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Dress Quotes

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Dress Quotes

“I was to grow used to hearing, around New York, the annoying way in which people would say: 'Edward Said, such a suave and articulate and witty man,' with the unspoken suffix 'for a Palestinian.' It irritated him, too, naturally enough, but in my private opinion it strengthened him in his determination to be an ambassador or spokesman for those who lived in camps or under occupation (or both). He almost overdid the ambassadorial aspect if you ask me, being always just too faultlessly dressed and spiffily turned out. Fools often contrasted this attention to his tenue with his membership of the Palestine National Council, the then-parliament-in-exile of the people without a land. In fact, his taking part in this rather shambolic assembly was a kind of noblesse oblige: an assurance to his landsmen (and also to himself) that he had not allowed and never would allow himself to forget their plight. The downside of this noblesse was only to strike me much later on.”

“Cleo was like those little bluebirds of happiness in Cinderella, flitting around until Natalie had been transformed into a princess. A fraudulent one, to be sure, but a princess nonetheless. The silk dress from her mother's closet had been transformed into a couture masterpiece by the sartorial skills of Cleo's talented aunt. The sheath now fit like an extremely flattering glove. Its color, and the bright handwork accents, echoed the colors of the precious vase---jade green, turquoise, marigold, and fuchsia with veins of cobalt blue. She paired it with the gold-heeled sandals, the vintage watch, and a gold snake belt borrowed from Cleo.”

“Tom stopped in his tracks as he saw Cassandra approaching from the opposite end of the hallway. She was unspeakably pretty in a pink velvet dress with pulled-back skirts that followed the shape of her waist and hips. The front hem kicked up in a froth of of white silk ruffles with every footstep. His mouth went dry with excitement. His heart writhed and struggled like some live thing he'd just trapped inside a dresser drawer.”

“The red lipstick? It's supposed to signal fertility and readiness to mate. Just like the swollen red butt of a baboon. That tight-fitting little dress that shows off your curves? From the standpoint of evolutionary biology, big breasts represent a healthy mate who can feed a lot of offspring. That's why men are programmed to like big tits. When you show off your curves, what you're really doing is advertising to the whole world: "Look at me! I'm a healthy female! I'd be a perfect mate! Come mount me!”

“Beatrix... you look lovely. Like a young lady." Smiling, Beatrix stood and executed a slow turn for her. The pale green dress, with its intricately pleated bodice and dark green corded trim, fit almost perfectly, the skirts falling down the floor. "Lady Westcliff gave it to me," she said. "It belonged to her younger sister, who can't wear it anymore because she's in confinement.”

“I think the skin revolution for women, I will call it, really all started with Mariah Carey. Madonna was pretty risqué too, but she was pretty much always known as a "bad girl." Mariah was a good girl, supposedly Christian, turning very bad, in the late 90's. So then, all the other little girls and teens and women across America thought it would be ok for them to "come out" too essentially, or flaunt whatever they had. Modesty went completely out the window for many women, starting in the late 90's.”

“Elizabeth gazed at the dress. It was one of her favorites, cut from pale-pink silk damask, with a tight-fitting bodice that sat low on her shoulders, designed to show her creamy décolletage to its best advantage. Silk-covered buttons fastened at the back and a sumptuous bustled skirt was caught up in a bow to reveal ivory satin beneath. Ostrich feathers, dyed to match the damask, waved at each capped sleeve.”

“Once, the thing I am wearing was a sundress, with fluttery sleeves. A diaphanous white gown that flowed around me when I spun. I found it in a shop late one night. I'd stripped off the clothes given to me in the Court of Teeth, left them behind, and put them on instead. I liked the dress so much that I wove myself a crown of hellebores and danced through the night streets. I stared at myself in puddles, convinced that so long as I didn't smile, I might even be pretty. I know it doesn't look like that anymore, but I can no longer picture myself in anything else. I wish Oak could have seen the dress as it was, even though it hasn't looked that way in a long time.”

