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Food Writing Quotes

Browse 241 quotes about Food Writing.

Food Writing Quotes

“Jane Grigson joined the Observer magazine in the summer of 1968. Her first column was about strawberries. She wrote a recipe for strawberry barquettes-- small pastry boats filled with fruit and lacquered with redcurrant jam so that they looked like jewels. There was another for strawberry brulée in a sweet sablé shell, and coeur à la crème-- a cream pudding set in a heart-shaped mould and encircled with fruit. 'In Venice, in the season of Alpine strawberries...' she wrote, and it didn't really matter what she said next, because you were already in. In most recipes, the introduction serves the recipes. Jane's was the other way around. She wrote about the hybridized origins of modern strawberries in French market gardens, and how they feature in the mythology of the fertility goddess Frigg. After a few lines on the demanding anatomy of strawberry plants, she devoured into Jane Austen, talking about the agro-cosplay fruit-picking of the Regency ball-gown set. She refused to be complacent, especially about the things her readers already thought they knew. 'Strawberries, sugar and cream. The combination allows no improvement, you think?' Well, you're wrong. None of this would've counted for much if the recipes weren't great, but they really were. One week she'd give you smart alternatives to traditional Christmas cake-- rounds of meringue stacked with coffee cream, or Grasmere shortcake with preserved ginger. Another week it'd be the unimpeachable precision of carrot salad, celery soup or a recipe for ice cream flavored with cooked, puréed apples. The cooking was pantheistic and it dealt with everything from kippers to apples, parsley, prunes and fennel with the same care, even love. We get smug these days about how broad our tastes are, and to an extent we're right. But a newspaper now would never run a double-page spread of recipes for tripe. The magic of Jane Grigson is that though she was a smart cook, she was really a skilled purveyor of daydreams-- even if those daydreams were granular and exactingly researched. 'I sometimes think that the charm of a country's cookery lies not so much in its classic dishes as in its quirks and fancies,' she wrote. This included the esoterica of regional pies and rare apple cultivars. Something could be worthwhile without being useful. 'Walk into the yard of Château Mouton Rothschild,' began Jane's recipe for jellied rabbit, 'and you see a scatter of small fires. Some flare into the sky, others smoke as they are fed faggots of vine prunings.' Noisettes de porc aux pruneaux de Tours, crépinettes with chestnuts, carottes à la Vichy, angel's hair charlotte. She drew from the culinary canon as far back as Gervase Markham's seventeenth-century The English Huswife.”

“I’ve sat in restaurants and viewed the food on the plate as I would a half-blooded mongrel. I may feel sorry for it and given time even get to like it a little, but it’s never going to really gain my affections. The plate in front of you should tantalize, seduce and enchant you. It should be a cheeky devil, a minx, a hussy even, but never a desperado”

“Are you hungry?' I say, slightly mischievously. 'Very, he says, unfurling his napkin. This is a shame, because we're sitting down for a tasting menu that will not be a meal, but more a random collection of the chef's ambitions, presented with seventeen verses of Vogon poetry from the staff as they dole out tiny plates of his life story. These tomatoes remind chef of his grandmother's allotment. This eel is a tribute to his uncle's fishing prowess. I will pull the requisite faces to cope with all of this. The lunch will be purposefully challenging, at times confusing and served ritualistically in a manner that requires the diner to behave like a congregation member of a really obscure sect who knows specifically when to bow her head and when to pass the plate and what lines to utter when.”

“Scatter the herbs across the table, sit together, and pick off the tender stems and leaves. There is a meditative rhythm and ritual to it all. It's one of those rare times we are asked to slow down, and we are able to converse, to commiserate, to gossip, to air out grievances, to share secrets and dreams. Life happens in these spaces, amid a field of greens.”

“Documenting what I do in the kitchen can feel like the task of recording almost nothing. But it is the nothing I am doing, and do almost every day, and have been doing every day for over a decade. It is the nothing that has been part of almost every social interaction of my life as an adult and through which I have come to know almost all the people I love. It is the nothing through which I have been sustained and transformed.”

“Torture Cuisine by Stewart Stafford Kitchen death growls, Whipping that cream, Beating those eggs, Burning all the toast. Knifing diced cheese, Drawn, quartered ham, Straining tomato sauce, Crushed-down walnuts. Peeling potatoes naked, Then smashing them up, You say purée, I say mash, Turkey and chicken skewers. © Stewart Stafford, 2022. All rights reserved.”

“We are stuck in habits and attitudes that seem impossible to break. We are stuck thinking food is love. We are stuck with guilt about food because we are female; or stuck not liking vegetables because we are male. We are stuck feeding hungers that often exist more in our brain than our stomach. We are stuck in our happy childhood memories of unhealthy foods. But the biggest way we are stuck is in our belief that our eating habits are something we can do very little about. In fact, we can do plenty. The first step is seeing that eating is a skill that each of us learns and that we retain the capacity for learning it, no matter how old we are.”

“You were a child once, too. When you arrived in the world, your only food preferences were milk and buried memories from your mother’s diet. Those early weeks were dominated by meals - the stab of hunger, the sweet contentment of being sated - but you could not yet tell dinner from breakfast. You didn’t yet know - lucky you! - what a trans fat was; or a frappuccino. No one had taught you to worry whether you were getting enough protein, or to feel guilt when your stomach was full. You had never watched a fast-food commercial, and on the relative merits of quinoa and macarons you had no opinion. Food was a wide open for you. The great garden of ingredients - from bitter greens to sweet dates - was all equally unknown: all new, all strange, all waiting to be discovered.”