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Fantasy Quotes

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Fantasy Quotes

“A good writer should be able to write comedic work that made you laugh, and scary stuff that made you scared, and fantasy or science fiction that imbued you with a sense of wonder, and mainstream journalism that gave you clear and concise information in a way that you wanted it.”

“Ultimately, all I wanted was for players to feel like they were in the real world. I wanted them to be able to apply real world common sense to the problems confronting them, and I thought recreating real world locations would encourage that kind of thinking. There's also just a real power, a real thrill, when you fire up a game and see a place you've been or want to go, and then get to do all the stuff you WANT to do there but know you'll get arrested if you try! If that isn't the stuff of fantasy - far more than exploring some goofy dwarven mine or alien spaceship - I don't know what is!”

“I want to try to apply my abilities sometimes to make families happy, so I have to make movies at a venue that are not gratuitously violent, that are not using bullets and bloodshed, but are using things like magic and fantasy and enchantment and the imagination. To me that's just all positive stuff. But I am eclectic and I still like to make movies for the midnight audience as well.”

“A fact was the hard outer cover of meaning, and meaning was the soft living stuff inside a fact. Fact and meaning were the driving cogs of living. If the gear of fact drove the gear of meaning, then they revolved in opposite directions, but put the gear of fantasy between the two and they both revolved in the same direction. Fantasy was and is important; it leads to heaven knows where, but follow it and see. Sometimes it pays off.”

“I've always written towards movies that take place across two worlds. Most of the movies that I've worked on take place in two worlds, or sometimes three worlds, where you have a normal world and a fantasy world that mix and overlap. I never shy away from the series stuff in the real world. Big Fish is about mortality.”

“With the Black Company series Glen Cook single-handedly changed the face of fantasy—something a lot of people didn’t notice and maybe still don’t. He brought the story down to a human level, dispensing with the cliché archetypes of princes, kings, and evil sorcerers. Reading his stuff was like reading Vietnam War fiction on peyote.”

“Keep your shirt on," she said with a laugh at her bad joke. "Your clothes are at the laundry. They'll deliver them as soon as they're ready." "And in the meantime?" "Looks like you're naked." His jaw worked as if he couldn't believe what he was hearing. "I beg your pardon?" "Beg all you want, you're still going to be naked." Tabitha paused at the wicked image in her mind. "Come to think of it, a gorgeous, begging, naked man… that's the stuff of fantasies. Begging won't get you your clothes, but it could get you something else." She wiggled her eyebrows at him.”

“Bog-lights, vapors of mysticism, psychic overtones, soul orgies, wailings among the shadows, weird gnosticisms, veils and tissues of words, gibbering subjectivisms, gropings and maunderings, ontological fantasies ... this is the stuff, the phantasms of hope, that fills your book shelves. Look at them, all the sad wraiths of sad mad men and passionate rebels — your Schopenhauers, your Strindbergs, your Tolstois and Nietzsches. Come. Your glass is empty. Fill and forget.”