“Crafted of tiny blue gems so pale they were almost white, it clung to every curve and hollow before draping to the floor and pooling like liquid starlight. The long sleeves were tight, capped at the wrists with cuffs of pure diamond. The neckline grazed my collarbones, the modesty of it undone by how the gown hugged areas I supposed a female might enjoy showing off. My hair had been swept off my face with two combs of silver and diamond, then left to drape down my back. And I thought, as I stood alone in my bedroom, that I might have looked like a fallen star.”

“From the neck up, I was regal: my face was adorned with cosmetics- rouge on my lips, a smearing of gold dust on my eyelids, kohl lining my eyes- and my hair was coiled around a small golden diadem imbedded with lapis lazuli. But from the neck down, I was a heathen god's play-thing. They had continued the pattern of the tattoo on my arm, and once the blue-black paint had dried, they placed on me a gauzy white dress. If you could call it a dress. It was little more than two long shafts of gossamer, just wide enough to cover my breasts, pinned at each shoulder with gold brooches. The sections flowed down to a jewelled belt slung low across my hips, where they joined into a single piece of fabric that hung between my legs and to the floor. It barely covered me, and from the cold air on my skin, I knew that most of my backside was left exposed.”

“In the back of my closet, I saw a pink wrap dress that was hopelessly Southern. Pale pink, with little flutter sleeves all in a Swiss-dot fabric that you could see through if you held it up to the light. I would need nude undergarments, which I was sure I had. My mom always told me never to wear wild undies, you never knew who'd see them! What if I got in a car wreck? I pulled my hair up and allowed a few red curls to fall out of a messy bun at the nape of my neck. I slipped the dress on and gave my lips a quick swipe of gloss. I chose small gold hoop earrings that had belonged to Gran at one time and stepped into a pair of gold flip-flops. I looked at myself in the mirror and reminded myself I was going to a farm. Jim walked in. "Ready for the big... Oh, my God, Magnolia!" "What? Too much?" I said, grimacing. "Good God, no! You look absolutely perfect! You look like a mouthwatering pink confection! A true Southern Magnolia!”

“It's like the old question, "Do you lock your house to keep people out, or to protect what's inside?" Should a person act modestly and dress modestly in order to prevent intrusion from the outside, undesirable things from happening, or to preserve and maintain what is inside: the delicate and sensitive ability to have and maintain an intimate relationship.”

“Is this necessary?” I said, gesturing to the paint and clothing. “Of course,” he said coolly. “How else would I know if anyone touches you?” He approached, and I braced myself as he ran a finger along my shoulder, smearing the paint. As soon as his finger left my skin, the paint fixed itself, returning the design to its original form. “The dress itself won’t mar it, and neither will your movements,” he said, his face close to mine. His teeth were far too near to my throat. “And I’ll remember precisely where my hands have been. But if anyone else touches you—let’s say a certain High Lord who enjoys springtime—I’ll know.” He flicked my nose. “And, Feyre,” he added, his voice a caressing murmur, “I don’t like my belongings tampered with.”

“I pulled my dress to my hips, bunching it there in a way I was sure must look awkward, but there was no other way to move my legs apart. I considered unzipping the back and slipping it off to seem less ungainly, but I intended to give him not an inch more than he paid for or deserved. I had no illusion of modesty, but I was well aware of my worth as a commodity. If he wanted to see the curve of my back—and certainly if he wanted another look at my tits—there would be a price tag attached.”

“Tonight, her dress was designed to mimic the flower trellis in her mother's garden, where she'd saved Marisol's wedding. But no one looking at her would think about that. The base of Evangeline's bodice was nude silk, making her look as if she were wrapped in nothing but the crisscrossing cream-velvet ribbons that went to her hips. There, pastel flowers began to appear, growing denser until every inch of her lower skirts were covered in a brilliant clash of silk violets, jewelled peonies, tulle lilies, curling vines, and sprays of gold crawling paisleys.”

