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Effects Quotes

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Effects Quotes

“You feel a certain way in a glass or concrete or limestone building. It has an effect on your skin - the same with plywood or veneer, or solid timber. Wood doesn't steal energy from your body the way glass and concrete steal heat. When it's hot, a wood house feels cooler than a concrete one, and when it's cold, the other way around.”

WayFeelsBodyCertainHouseEnergyEffectsBuildingColdSkinsHotGlassesWoodsYour BodyStealingHeatConcreteTimberVeneerLimestone
Author:Peter Zumthor
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“In drawing attention to the physical characteristics of women leaders, they can be dismissed as either too pretty or too ugly. The net effect is to prevent women's identification with the issues. If the public women is stigmatized as too 'pretty,' she's a threat, a rival--or simply not serious; if derided as too 'ugly,' one risks tarring oneself with the same brush by identifying oneself with her agenda.”

IfsAttentionLeaderIssuesRiskEffectsSeriousThreatOneselfUglyDrawingCharacteristicsAgendasBrushesRivalsIdentificationIdentifyingWoman LeaderDrawing Attention
Author:Naomi Wolf
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“The truth is, what you do matters. What you do today matters. What you do every day matters. Successful people just do the things that seem to make no difference in the act of doing them and they do them over and over and over until the compound effect kicks in.”

PeopleMatterSeemsTodayDifferencesSuccessfulEffectsTruth IsKicksSuccessful PeopleCompounds
Book:The Slight Edge: Turning Simple Disciplines into Massive Success and Happiness
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“In effect, painting is the still memory of [the artist's] human motion, and our individual responses to it depend on who we are, on our character, which underlines the simple truth that no person leaves himself behind in order to look at a painting.”

HumansLooksPersonsStillsCharacterArtistOrderIndividualMemoriesSimpleBehindsEffectsPaintingDependsResponseWho We AreSimple Truths
Book:Mysteries of the Rectangle: Essays on Painting
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“When you see evil do not form ideas that are in the likeness of that evil; do not think of the evil as bad, but try to understand the forces that are back of that evil—forces that are good in themselves, though misdirected in their present state. By trying to understand the nature of the power that is back of evil or adversity, you will not form bad ideas, and therefore will feel no bad effects from experiences that may seem undesirable. At the same time, you will think your own thought about the experiences, thereby developing the power of the master mind.”

ThinkingFeelsTryingMindMayIdeasStatesSeemsFormEvilForceEffectsMastersAdversityDevelopingBad IdeasUndesirable
Book:Your Forces and How to Use Them
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“This Law -- whether Conscious or Unconscious --predestines nothing and no one. It exists from and in Eternity, truly, for it is ETERNITY itself; and as such, since no act can be co-equal with eternity, it cannot be said to act, for it is ACTION itself...Karma creates nothing, nor does it design. It is man who plans and creates causes, and Karmic law adjusts the effects; which adjustment is not an act, but universal harmony, tending ever to resume its original position.”

MenDoeSaidActionLawCausesPlansEffectsDesignPositionEqualConsciousUniversalEternityHarmonyOriginalsKarmaUnconsciousAdjustmentResumes
Author:H. P. Blavatsky
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“The Internet plays an ever more significant role in the sedulous promotion of terrorism. We know that in the U.K., groups gather to view the preaching of violent men located many thousands of miles away and that this does have a powerful effect on young minds.”

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Author:Pauline Neville-Jones, Baroness Neville-Jones
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“As soon as I suspect a fine effect is being achieved by accident I lose interest. I am not interested...in unskilled labor. ...The scientific actor is an even worker. Any one may achieve on some rare occasion an outburst of genuine feeling, a gesture of imperishable beauty, a ringing accent of truth; but your scientific actor knows how he did it. He can repeat it again and again and again. He can be depended on.”

KnowsMayFeelingsActorsInterestLosesKnow HowAchieveEffectsFineLaborWorkersAccidentsGenuineOccasionsRepeatsSuspectsGesturesNot InterestedAgain And AgainAccentsOutburstRare Occasion
Author:Minnie Maddern Fiske
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“Growing up, my sisters and I would always talk stories. One of my frustrations was I didn't know anything about cameras. I didn't know how to make a film and I obviously didn't have a special effects budget. I was a kid. So I was learning to draw to get down the stuff that was in my head, that I couldn't afford to actually do.”

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Author:Jennifer Yuh Nelson
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“Extemporaneous and oral harangues will always have this advantage over those that are read from a in manuscript: every burst of eloquence or spark of genius they may contain, however studied they may have been beforehand, will appear to the audience to be the effect of the sudden inspiration of talent.”

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Book:Lacon: Or, Many Things in Few Words, Addressed to Those who Think
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“Eloquence, to produce her full effect, should start from the head of the orator, as Pallas from the brain of Jove, completely armed and equipped. Diffidence, therefore, which is so able a mentor to the writer, would prove a dangerous counsellor for the orator.”

ShouldAbleBrainEffectsDangerousProduceProveMentorEloquenceOratorsDiffidenceCounsellors
Book:Lacon: Or, Many Things in Few Words, Addressed to Those who Think
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