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“(Barry) Bonds' records must remain part of baseball's history. His hits happened. Erase them and there will be discrepancies in baseball's bookkeeping about the records of the pitchers who gave them up. George Orwell said that in totalitarian societies, yesterday's weather could be changed by decree. Baseball, indeed America, is not like that. Besides, the people who care about the record book - serious fans - will know how to read it. That may be Bonds' biggest worry.”

“Steinberg occupies a position that is very dear to those of us who've held it over the years: sports columnist at The Post. If all he wants to do is be popular--and I think Dan is better than that--then the readers of The Washington Post sports section won't be very well served. Telling readers how great they are as sports fans was never one of my priorities. The only thing worse than people who can't stand to hear an unpopular or unflattering opinion is those that are too afraid to state one.”

“I am of the generation of writers who can get instant feedback from readers within hours of publication. The fan forum is extraordinary - readers from all over the world coming together to discuss, argue and debate scenes and characters from a novel. They add a layer to the story that I cannot write and yes, I will participate in that conversation and answer questions. After all, they are the people I'm writing for and their enthusiasm and questions really pushes me to raise the bar.”

“I'm not a grunter, I'm relatively quiet. There's a little bit of breathing out. Some people get really loud! There's a little bit of psyching up sometimes, if you're going for a really heavy weight you might make a little noise, but when lifting, I try and keep it quite quiet - I'm not a fan of male noise in that way to be totally honest. I think when girls do it it's not as bad, but when guys do it it's just like, 'Come on mate, hold it in!'.”

“There is something I like about talking to journalists that really goes beyond promotion because you aren't just talking to the journalist, but you are talking through them to people who presumably are fans of the Rolling Stones. The interviews give you a chance to say a few things and maybe clear up some of the things people read about the band.”

“She [my mother] said, "You are fiercely protective of your inventions because you are your fans." She helped me understand my own feelings. When someone has pulled the wool over my eyes, I feel that they have pulled the wool over the eyes of millions of fans around the world. She helped me to forgive. You can't force people to have the same world consciousness and awareness as you do.”

“Fans decide what pop culture is. We can define ourselves. Music and the presentation of art nowadays is totally in our control, with the Internet specifically. You no longer need record labels. You no longer need movie distribution companies. You can just make it and put it online, and it will distribute itself to millions of people. The borders and everything have been broken down. It really is in the hands of the people.”

“I have become a giant fan of the testing process, especially with a comedy. I mean, they tell you what's funny. It's almost tailor-made for people who shoot the way we shoot, trying a million different options and versions of things. Because the audience doesn't laugh at a joke, we put in another joke. If they don't laugh at the next joke, we put in another joke. You just keep doing them and you can get the movie to the point where every joke is funny, if you have enough options in the can.”

“It's really amazing to be a part of something that people have an emotional response to, even though it's a network sitcom. When you get a chance to meet fans or interact with them, you realize that there are a lot of people who the show speaks to, and that they really get something out of it, beyond just laughing. That's really fulfilling.”

“You have to be careful with fans, they'll turn on you. They turn quick. Twitter can go dark fast. If you talk about something serious on Twitter, you better be ready. If you try to pull out real facts or talk about political opinions or something religious, forget it. Like if people asked me who I was voting for, you couldn't touch that one.”

“If my songs are being listened to between any other songs, that is awesome, and I'm glad people are getting something out of them. We go to countries like Germany, where I can't imagine that all of my fans are engaging with the lyrics first and foremost. I think they're catching a vibe, a feeling. I consider myself a lyricist first and foremost, but if you get something else out of what I do, that's fine too. I'm not sitting back and telling people how they have to take my stuff. We just want to play music, and hope that people like it.”

“I've been very lucky with the people I've met over the years. Way back in the early '70s I went to [Phil] Seuling's conventions for something like three years in a row from '70 to '72 and I remember at the '72 luncheon with the Academy of Comic Book Artists and talking with John Romita about the kind of brushes he used. Pros ask pros the same questions that fans do. "What kind of pens do you use? What kind of brushes do you use?" I was so amazed that the wonderful work John Romita was doing was accomplished with a Windsor-Newton series 7 Number 4. Not a 2 or a 3, but a 4.”

“It means a lot to me that people appreciate what I do. That's why I give a lot of importance to my fans and I like to maintain a certain proximity to them. I already feel very thankful that people enjoy my work so much, and becoming famous is not my ultimate goal. I think it's important to keep a good balance between what I want to do and what people want to hear; otherwise I might fall into the dark side.”

“I believe that, your art is like a time capsule for where you were at, where your mentality was at, at that specific or that particular space in time. A lot of times people want the same thing over and over again; I'm not going to give you that, I'm just not. So, I want my fans to continue to grow with me and let's take this journey, because it ain't gon' never stop.”

“The people at festivals are much more open to dance and just sing along. They come right up to the stage and they're very thankful. That's one thing I really appreciate about the yoga culture, that the people are very thankful. They come up to you as much as any fan would, but they express sincere gratitude and I appreciate that.”