“She held a scarlet sequin dress to her chest and posed in front of a mirror. Too hot. She put it back and took a black mini. Too dreary. Then a blue as pale as a whisper caught her eye. She took the dress. The material was silky and clinging. Perfect for a goddess. On the floor below the dress sat scrappy wraparound high-heeled sandals that matched the blue. She didn't understand why she needed to dress up to meet Stanton but the impulse to steal into the storage room had been rising in her since the sun set. She took the dress and sandals back to her room, then sat on the floor and painted her toenails and fingernails pale blue. She drew waves of eternal flames and spiral hearts in silver and blue around her ankles and up her legs with body paints. When she was done, she pressed a Q-tip into glitter eye shadow and spread sparkles on her lid and below her eye. With a sudden impulse she swirled the lines over her temple and into her hairline. She liked the look. She rolled blue mascara on her lashes, then brushed her hair and snapped crystals in the long blond strands. She squeezed glitter lotion into her palms and rubbed it on her shoulders and arms. Last she took the dress and stepped into it. She turned to the mirror on the closet door. A thrill ran through her. Her reflection astonished her. She looked otherworldly, a mystical creature... eyes large, skin glowing, eyelashes longer, thicker. Everything about her was more powerful and sleek and fairy tale. Surely this wasn't really happening. Maybe she would wake up and run to school and tell Catty about her crazy dreams. But another part of her knew this was real. She leaned to one side. The dress exposed too much thigh. "Good." Her audacity surprised her. Another time she would have changed her dress. But why should she?”

“At least one person is going to be naked,' I say. 'You know it's true. I've never been to a single revel in Faerie where everyone had clothes on.' 'Well, if that's your plan,' she says, turning on her heels. 'Then I suppose all you need is a pretty necklace.' 'Wait,' I say. 'You're right. I don't have a dress, and I need one. Please don't go.' When Oriana turns, a hint of a smile is on her face. 'How unlike you, to say what you actually mean and have it be something other than hostile.”

“Anna Wintour hadn't been to any of McQueen's shows, and McQueen didn't like it. McQueen said American Vogue could borrow the dress only if they flew it to New York and back, in its own seat, with an escort. It was a fuck-you and they took it, and the dress was shot by Richard Avedon. "Fashion people haven't got any brains," McQueen said.”

“I grabbed the hanger and ducked back into my room to slip on my dress, and it was, indeed, flattering. The red fabric gathered at the bust, swept down my sides, and came out in a wispy trumpet shape at my knees. I put on the leather jacket, and though I never would have picked this out myself, again, Emerald was right. I didn't feel so green and scared, but rather strong and protected. No wonder so many women in New York wore leather. "You look incredible!" Emerald jumped up and down when I stepped out into the living room. Then she calmed herself by admiring her work. "Oh, the red looks so good on your skin. And the leather. It's too perfect. Keep those. They don't fit me anymore." "Wow!" Elliott said. "You look great." "One last thing," Emerald added. "Take this purse and seal the deal. It's the latest Proenza Schouler bag. The PS1 is done and now they're onto this. It won't be in stores for another year." I looked down at the purse, a blue, green, and gold rectangle with inlaid triangles and textures. Some pony hair, some leather, maybe snake or skate?”

“I think this dress will stun the nobility, and leave them stupefied with envy and lust," Madame Sandrine announced with relish. "I'm just glad it's not crimson, like everything else you drape," Farah said to her husband as she glanced at her transformation in the floor-to-ceiling mirrors across from the raised podium on which she stood. The creation of blue silk evoked the midnight sky, as it wrapped her bosom and waist in bejeweled gathers before cascading from her hips in a dark waterfall. The shamelessly cut bodice was lent a hint of respectability by folds of a shimmering diaphanous silver material draping from a choker of gems about her neck and flowing down her shoulders like moonbeams. To call them sleeves would have been a mistake, for all they concealed. Madame Sandrine threw a teasing look over her shoulder at Blackwell. "How fitting that the color of blood is the one you prefer the most." "Not for her," Dorian rumbled. The seamstress lifted a winged eyebrow, but didn't comment. "Voila. I believe that is all I'll need from you today, Madame Blackwell. I can have these finished in the morning, and in the meantime I have a lovely soft gray frock hemmed with tiny pink blossoms that will bring out the color in your cheeks.”

