“Yes, the highest things are beyond words. That is probably why all art aspires to the condition of wordlessness. When literature works on you, it does so in silence, in your dreams, in your wordless moments. Good words enter you and become moods, become the quiet fabric of your being. Like music, like painting, literature too wants to transcend its primary condition and become something higher. Art wants to move into silence, into the emotional and spiritual conditions of the world. Statues become melodies, melodies become yearnings, yearnings become actions.” WorldWantDoeArtMomentsDreamActionSpiritualMovingLiteratureSilenceConditionsEmotionalPaintingHigherQuietHighestMoodPrimariesYour DreamsMelodyYearningFabricAspireStatuesGood Words Author:Ben Okri
“Subordinates look for their bosses to be positive, in good humor, and cheerful. They aren't supposed to be emotional or have bad days. but leaders are guman, too, and when they are in a lousy mood and snap at a subordinate, it can have a devastating effect.” LooksMotivationalLeaderEffectsEmotionalMoodSupposed To BeBossCheerfulBad DaySnapsBeing PositiveSubordinatesGood Humor Author:Donald T. Phillips
“IN PERSIA I SAW that poetry is meant to be set to music & chanted or sung--for one reason alone--because it works.A right combination of image & tune plunges the audience into a hal (something between emotional/aesthetic mood & trance of hyperawareness), outbursts of weeping, fits of dancing--measurable physical response to art. For us the link between poetry & body died with the bardic era--we read under the influence of a cartesian anaesthetic gas.” ArtReasonBodyAudienceSawsInfluenceEmotionalFitDiedDancingResponseMoodErasCombinationGasTunesPoetry IsLinksMeant To BeAestheticWeepingPlungeTranceOutburstPersia Author:Hakim
“Whatever is felt upon the page without being specifically named there - that, one might say, is created. It is the inexplicable presence of the thing not named, of the overtone divined by the ear but not heard by it, the verbal mood, the emotional aura of the fact or the thing or the deed, that gives high quality to the novel or the drama, as well as to poetry itself.” GivingWellsFactsMightFeltQualityNovelHeardEmotionalDramaPagesEarsDeedsMoodAurasInexplicableHigh Quality Book:Not Under Forty Source: Not Under Forty
“I don't remember the first image of a werewolf I saw, but I suspect it was the hybrid type, up on two legs, with long limbs, hair, claw-like fingernails and lupine head. To me there's nothing scary about complete transformation from human into wolf. Wolves aren't scary. They're dangerous, yes, but so are geese, in the wrong mood. What's scary is seeing the human in the wolf but knowing it's beyond the reach of reason or emotional appeal. That's where the horror and dread kicks in.” FirstsHumansLongTwoReasonRememberKnowingSawsSeeingDangerousEmotionalHairTypeHorrorTransformationScaryLegsMoodAppealsKicksSuspectsDreadLimbsWerewolfGeeseClawsHybridFingernailsEmotional Appeal Author:Glen Duncan
“Golf cannot be played in anger, or in any mood of emotiional excess. Half the golf balls struck by amateurs are hit if not in rage surely in bewilderment, or gloom, or in cynicism, or even hysterically - all of those emotional excesses must be contained by the professional. Which is why balance is one of the essential ingredients of golf. Professionals invariably trudge phlegmatically around the course - whatever emotions are seething within - with the grim yet placid and bored look of cowpokes, slack-bodied in their saddles, who have been tending the same herd for two months.” IfsLooksHas BeensTwoCoursesEmotionHalfEmotionalMonthsBalanceEssentialsBallsGolfRageMoodBoredIngredientsExcessCynicismHerdsGloomGrimTwo MonthsSaddlesBewildermentGolf BallPlacidSeething Author:George Plimpton
“When you're in a good mood, bring up the past. When you're in a bad mood, stick to the present. And when you're not feeling emotional at all, it's time to talk about the future.” FeelingsPastEmotionalSticksMoodBad MoodGood Mood Author:Marilyn vos Savant
“The Zen meditative approach has a simple, unstated premise: moods and attitudes shape—determine—what we think and perceive. If we feel happy, we tend to develop certain trains of thought. If we feel sad or angry, still others. But suppose, with training, we become nonattached to distractions and learn to dampen these wild, emotional swings on either side of equanimity. Then we can enter that serene awareness which is the natural soil for positive, spontaneous personal growth, often called spiritual growth.” IfsThinkingFeelsStillsSpiritualCertainSidesGrowthNaturalSimpleAttitudeLearningSadnessAwarenessEmotionalShapesApproachTrainingAngryTrainPersonal GrowthDetermineHappyMoodPerceiveSoilSpiritual GrowthDistractionSwingsSpontaneousPremisesSereneEquanimityTrain Of Thought Book:Zen and the Brain: Toward an Understanding of Meditation and Consciousness Source: Zen and the Brain: Toward an Understanding of Meditation and Consciousness
“The woman is skin covered prozac I like to call her. Half the trick to a film like this is keeping a sort of emotional level going and keeping an attitude that induces creativity on the set. You have to be in a good mood for that. You have to be happy to make a comedy I think and Anne sort of ensured that every time by expressing most of her feelings through the exciting medium of dance.” ThinkingFeelingsFilmLevelsHalfAttitudeCreativityComedyEmotionalSkinsExcitingMoodTricksMediumsCoveredProzacGood Mood Author:Ryan Reynolds
“I truly, genuinely like clothes. Making them is an art form, and wearing them is a form of self-expression. I find it very emotional because I can remember moments in my life - my mood, how I felt - through these clothes.” ArtI CanSelfMomentsRememberFormFeltEmotionalExpressionClothesMoodBecause I CanSelf Expression Author:Diane Kruger
“I knew that, without killing the creative mood, I had to keep the balance between my emotional outburst and the merciless discipline of a super-personal control, thus submitting myself ti the self-imposed law of dance composition” SelfLawCreativeEmotionalBalanceDisciplineKillingMoodCompositionOutburstEmotional Outbursts Author:Mary Wigman
“Always tell us where we are. And don't just tell us where something is, make it pay off. Use description of landscape to help you establish the emotional tone of the scene. Keep notes of how other authors establish mood and foreshadow events by describing the world around the character. Look at the openings of Fitzgerald stories, and Graham Greene, they're great at this.” WorldLooksCharacterHelpingStoriesUsePayEventsEmotionalSceneNotesMoodOpeningLandscapeToneDescriptionDescribing Author:Janet Fitch
“I think that what I do is a form of pathetic fallacy, the literary trope in which nature is in sympathy with the mood of the story. I connect the physical setting and props in the story to the emotional state of the characters.” ThinkingCharacterEmotionalMoodPatheticFallacy Author:Elizabeth Wein