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Environment Quotes

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Environment Quotes

“I've heard plenty of Christians try to answer the why question by going back to the what. "You have to believe because Jesus is the Son of God." But that's answering the why with more what. Increasingly we live in a time in which you can't avoid the why question. Just giving the what (for example, a vivid gospel presentation) worked in the days when the cultural institutions created an environment in which Christianity just felt true or at least honorable. But in a post-Christendom society, in the marketplace of ideas, you have to explain why this is true, or people will just dismiss it.”

“I just don't see anything available that gives any reasonable hope of delivering such a good year and I have no desire to grope around, hoping to 'get lucky' with other people's money. I am not attuned to this market environment, and I don't want to spoil a decent record by trying to play a game I don't understand just so I can go out a hero.”

“I think there was something that made us not pay attention to climate change. Something that was up there. There was a saying when we were trying to pay attention to the environment that people used this phrase NIMBY - not in my back yard. People were saying, ‘I don’t care, it is not in my back yard.’ But now it’s in everyone’s back yard.”

“What we were trying very hard to do, just in the way we shot it, was to make it feel as if we're in that environment ourselves, just so we can get a grasp on what it is. A lot of our influence was about getting stuck on a level on any of those video games, where you find yourself caught and you can't get out, and it's maddening. We talked a lot about that.”

“When I perform on stage I do achieve quite a variety of ways of singing. I was interested in trying to replicate that in the studio environment. I think it is an interesting alternative position, just to stretch people's imagination, myself included, as to who is actually singing the song. It's not to create alter-egos or characters - it always feels like me, even when the voice is extremely manipulated.”

“But waiting for 'eventually' to prove the alarmists wrong is not the wisest course of action. Unfullfillable ambitions to stifle growth will devastate a world trying to deal with the complexities of economics, stability, and the environment. Quality of life depends on access to energy. Noble intentions about 'C02-free' sources of energy are not sufficient, if their agenda of eliminating coal as a source, and turning their back on nuclear, are allowed to be part of our near-term policies.”

“So to the best we can, what we do is focus on creating value for others, and how do we do that? We do it by trying to produce products and services that our customers will value more than their alternatives, and not just their alternatives today, but what the alternatives will be in the future. We try to more efficiently use resources than our competitors, and constantly improve in that, and we try to do the best job we can in creating a safe environment, and environmental excellence, and constantly improve at that.”

“One of the scariest things to me was, I really feel like I'm a pretty even-keeled person with a good outlook and respect level, but in that environment, deep within the character, you see how easy it is to go to that place because you're one-upping each other and it's this heavy environment filled with young men trying to make an impression. It's dangerous. It's something that I became very conscious of afterwards.”

“Kevin [Drew] beat me to the punch because when he first sent "Sister OK" and I'm listening to it, it took me to a place that I had not been to in a long time. It took me to a place when you're a teenager. I understand it all now, but in a moment of confusion, in a moment of trying to find some kind of solid ground in an environment that was quicksand in my life, it's that first line just kills me all the time: "Well it's just that your sister said you'd be OK."”

“The impresario function is about intervening with the company's more administrative management structure. It is about trying to establish a sense of boundaries and budgets and milestones and so forth on a project that does not necessarily lend itself to milestones. It is about translating between the intimate interior environment of the creative work team and the company's need to make money. And finally, it is about positioning the fruits of the creative process in the marketplace and selling them.”

“When Colin Powell showed up as Secretary of State in 2001, most State Department employees still didn't even have computers on their desks. When I got there they were not mostly permitted to have handheld devices. I mean, so you're thinking how do we operate in this new environment dominated by technology, globalizing forces? We have to change, and I can't expect people to change if I don't try to model it and lead it.”

“There is a wonderful documentary called 'A Room to Breathe,' where a school brought in a TM instructor, to try and establish a better classroom environment, and the results and transformations were profound. It's impossible to ignore, and we make some passing references in my film, but 'A Room to Breathe' is a closer look at just how powerful meditation can be.”

“Hopefully folks will look at the good things that I've done over the years, you know, my 10 years in Congress, my 12 years in state legislature, my many years of community organizing for the environment, for police accountability, for criminal justice reform, economic empowerment, trying to fight for small-business people, all these things.”

“We should certainly not be perpetuating further harm to others or to the environment. Suppose that workers at ExxonMobil are trying to unionize. We have two choices: to help them improve their lives, or to keep away so that their lives will be worse. Neither choice has any effect on use of fossil fuels. So radical organizers can both help them unionize and improve their lives, and convince them to find a different way to survive and work for ending the use of fossil fuels.”

“Look, you are interested in trying to make sure that governments keep a clean environment, have regard for the lifestyles of indigenous peoples, and work for fair trade rules. Well, it's exactly the same for human rights - from non-discrimination to the basic rights to food, safe water, education and health care. We are talking rights not needs. There are standards that governments have signed up to - but nobody is holding them to account.”

“I always say that my artist statement is to not be afraid to talk about the messiness - the unpleasant feelings and happenings around my life. I also try to convey what it feels like and sounds like and smells like and looks like inside of my particular skin, to move through the world as a black American woman in her mid-twenties. Language from songs and TV shows feel integral because it helps to create the environment and describe the full picture.”

“There was a transition going on - Baghdad being the intellectual capital of the world where major advances were made in agriculture and mathematics and engineering and medicine and astronomy, and then that all sort of collapsed. And I was trying to understand how such a intellectually fertile environment can lose its compass bearing. Because I think about the creative centers today - countries, or even regions. Will Silicon Valley always be as innovative? Will the United States be innovative, or will we become complacent?”

“Other than areas of high-tech, fracking is probably one of the largest areas where concentrated growth in America's economy is taking place. There are oil booms in the Dakotas, in North Dakota. They are having to build entire cities, towns, to house employees showing up to work in fracking. The left is trying to shut it down under some claim that it destroys the environment. Natural gas and oil, of course, are the evil twins of opposition to the mainstream environmentalist wacko movement.”