“ইসলামের একজন অনুসারী হিসেবে আমি সৃষ্টিকর্তা হিসেবে আল্লাহর অস্তিত্বে দৃঢ় বিশ্বাস রাখি। আসুন আমরা আমাদের চারপাশে বিশ্বের ঘটনাগুলোতে আলোকপাত করি, ঘাসের ক্ষুদ্রতম ফলক থেকে পাখির সুন্দর উড়ান পর্যন্ত। উদাহরণস্বরূপ, বিভিন্ন প্রাণীর অনন্য বৈশিষ্ট্য বিদ্যমান, যেমন, গরুর লেজ আছে কিন্তু মানুষের মধ্যে এর অনুপস্থিতি বিবেচনা করুন। লেজ গরুর জন্য শালীনতা এবং কীটপতঙ্গের বিরুদ্ধে সুরক্ষা উভয় উপায় হিসেবে কাজ করে। স্রষ্টা ভাবলেন যে লেজ থাকাটা মানুষের জন্য অপ্রয়োজনীয় এবং তিনি আমাদেরকে পোশাক তৈরি করে পরার ক্ষমতা দিয়েছেন!”

“ইসলামের একজন অনুসারী হিসেবে আমি সৃষ্টিকর্তা হিসেবে আল্লাহর অস্তিত্বে দৃঢ় বিশ্বাস রাখি। আসুন আমরা আমাদের চারপাশে বিশ্বের ঘটনাগুলোতে আলোকপাত করি, ঘাসের ক্ষুদ্রতম ফলক থেকে পাখির সুন্দর উড়ান পর্যন্ত। উদাহরণস্বরূপ, বিভিন্ন প্রাণীর অনন্য বৈশিষ্ট্য বিদ্যমান, যেমন, গরুর লেজ আছে কিন্তু মানুষের মধ্যে এর অনুপস্থিতি বিবেচনা করুন। লেজ গরুর জন্য শালীনতা এবং কীটপতঙ্গের বিরুদ্ধে সুরক্ষা উভয় উপায় হিসেবে কাজ করে। স্রষ্টা ভাবলেন যে লেজ থাকাটা মানুষের জন্য অপ্রয়োজনীয় এবং তিনি আমাদেরকে পোশাক তৈরি করে পরার ক্ষমতা দিলেন!”

“ইসলামের একজন অনুসারী হিসেবে আমি সৃষ্টিকর্তা হিসেবে আল্লাহর অস্তিত্বে দৃঢ় বিশ্বাস রাখি। আসুন আমরা আমাদের চারপাশে বিশ্বের ঘটনাগুলোতে আলোকপাত করি, ঘাসের ক্ষুদ্রতম ফলক থেকে পাখির সুন্দর উড়ান পর্যন্ত। উদাহরণস্বরূপ, বিভিন্ন প্রাণীর মধ্যে অনন্য বৈশিষ্ট্য বিদ্যমান, যেমন, গরুর লেজ আছে কিন্তু মানুষের মধ্যে এর অনুপস্থিতি বিবেচনা করুন। লেজ গরুর জন্য শালীনতা এবং কীটপতঙ্গের বিরুদ্ধে সুরক্ষা উভয় উপায় হিসেবে কাজ করে। স্রষ্টা ভাবলেন যে লেজ থাকাটা মানুষের জন্য অপ্রয়োজনীয় এবং তিনি আমাদেরকে পোশাক তৈরি করে পরার ক্ষমতা দিলেন!”