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Escape Quotes

Browse 436 quotes about Escape.

Escape Quotes

“Traffic was congested in both directions due to the recent destruction of the bridges and the many abandoned cars, which left fewer options for those still trying desperately to flee the city and finding themselves unable to go anywhere. The vehicle occupants were easy pickings for the increasing number of infected on the roadway.”

“Tracey hurriedly shut the door behind her to prevent the flames that had been licking hungrily at her caboose all the way down the corridor, from following her inside. Then, almost falling into one of the gravity couches, she hurriedly strapped herself into it before punching the emergency release. She hoped the escape system still worked. It did. The explosive dead-bolts fired, shaking the pod loose, dislodging it from the rapidly disintegrating wreck, just about shaking the crap out of her on its bone-jarring way into the great wide open.”

“My eyes roved over the walls covered with my collages and prints of famous paintings. Magritte, Kandinsky, Kahlo. My origami shapes hung from fishing wire, dangling over my bed. They shivered in the slight breeze blowing through my open window. It was my own little escape pod, but none of it was enough tonight.”

“An overhead light blinked and extinguished. Armitage drew the pistol with his right hand. He swung and aimed, checking there were no innocent people obstructing the way. None. Fired a single shot. It sailed over a plant and table setting. The round hit an inch from the watcher's heart. On impact the brown-haired assailant tipped. Jake ducked. A table toppled. The watcher groaned as the force of the momentum pushed him toward the floor-to-ceiling glass wall. A second table collapsed, plates thrown asunder. Jake stepped forward, arm stretched and gun straight. A waitress hugged herself, crying. Two more male patrons hit the floor and crawled between chairs.”

“Don’t pretend, Bianca,” he said. “You’re smarter than that, and so am I. I finally figured out what you meant when you left. You said you were like Hester. I get it now. The first time you came to my house, when we wrote that paper, you said Hester was trying to escape. But everything caught up with Hester in the end, didn’t it? Well, something finally caught up with you, but you’re just running away again. Only, he”-Wesley pointed to my bedroom door-“is your escape this time.” He took a step toward me, forcing me to crane my neck even more to see his face. “Admit it, Duffy.” “Admit what?” “That you’re running away from me,” he said. “You realized you’re in love with me and you bailed because it scared the shit out of you.”

“He was as bold as a lion about it, and 'mightily convinced' not only himself, but everybody that heard him;—but then his idea of a fugitive was only an idea of the letters that spell the word,—or at the most, the image of a little newspaper picture of a man with a stick and bundle, with "Ran away from the subscriber" under it. The magic of the real presence of distress,—the imploring human eye, the frail, trembling human hand, the despairing appeal of helpless agony,—these he had never tried. He had never thought that a fugitive might be a hapless mother, a defenseless child,—like that one which was now wearing his lost boy's little well-known cap; and so, as our poor senator was not stone or steel,—as he was a man, and a downright noble-hearted one, too,—he was, as everybody must see, in a sad case for his patriotism.”

“The only way to truly help most drug addicts and most alcoholics is to—instead of them—change reality.”

“A poor man needs the escape far more than a wealthy man does." "Escape," Amanda repeated, having never heard a book described in such a way. "Yes, something to transport your mind from where and who and what you are. Everyone needs that. A time or two in my past, it seemed that a book was the only thing that stood between me and near insanity. I-" He stopped suddenly, and Amanda realized that he had not meant to make such a confession. The room became uncomfortably quiet, with only the jaunty snap of the fire to intrude on the silence. Amanda felt as if the air were throbbing with some unexpressed emotion. She wanted to tell him that she understood exactly what he meant, that she, too, had experienced the utter deliverance that words on a page could provide. There had been times of desolation in her own life, and books had been her only pleasure.”

“The late 1920s were an age of islands, real and metaphorical. They were an age when Americans by thousands and tens of thousands were scheming to take the next boat for the South Seas or the West Indies, or better still for Paris, from which they could scatter to Majorca, Corsica, Capri or the isles of Greece. Paris itself was a modern city that seemed islanded in the past, and there were island countries, like Mexico, where Americans could feel that they had escaped from everything that oppressed them in a business civilization. Or without leaving home they could build themselves private islands of art or philosophy; or else - and this was a frequent solution - they could create social islands in the shadow of the skyscrapers, groups of close friends among whom they could live as unconstrainedly as in a Polynesian valley, live without moral scruples or modern conveniences, live in the pure moment, live gaily on gin and love and two lamb chops broiled over a coal fire in the grate. That was part of the Greenwich Village idea, and soon it was being copied in Boston, San Francisco, everywhere.”

“I had a chance to read Monte Christo in prison once, too, but not to the end. I observed that while Dumas tries to create a feeling of horror, he portrays the Château d'If as a rather benevolent prison. Not to mention his missing such nice details as the carrying of the latrine bucket from the cell daily, about which Dumas with the ignorance of a free person says nothing. You can figure out why Dantès could escape. For years no one searched the cell, whereas cells are supposed to be searched every week. So the tunnel was not discovered. And then they never changed the guard detail, whereas experience tells us that guards should be changed every two hours so one can check on the other. At the Château d'If they didn't enter the cells and look around for days at a time. They didn't even have any peepholes, so d'If wasn't a prison at all, it was a seaside resort. They even left a metal bowl in the cell, with which Dantès could dig through the floor. Then, finally, they trustingly sewed a dead man up in a bag without burning his flesh with a red-hot iron in the morgue and without running him through with a bayonet at the guardhouse. Dumas ought to have tightened up his premises instead of darkening the atmosphere.”

“I thought of all the summer evenings I'd spent sitting in the chairs under the trees beside the trailer, reading books that helped me escape Creek View, at least for a little while. Magical kingdoms, Russian love triangles, and the March sisters couldn't have been further away from the trailer park.”

“Shandy looked ahead. Blackbeard, apparently willing to get the explanation later, had picked up his oars and was rowing again. 'May I presume to suggest,' yelled Shandy giddily to Davies, 'that we preoceed the hell out of here with all due haste.' Davies pushed a stray lock of hair back from his forehead and sat down on the rower's thwart. 'My dear fellow consider it done.”

“I chose to trust him when he said that the sharks were like the “dogs of the sea” and took aim, plunging into a shark-less patch of ocean. The water stole all my senses in a second, then a tail called them to attention, whipping my legs as I surfaced among the bubbles, my heart pounding.”

“To live on a day-to-day basis is insufficient for human beings; we need to transcend, transport, escape; we need meaning, understanding, and explanation; we need to see over-all patterns in our lives. We need hope, the sense of a future. And we need freedom (or, at least, the illusion of freedom) to get beyond ourselves, whether with telescopes and microscopes and our ever-burgeoning technology, or in states of mind that allow us to travel to other worlds, to rise above our immediate surroundings. We may seek, too, a relaxing of inhibitions that makes it easier to bond with each other, or transports that make our consciousness of time and mortality easier to bear. We seek a holiday from our inner and outer restrictions, a more intense sense of the here and now, the beauty and value of the world we live in.”

“I choose to write because it's perfect for me. It's an escape, a place I can go to hide. It's a friend, when I feel out casted from everyone else. It's a journal, when the only story I can tell is my own. It's a book, when I need to be somewhere else. It's control, when I feel so out of control. It's healing, when everything seems pretty messed up. And it's fun, when life is just flat-out boring.”