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Fantasy Quotes

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Fantasy Quotes

“In Bergman's world I represented a sort of intellectual, skeptical, ironic person, rather cold and frustrated. When I went abroad and made films in Italy and other places, I was used in different ways. I was rather often cast as crazy people, maniacs. It was very good for me and it was fun because it is nice to play crazy people if you are not in reality. And I think perhaps that changed how Ingmar saw me. Suddenly I was on the more magical side of his world, playing the people with fantasies, variety, the artists.”

“The school was nothing but reminiscence - of an Italian hill town, a French abbey, an English academy, the different sources improbably but convincingly melded into a fantasy about the classic sites of Europe as imagined by exiles from cold peripheral lands, nostalgia about somebody else's past.”

“The trauma of 9/11 stimulated infinite possibilities for worry - some quite plausible, but most inspired by remote what-if fantasies. A society bingeing on fear makes itself vulnerable to far more profound forms of destruction than terror attacks. The "terrorism war", like a nostalgic echo of the cold war, is using these popular fears to advance a different agenda - the re-engineering of American life through permanent mobilization.”

“Surely we all occasionally buy books because of a daydream we're having - a little fantasy about the people we might turn into one day, when our lives are different, quieter, more introspective, and when all the urgent reading, whatever that might be, has been done. We never arrive at that point, needless to say.”

“An incipient Mother Man has always inhabited my deeper self; creativity has always been my companion ... I have tried to express myself in a very definite style but by means of all kinds of materials and formats. I wish to discover how my own creativity unfolds under different circumstances... Naples is a dilemma that fatally elicits an oneiric interpretation and I love it and feel grateful because it has nurtured my fantasy.”

“There is a thing about beauty. Beauty is always associated with the male fantasy of what the female body is. I don’t think there is anything wrong with beauty. It’s just what women think is beautiful can be different. And there can be a beauty in individualism. If there is a wart or a scar, this can be beautiful, in a sense, when you paint it.”

“I always had all of these childhood fantasies about wanting to invent things, like a spaceship or a time machine. And everyone's imagined what it would be like to go back in time and change things, to see what would happen if you had a different life. 'Back to the Future' fulfills all of those daydreams. It's the perfect movie.”

“If I would had been born years earlier, I would have been in all the Westerns. It's just the way that the industry goes. But now, we are in an age of a lot of different kinds of fears, and you have the science fiction and horror genres doing our morality plays the same way that they would have done in Westerns. I absolutely accept it. In every respect, fantasy is like doing abstract paintings.”

“That's proof right there that men and women are on different levels because men can watch two women together and that's a turn-on. It doesn't work the same way for us, does it, ladies? No, uh-uh - it doesn't work the same. You ask any woman in here her sexual fantasy, and I will bet you a million dollars that it's NOT to go home and catch your man bent over with some big, burly guy standing behind him.”

“... my father loved to take photographs of me. When I was nine I made my own costumes for a school play and I experienced becoming different characters. I loved to document myself as different images and I think my work evolved after this favorite activity. The photographs I exhibited in New York juxtaposed reality and fantasy. There was everyday life and fantasy was dismantling that reality.”

“I love young adult fantasies. While I say that, I have not seen all of the Twilight and Harry Potter movies. But I've read all of the books, and I love them. I love them because I enjoy being transported to a different world and having my imagination challenged. That's a huge part of what we do as actors. We have to imagine ourselves in a different world. And when you are in a young adult fantasy, it challenges you in the best way.”

“A mother should have some fantasy about her child's future. It will increase her interest in the child, for one thing. To turn the fantasy into a program to make the child fly an airplane across the country, for example, isn't the point. That's the fulfillment of the parent's own dreams. That's different. Having a fantasy - which the child will either seek to fulfill or rebel against furiously - at least gives a child some expectation to meet or reject.”

“There are a bunch of different movies I feel that way about. However, there is a debate because as you may know after MST3K ended there have been things like Cinematic Titanic that are the children and the grandchildren of this way of dissecting movies and making fun of them and in a way celebrating the absurdity of those movies as well. There are certain movies that sort of fit into the MST3K paradigm which is hidden gems, these weird horror/sci-fi/fantasy movies.”

“What writers of fantasy, science fiction, and much historical fiction do for a living is different from what writers of so-called literary or other kinds of fiction do. The name of the game in F/SF/HF is creating fictional worlds and then telling particular stories set in those worlds. If you're doing it right, then the reader, coming to the end of the story, will say, "Hey, wait a minute, there are so many other stories that could be told in this universe!" And that's how we get the sprawling, coherent fictional universes that fandom is all about.”

“I live in New York now, and miss France quite a bit. Of course, the reality of living in a small village in the south of France was very different than the fantasy I had of living in France. Over the years I spent there, that fantasy was worn away and I found a more realistic version of France than the one I began with. I wouldn't say the spell ever goes away, but transforms. Now that I understand French culture more intimately, and speak fluent French, I have a different, more solid, relationship to the country.”

“I've got a solid grounding in history, sociology, anthropology, philosophy, etc etc. That means I actually have a good idea about how societies change and evolve. I know how a lot of them have actually functioned through the years. I can put together a culture that's cool and different, while still being logically consistent, so that it feels real. So many fantasy worlds are either implausible, cookie-cutter, or both. Mine aren't.”

“Many people are under the delusion that I'm just a special-effects man, but I've worn many different hats in my day. On every film I've been involved in, I worked with the writer and producer. We really formulated those scripts. We tried to make films that were logical but still had the fantasy feel of it. I enjoy Aardman Animation's films with Wallace and Gromit, but they're obvious puppet films, whereas we tried to disguise it and make our effects characters in the films rather than obvious puppets.”

“I'm trying to write truthfully about life, and naturalism, or the way people normally talk in movies, is a convention. The way I write is about life and is quite truthful, and there is a kind of brutal side to the relationship, and to the feelings, that makes it somewhat painful, but I think it's a very intense portrait of the relationship of two people. And a bit about what people feel like when they're alone, because it all takes place in one day, and during the day, they spend a lot of time alone in their different - you get to imagine what their fantasy lives are like.”

“I'm not able to completely escape naturalism. It's very difficult to escape from naturalism without being too dry. That's what I try to do in my cinema - escape naturalism and do films that are, at the same time, realistic but have a lot of fantasy. It's very difficult in cinema to get away from what life is about, from real life. The way the actors work has to be realistic - you can't do Baroque acting - so it's very complicated. And, we're human beings, so we're not perfect. I'm trying to do something different.”

“The Stock Exchange is something very different. There is no economy and no production of goods and services. There are only fantasies in which people from one hour to the next decide that this or that company is worth so many billions, more or less. It doesn't have a thing to do with reality or with the Swedish economy.”

“Fantasy is escapism, but wait... Why is this wrong? What are you escaping from, and where are you escaping to? Is the story opening windows or slamming doors? The British author G.K. Chesterton summarized the role of fantasy very well. He said its purpose was to take the everyday, commonplace world and lift it up and turn it around and show it to us from a different perspective, so that once again we see it for the first time and realize how marvelous it is. Fantasy - the ability to envisage the world in many different ways - is one of the skills that make us human.”

“Most of our difficulties, our hopes, and our worries are empty fantasies. Nothing has ever existed except this moment. That's all there is. That's all we are. Yet most human beings spend 50 to 90 percent or more of their time in their imagination, living in fantasy. We think about what has happened to us, what might have happened, how we feel about it, how we should be different, how others should be different, how it's all a shame, and on and on; it's all fantasy, all imagination. Memory is imagination. Every memory that we stick to devastates our life.”