's really a theater in the sky. But of course the World Trade Center is certainly the most well-known of my productions.” WorldFeelsWellsLittlesDifferentLastsCoursesBitsSpaceKnownSkyDirectorsCreatingLittle BitTheaterTradeProductionsTheatreAround The WorldWell KnownTheatricalWorld TradeWorld Trade CenterMost Well Known Author:Philippe Petit
“You have total control of it, and when you're an actor, you're subject to production design and costumes and directors and studio choices and producer choices, but when you're writing it, you're creating your own little world in your head, peopled with your little characters. No one is in there monkeying with it, at least not at first - though they will. With this and the other projects I'm working on, it'll have to be given away, and it'll have to be someone else's property.” WorldWritingFirstsLittlesCharacterChoicesActorsGivenSubjectsDesignDirectorsProjectsCreatingPropertyProductionsStudiosProducersCostumesProduction Design Author:Rainn Wilson
“I think it's possible to be free in a big production. It's the eye of the director and the actor and the story.” ThinkingStoriesBigsEyeActorsDirectorsProductions Author:Adam Driver
“As a director, I have to feel realism from actors, and they can't be plastic. The words for me are secondary, but the chemistry between the actors is most important. However, you have to go by the script because it's related to production, otherwise you will not finish your project.” FeelsImportantActorsDirectorsProjectsScriptsProductionsRelatedChemistryPlasticRealism Author:Tommy Wiseau
“To make good films, you have to have a good relationship and good collaboration as composer-director, composer-editor, composer-production designer-actor because you're working with the actors on screen.” FilmActorsDirectorsProductionsScreensDesignerEditorsCollaborationComposerGood RelationshipGood Films Author:Howard Shore
“The network was fantastic, but you get a lot of anxiety with any production. It was very helpful to have both of us because we could back each other up. As a creator, a director and a filmmaker, you often get assaulted and you lose perspective because you have all of this pressure. It was so nice to call him and say, "What do you think?"” ThinkingLosesNicePerspectiveDirectorsAnxietyPressureProductionsCreatorFantasticFilmmakerHelpful Author:Tony Goldwyn
“That and when you're doing live action you don't normally get to see the thing before it's in production. In this case we'd go in every couple weeks and look at animatic and sketches. The way they do it - is they'll put it up on a screen and the storyboard artist who worked on that sequence will talk you through it. Kind of like a pitch session. Then they would leave and we would sit there with the directors and say 'Alright - what if we change that? What if we do that?' It's very different from live action.” IfsWayLooksKindDifferentActionArtistCasesWeekCoupleDirectorsProductionsScreensWhat IfSequenceSessionAlright Author:Jonathan M. Goldstein
“One of the things about working for an old school studio like Warner Bros. is that there is an institutional culture and institutional memory, in terms of production design, camera work, and directors who understand how to do this kind of thing.” KindSchoolCultureTermMemoriesDesignDirectorsCamerasProductionsStudiosOld SchoolBrosWarner BrosProduction Design Author:Bruno Heller
“One of the young production assistants (on 'Terminator: Salvation') stepped over to my chair and said, 'Mr. Ironside, are you any relation to the Ironside who was in 'Top Gun'?' And I said, 'I am, yes.' And she grinned and said, 'I knew it! Talent must run in your family!' And she walked away. And all of the producers and directors kind of looked at me uncertainly, and I said, 'What are you guys so uncomfortable for? That's an incredible compliment. I do look like the father of that guy, for Christ's sake!'” LooksKindSaidRunningYoungGuyFatherChristTalentDirectorsGunRelationSalvationIncrediblesSakeProductionsProducersOur FamilyUncomfortableChairsComplimentThat GuyAssistants Author:Michael Ironside
“If you are able to see on a monitor what it's actually going to look like and have that kind of feedback informing your decisions, then you're bringing back a lot of the decision-making process of the designer, the director of photography and the director away from the post-production process and bringing it back into the actual capturing of the event on film.” IfsLooksKindAbleFilmProcessDecisionEventsDirectorsPhotographyProductionsPostsDesignerDecision MakingFeedbackInformingDecision Making ProcessPost Production Author:Rick Heinrichs
“In a lot of cases, you think that the art director and the production designer designed and built this amazing set, when in fact they only built part of it and were able to extend it using all of this fabulous technology.” ThinkingArtFactsAbleCasesTechnologyDirectorsBuiltProductionsDesignerFabulousArt Director Author:Rick Heinrichs
“I worked for 20 directors as a production designer, most male. I was on the set to witness firsthand a range of sometimes atrocious emotions - well-documented firings, yellings, fights between directors and actors, hookers, abusive things, budget overages, lack of preparation. A man gets a standing ovation for crying because he's so sensitive, but a woman is shamed.” MenWellsSometimesFightingActorsEmotionCryDirectorsStandingMalesProductionsWitnessPreparationRangeBudgetsSensitiveDesignerYellingAbusiveFiringOvation Author:Catherine Hardwicke
“A lot of people love Tarantino’s films because they’re spectacular, they’re beautiful, they’re wonderful. He hires the best group of artists - not only actors, but everyone around: best photographers, best set designers, best production designers, costume designers. A lot of people love his films because they’re bloody, they’re gory, they’re savage. But very few people see that he’s a very political director.” PeopleBeautifulFilmPoliticalArtistActorsWonderfulGroupsDirectorsPhotographerProductionsDesignerBloodySavagesCostumesSpectacularTarantino Author:Demian Bichir
“There are some directors who don't like the set much. They like post-production, where you have all the ingredients in the can - you've got all the footage, all the music, the various effects - and then you have to do the alchemy necessary to make it all good, a long and very key process of putting everything together and making it into the cogent thing that you want.” WantLongTogetherProcessEffectsKeysDirectorsProductionsVariousPostsIngredientsAlchemyPost Production Author:Fred Melamed
“I just started to want to be more hands on, and again, because of the nature of this job which was to evaluate the writing apart from the production, I got clear on what a director did and I became interested in directing, so I started to do that in the late 80s.” WantWritingHandsJobsClearDirectorsLateProductions80sEvaluate Author:Rob Urbinati
“Simon Collinson, of digital publisher Canelo and über-cool Aussie mag The Lifted Brow, is our digital producer; Sarah Shin, Verso's comms director, is helping us out with press publicity; Soraya Gilanni, who mainly does production and set design for films and commercials, is our art director.” DoeArtHelpingFilmDesignDirectorsPressesProductionsProducersDigitalPublishersPublicityBrowsAussiesMagsArt Director Author:Deborah Smith
“I did a different production with a different director and Bill Pullman. Oleanna - the one you saw - we were doing right after Bourne Identity or right after it came out.” DifferentSawsIdentityDirectorsBillsProductionsDoing RightBourneBourne Identity Author:Julia Stiles